1. Use an ancient poem to evaluate the characteristics of Wang Zengqi’s works
Moisturizing things silently.
The following is from Baidu Encyclopedia: Wang Zengqi's prose does not have a painstaking structure, nor does it pursue the mystery of the subject. It is plain and simple, and it is spoken as if it were homely.
He uses personal and trivial themes to "aestheticize daily life" and rectify the collective "grand narrative"; with plain, euphemistic and flexible language, he counters the overshadowing of The rigidity of all "Mao's words"; the plain, implicit and restrained narration exposes the sentimental and exaggerated style of writing, allowing people to relive the charm of the vanished classical celebrity style prose, thus reflecting the contemporary Chinese The emptiness, exaggeration, falsehood, and morbidity of prose are indispensable for allowing truth and beauty, daily life, tranquility and grace to return to prose, and for prose to go beyond "thousands of people have the same look, and thousands of books have the same tone." 2. Beautiful sentences in Wang Zengqi's prose
You are too lazy to search online. Bookstores are indispensable for books by such great essayists. Buy a copy of "The Complete Works of Wang Zengqi" and read it at home
< p> I also like his works "Let It Happen" and edited many of his good articles "Plants and Trees in the World" which everyone likes very much. Take a look at the sentences he wrote:"I love to tease mimosa. Touch. All the leaves were seen to be closed. I lowered my head to look at my book and peeked at them. They opened one by one, and then suddenly they opened again. They all said this was bad. What's wrong with it?" - - "Garden" Wang Zengqi
"The locust tree is planted on the earth mountain. Sitting on the tree, you can see the Buddhist temple next door. You can't see the house. What you see are the two closed doors and the area outside the door. Pastoral. What time is it inside the door? The bells and drums are beating all day long, so slowly, so monotonously. When the door opens, the little nun comes to hold a bundle of grass and fetch two buckets of water, and then closes it again. The water drips back. There was someone looking at me in the well, so I quickly put the book in front of my eyes."
"When I was a child, I often listened to the singing doves in the weather when it was about to rain and was about to clear up, and I felt happy and sad at the same time. Desolate and desolate, so desolate and sweet."
In fact, most of Mr. Wang's works are very comfortable. Do you think they are beautiful? Taken individually, they are very ordinary, but when put together, they have flavor. This is how they adapt to the situation. As he said himself, the language must be fluid. 3. Appreciation of sentences from Wang Zengqi's collection of works
Wang Zengqi's prose writes about customs, culture, memories of old news, anecdotes, nostalgia, flowers, birds, fish, insects, fruits and food, everything is involved.
In "Insects of Summer", he introduces readers to the varieties and habits of grasshoppers, cicadas, dragonflies, and mantises, as well as the situations in which children catch insects. As he said: "Crickets (common name for grasshoppers) can be eaten.
It has three tails and a large belly with many seeds. Throw it into the fire of a dead branch and it will be cooked in a while.
p>
It tastes very much like shrimp." It is said that children in Beijing apply glue on bamboo poles to catch cicadas.
The author used spider webs to catch cicadas when he was a child. "Choose a strong long reed, twist one end into a triangle, and tie it with a thread. When you see a big spider web, you twist it. The triangle is full of spider webs. It's very sticky. I spotted a cicada and gently covered it, and the cicada's wings were stuck.
"When I read this, I smiled knowingly, as if it was talking about my own childhood. situation. Wang Zengqi's prose does not focus on instilling concepts, but is thought-provoking.
For example, "The Literature of Eating" and "Is Bitter Melon a Melon?" which talk about the history of bitter melon, people's likes and dislikes of bitter melon, Beijing people's transition from not accepting bitter melon to accepting it, and finally talking about literature. Creation issues: "Don't easily deny or reject works that you are not used to." "A work can be considered realism or modernism, as long as it is really a work. A work is a work.
< p> Just like bitter melon, it doesn’t matter if it is a melon or a gourd, as long as it is edible.”4. 10 good words and sentences in Wang Zengqi's works
"I once said in a speech that Gui Youguang is good at writing ordinary people and affairs in a plain writing style. In fact, the ancients have said this long ago. Huanglizhou<Copywriting>Volume 3<Zhang Jiemu Ye Ruren's epitaph> says: "As a woman who reads Zhenchuan's writings, I fall in love with her deeply, and every time I see one or two details about it, it makes me want to cry. There are no great or small events in the past and present, but the spirit of singing and weeping will remain in the world forever."
"Gui Youguang's famous works include "The Story of the Predecessor", "Xiang Ji Xuan Zhi" and "Han Hua" Burial Chronicles > and other articles. These are the only ones that influenced me. Gui Youguang is an orthodox thinker, and I am really not interested in his big articles about academics and Taoism. I once thought: a person with pedantic ideas How can orthodox people write such beautiful lyrical prose that is full of human touch? I haven't figured this out yet.
"He truly writes "without intending to write" and writes as if he is talking about everyday things. His structure is "meandering according to the circumstances". If there is no structure. His language is closer to spoken language, and there is no trace of the connection between narrative language and character language. The end of his "Xiang Ji Xuan Zhi": There is a loquat tree in the courtyard, which was planted by my wife when she died, and now it is like a canopy. ."
"Plainness contains a bit of sadness and endless leisure, which is a famous ending in ancient Chinese literature.
"People are different and have different preferences. , quiet and interesting, Du Fu cannot be as elegant as Li Bai, and Li Bai cannot be as melancholy as Du Fu. Su Dongpo's lyrics are suitable for the Guanxi man holding an iron board to sing: "The great river goes eastward", Liu Qiqing's lyrics are suitable for thirteen and four girls Holding a red tooth board and singing "Where are you sober tonight, the dawn wind is waning on the willow bank". Chinese poetry can be divided into two schools: bold and graceful. Other literary styles can be divided in this way. I don't know when or why, the bold and unrestrained school took over. Shangfeng, Comrade Mao Dun once said with emotion: Nowadays, few people write graceful articles." During the ten years of catastrophe, no one mentioned the word style. I worked in the "Model Group", and Jiang Qing stipulated: "We must write about Dajiangdong. , not Little Bridges and Flowing Waters." I am a person who can only write Little Bridges and Flowing Waters, but I can only sing empty rhetoric for ten years. _____The above is excerpted from <Talk about Style>
"<Border Town> It angered some theoretical critics and literary historians because Shen Congwen did not write according to their requirements and the pattern they prescribed."
"The first crime is that "Border Town" did not write about class struggle and was empty. In response to such criticism, Shen Congwen gave a challenging reply: "How do you know that a work must have "thoughts", "blood" and "tears", and that a work must specifically express these things to the development of the story? On it, on the character's language, even on the cover of a book, in the catalogue. What you want is easy to do, but I can't give it to you. I deliberately give up on you. "
"The second crime. , related to the first article, it means that "Border Town" is about a paradise, divorced from real life. Is "Border Town" realistic or romantic? Does "Border Town" idealize real life? Transformation? This is a very confusing question.
"Why is this novel called Border Town? This is a question worth thinking about. <Border Town> is not just a geographical concept, it does not mean that this is a small border town, it is also a time concept and a cultural concept.
"<Border Town > It is the opposite of big cities. This is China's "another place, another thing."
"Border Town is a work of nostalgia, a nostalgia with a feeling of regret. Border Town is a warm place. works, but there is a deep sense of tragedy hidden behind it. It can be said that the border town is both realist and romantic. The life in the border town is real and idealized at the same time. This is a kind of Idealized reality.
"Why romanticism? Why idealization? Because I want to keep something beautiful and eternal, so that it can last forever and be always new for the benefit of future generations. " 5. Poems written by Wang Zengqi
Two "Poems" by Wang Zengqi
"Morning"
Dew.
The dew wets the grass blades,
wets the purslane.
A praying mantis walks on the morning glory.
Exquisite light green tulle close-fitting and light outfit.
The daylilies bloomed.
So cool.
"Ivy"
The ivy along the street is red,
The autumn mood in Beijing is getting stronger.
All the leaves of the ivy have fallen off.
There was a frost last night.
/z/q133997689.htm
Wang Zengqi’s poem on returning home
My hometown is in Gaoyou
The wind blows in the lake and the waves are long
p>Weeping willows are planted by the lake
Black buffaloes lie under the trees
My hometown is Gaoyou
Spring is spring and autumn is here Autumn
Lotus roots on August 15th
Taro on September 9th 6. How to evaluate Wang Zengqi's poem "Sending a little warmth to the world"
About the description " For the poem "Human World", I found a similar beautiful ancient poem written by a famous poet in the contemporary poetry world. One of the famous quotes is as follows for reference:
March in the Human World
Text/Li Zhe Also
Spring will return in the mountains of Dabie, and the infinite scenery will be greeted by the radiance of the sky.
The east wind brought drizzle all night, and the azaleas bloomed in the sea.
In March, the mountains and rivers are beautiful, and the peaks are covered with beautiful clouds.
Returning from admiring the flowers, my clothes are fragrant and colorful butterflies chase me.
Note Guifeng Mountain, located in Macheng City, Hubei Province. The highest altitude is 1,320 meters. It is named after the mountain resembles a turtle with its head raised and swallowing the sun. The famous mountains in the Dabie Mountains are known as "the best tortoise in the world", "the best rhododendron mountain in China" and "the second Lushan Mountain". The main attractions include azalea sea, Huaxi, Turtle Head, Nengren Zen Temple, Wanggui Pavilion, Guanyin Hall, Guishan Welcoming Pine, etc. On the dividing line between the northern and southern climates of the Dabie Mountains, the northern slope is a southern temperate zone mixed coniferous and deciduous forest landscape, while the southern slope is a northern subtropical green coniferous and broad-leaved mixed forest landscape. The scenery is beautiful in all seasons, and it is particularly spectacular in spring when azaleas and other wild flowers bloom all over the mountain. 7. What are the good words and sentences in Wang Zengqi’s works?
1. Some novels are about rural areas. Dialogue is the language of farmers, but narrative is the language of intellectuals. Narration and dialogue are disconnected.
2. The language of the novel is saturated with the content and the author’s thoughts. Sometimes when we read a novel, we can't stand it after reading three lines because the language is too rough. The roughness of language is the roughness of content.
3. Language operates internally. Without inner movement, such language will be lifeless and dull.
4. Good language is ordinary, language that everyone can understand and can also speak - but he did not speak it.
5. It is often said that this novel is well written, but the language is a bit poor. I think this statement cannot be established.
6. I recently read a novel written by a young writer. The novel is written in the first person. The "I" in the novel is a child from Cai Ren Elementary School, and it is written by a classmate of "I". It’s not a bad idea to have a female classmate at the table. But this "I"'s impression of his little classmate is: "She looks very slim." This is impossible. This word cannot exist in the language of primary school students.
7. Everyone has everything in their hearts but nothing in their writings. This is true for "the red apricot branches are full of spring" and "the palace is full of bright moon and pear blossoms are white". What's so strange about the word "nao" and the word "bai"? However, not humanely.
8. I think anyone’s language is like this. Every sentence is an aphorism, which will be unbearable.
9. Not only the dialogue, but also the language of narrative description must "rely" with the characters being written.
10. When a person is in good spirits, he is often talented and has witty words; when he is tired, he often fails to convey his meaning.
11. My habit is to write a good draft. I wrote a Peking Opera script, a libretto, and about twenty lines. I thought I could memorize every line before I started writing.
12. We cannot say that this piece of music is good, but the melody and rhythm are a bit off; this painting is good, but the colors and lines are a bit off. We can’t say: this novel is good, but the language is a bit poor. Language is the essence of the novel, not additional or dispensable.
13. The secret of language, to put it bluntly, is just the combination of long and short sentences.
14. If I think of you in your shadow by the water, if I think of you in front of the new green willow branches, if I think of you in all the indescribable and indescribable beauty, I will be there. In all the intoxication, it is no longer self-intoxication. Have you ever felt the distant toast. What is gone passes away calmly, what is relived is still relived, pick a bright flower from the vicissitudes of branches and leaves, and insert it into the flesh of the years, allowing it to be painful and sweet, allowing it to flow away and back again, with thousands of changes, I I recognize you as I first met you.
15. When he was very young, he (Wen Yiduo) wrote an article about "Zhuangzi", saying that his writing (i.e. language) is not just a form or a means, but itself a Purpose (to the general effect). I think this is very true.