The first sentence of this poem is about the immortals in the temple, using the method of avoiding the real and making the virtual. The poet does not directly describe how the statue is shaped, how she looks, but uses some beautiful decorations to set off her charm, so the beauty of the statue is self-evident. Start with a period and write down the next three sentences. The temple is by the lake, the clouds on the lake and the trees beside the temple look like a piece of blue, like in the fog, with beautiful scenery and ethereal charm. When the poet passed by and stopped at night, it was already the setting of the moon. Outside the temple gate, the wind in Ye Ping is blowing slowly. At this time, the white lotus blossoms. The moon is dying in the quiet night, the country breeze, pedestrians coming from a distance, and white lilies are in full bloom. What a wonderful state. The poet faced a woman who sacrificed her life for the sake of so-called chastity, but he cleverly avoided the positive discussion on this issue, but took the spirit from the digression, focused on the description of the scenery outside the ancestral temple, and used Bai Lianhua as a metaphor for the purity of the girl. This technique, if there is nothing in the author, is different in the reader, but all the scenes are integrated and blended seamlessly. In the late Tang Dynasty, Lu Guimeng wrote a poem entitled "Bai Lianhua": "Many plain flowers deceive, and this flower really suits the jade pool. Who is ruthless and who is hateful? When the moon is clear, it will fall. " Ode to Bai Lianhua hardly describes its appearance, but focuses on its expression and character. This kind of writing is exactly the same as Wang's poem, which shows their origin. The only way to write is to praise people and things. In fact, Wang Shizhen himself once said: "I said that Lu's sentence" No one can see you without pity or hatred, when will the bright moon be clear? "was just chanting the White Lotus Sect, which could not be transferred, but the laity thought that chanting and Bai Mudan would do. The real blind man knows black and white. In Guangling, there is a quatrain that exposes the tendons in the temple, and ... that's exactly what it means. The younger generation is a good orpiment, and also refutes the cloud:' I know this woman is not Mo Mu (a famous ugly woman in ancient times), but why is she beautiful?' I heard it. I just smiled. "("Yu Yang's Poetics ") This shows that Wang intends to learn from Lu Guimeng, and the two are slightly similar; And even if "the younger generation" really said that this woman is extremely ugly and serves the poet's subjective feelings, why can't she write beautifully? This is also like taking a fairy. (See Shen Zufen's Seven Brief Explanations of Tang Poems) It should also be emphasized that this poem is also the embodiment of his verve theory. He has repeatedly put forward that "when you board a raft, the Zen master thinks you are enlightened and the poet thinks you are transformed." Poetry and Zen are the same, there is no difference "(there are three micro-metaphors in the volume of poetry in the Jing Tang), and it is repeatedly advertised that" no word can be romantic ". This poem put pen to paper in the air, trying to fall from the sky and pay attention to Shen Feng, which provides a proof of the unity of knowledge and action.
As a sad song of the changing times, this poem not only sings the grief of the scholars in the south of the Yangtze River at that time, but also incorporates the author's true feelings. It is different from those contemporary poems praising moral integrity. It contains many tortuous emotions, but it is delicate and true, so it stands out and never dies. Brief introduction of the author