Ancient poems are easy to have pinyin.

The ancient poem Yi Shui Ge has the following pinyin:

yìShuǐgī

Yishuige

This is a good example.

The wind is rustling, the water is cool, and the strong men go and never return.

Tang H incarnation Xu, Rogerio Gong, Yang Ting Hong, Chen Baihong.

Explore the tiger's den, enter the dumpling palace, face upwards and exhale, and turn into Bai Hong.

The rustling wind blew the bank of Yishui very cold, and the strong man went and never came back. Killing the king of Qin is as dangerous as going to the Dragon Palace in the den of tigers, but our heroic spirit can even form a white flood. According to historical records, Gao Jianli struck Zhu, and Jing Ke's elegy "The wind blows and the water cools, and the strong man is gone forever" sang tragically, and the listener was so angry that he lost his fingers.

After singing for a while, Jing Ke looked up and sighed, and a rainbow appeared in the sky. Gao Jianli changed a tune conveniently and the music became more exciting. Jing Ke went on to sing: Explore the tiger's den, enter the Jiao Palace, exhale from the sky, and turn into Bai Hong. Taizi Dan was finally deeply moved, kneeling on the ground and offering a glass of wine to Jing Ke.

Appreciation of Yi Poetry

This is a generous elegy of a strong man who went to the wolf's den and knew that he could not live any longer.

The whole poem has only two sentences. The first sentence is about the parting environment, bleak autumn wind, cold water and a tragic and desolate atmosphere. The scenery description is permeated with the singer's feelings. The second sentence shows the hero's unswerving concern for the disaster.

The language of this poem is simple, concise, lyrical and picturesque, and it is the swan song of China's ancient poems.

Jing Ke got his name from this, but two short poems are immortal. The difficulty in expressing majestic feelings in poetry lies in convincing people, not in arrogance and exaggeration; There is a more permanent and universal feeling behind temporary feelings, not a temporary impulse. Words about tragedy are often easy to be emotional, and it is difficult for people to distinguish between true and false under emotions, so they not only deceive others, but also deceive themselves.