Ode to the Yellow River

The second person said it was the most direct way to express feelings, such as making a deep confession to a person, so there was a rhetorical "call" with strong feelings, such as "Ah, Yellow River! ... "and so on. ?

As for "she" or "Yellow River", they are both close to or the third person, which is a little far from the second person's "you" and does not meet the strong emotional eruption demand of the whole article.

At the same time, it is a sensory thing. If you use "Yellow River" or her directly, you can of course express your thoughts, but you will lack intimacy. Just like personification in rhetoric, using the second person to stimulate a magnificent scene at a time can achieve remarkable results.

Extended data:

Ode to the Yellow River is the second movement in The Yellow River Cantata, a large-scale vocal suite created by poet Guang William. J and musician Xian Xinghai.

At that time, the land of China was being brutally invaded by the Japanese, and the land of China was at war. The people of the whole country United to resist Japan and set off a wave of resisting Japan and saving the nation on the land of China. William. J and Xian Xinghai, by depicting and praising the Yellow River, have aroused the people's enthusiasm for the war of resistance. "Yellow River Fu" is a fu, focusing on "Fu". This song praised the Yellow River for nurturing and defending the Chinese nation and will continue to inspire Chinese children.

This song uses symbolism, ostensibly praising the Yellow River, but actually praising our nation, encouraging Chinese sons and daughters to be as great and strong as the Yellow River and defend the Yellow River and China with courage and determination.

Ode to the Yellow River is a tribute to the Yellow River, an ode to the times and an endless ode to the perseverance of the Chinese nation. The giant image of the Yellow River, with its majestic verve and unparalleled strength, inspires Chinese sons and daughters to persevere and forge ahead. It profoundly showed the national anti-Japanese sentiment at that time and the strong spirit of the times in China during the new-democratic period.