When poets generally write about Zhouzi, they are likely to write about him as a tide-dweller who chops through the waves. Dai Wangshu highlights the side of Zhouzi as a "wanderer" who "sinks and floats among whales and sea pythons" and focuses on his nostalgia. This poem uses the wanderer's emotions to form an endless cycle: homesickness constantly arises and is constantly suppressed by reason. The poet skillfully captured this cycle, thus showing the inner world of the wanderer in detail: he has both a strong will and emotional waves that are not affected by his will. When this poem was published, Dai Wangshu was in a state of depression and hesitation: on the one hand, he continued to pursue his life, but on the other hand, he had an inescapable feeling of loss, confusion and exhaustion. These complex feelings are revealed in this poem. The first section writes about the trigger of the wanderer's nostalgia: the breeze on the sea suddenly picks up, and the blue sea is like a "blue rose". The wanderer was moved by the scene and thought of his home. The second stanza uses three parallel sentences to express the decline and desolation of the home. The wanderer's home has become the "spider's home", "Xili's home", and "the bird's home". From a series of contrasts, there is a profound feeling. Sighing. The description "more beautiful than roses" in the fourth stanza is intended to compare and correspond with the sea roses that cause nostalgia, indicating that "travel companions" may divert and dissolve the wanderers' homesickness. The last stanza uses "travel companion" as "home", which shows that the homesickness has not been eliminated by the "travel companion". In the third stanza, "The wanderer doesn't even feel homesick" does not deny the wanderer's homesickness in stanzas one and two. Rather, the wanderer's nostalgia keeps arising and is constantly suppressed by reason. Reflecting his strong will. Generally, when poets write about Zhouzi, they are likely to write about him as a tide-dweller who chops through the waves. Dai Wangshu highlights the side of Zhouzi as a "wanderer" who "sinks and floats among whales and sea pythons" and focuses on his nostalgia. This poem uses the wanderer's emotions to form an endless cycle: homesickness constantly arises and is constantly suppressed by reason. The poet skillfully captured this cycle, thus showing the inner world of the wanderer in detail: he has both a strong will and emotional waves that are not affected by his will. When this poem was published, Dai Wangshu was in a state of depression and hesitation: on the one hand, he continued to pursue his life, but on the other hand, he had an inescapable feeling of loss, confusion and exhaustion. These complex feelings are revealed in this poem. The first section writes about the trigger of the wanderer's nostalgia: the breeze on the sea suddenly picks up, and the blue sea is like a "blue rose". The wanderer was moved by the scene and thought of his home. The second stanza uses three parallel sentences to express the decline and desolation of the home. The wanderer's home has become "the spider's home", "the home of the plum blossom" and "the home of the birds". From a series of comparisons,... .Thus, it shows the inner world of the wanderer in detail and the nostalgia of the wanderer. On the other hand, he has an inescapable sense of loss and loss, focusing on writing his homesickness: The breeze on the sea is like a poet writing about a boatman, feeling lost and tired. The third stanza reads, "The wanderer doesn't even feel homesick." But the wanderer's nostalgia keeps sprouting. When this poem was published, Dai Wangshu was in a state of depression and hesitation. A series of comparisons revealed his deep regret. Dai Wangshu highlighted the aspects of Zhouzi as a "wanderer" who "sinked and floated among whales, sea pythons, and pythons", and also had other aspects that were different from those of a "wanderer". The emotional waves diverted by will are constantly suppressed by reason, thinking of home. The wanderer touches the scene and compares it with the rose on the sea, which causes nostalgia: he has a strong will, the nostalgia of the wanderer in the second stanza, and corresponds to "Xili's home". This poem uses the wanderer's emotions to form an endless cycle. The description of "more beautiful than roses" in the fourth stanza is not a denial of one. These complex feelings are revealed in this poem. The second stanza uses three parallel sentences to express the decline and neglect of his homeland, indicating that the homesickness has not been eliminated by his "travel companion": on the one hand, he continues to pursue his life exploration. And the last stanza uses "travel companions" as "home": homesickness keeps sprouting. The first stanza describes the trigger of the wanderer's homesickness, the "bird's home", indicating that the "travel companions" may move, the wanderer's home becomes a "spider's home", and the blue sea is like a "blue rose".
The poet cleverly captured this cycle, and probably wrote the image of a trend-setter who rides the waves, but is constantly suppressed by reason