Ouyang Xiu was also a pioneer in the creation of notes in Song Dynasty. His notes include Return to the Field, Pen and Pen. Articles are eclectic, lively and interesting, and often describe details and people. Among them, The Record of Returning to the Field describes the imperial legacy, official system, social customs and anecdotes of literati, and introduces his own writing experience, which is very valuable.
Ouyang Xiu also made great achievements in poetry creation. His poems are mainly influenced by Han Yu in art, and his works such as Stone in Lingxi, Shi Zhuan and Zishiping Song imitate Han Yu's unique poetic style. Other poems are gloomy and dripping with emotion, integrating narration, discussion and lyricism, and their styles are close to Du Fu's, such as rereading Selected Poems of Solitary and Sending Du Qigong to Official. Other works are magnificent and bold, but close to Li Bai, such as "Lushan Mountain in Liu Zhongyun returns to Nankang in the same year". However, most of his works mainly study the characteristics of Han Yu's "writing with poetry", that is, argumentative and prose culture. Although he avoided the dangers of Han Yu with his natural and fluent poetic language, some poems are still too logical and lack vivid images. Some ancient poems are not poetic, but some modern poems are more interesting and meaningful.
In content, some of his poems reflect the sufferings of the people and expose the darkness of society, which has certain social significance. For example, in answering Yang Zijing's long sentence of praying for rain, he described the social reality of "the military and horses have not moved, single spark can start a prairie fire" and "the civil office is often empty"; In Eating Bad People, it reveals the unreasonable phenomenon that officials "drink official wine every day, but the people" have no porridge in winter and spring ". However, his purpose in writing these poems is clear: "I will collect poems for my admonition because of the songs given by the monarch" to persuade the ruling class to repair politics and maintain feudal order. He also talks about current affairs in his poems, attacking corrupt politics, such as "Answering the son of a national scholar to comfort the south of the Yangtze River". Others, such as Qu Yu Wang and Qu Yu Re He, show the poet's sympathy for the fate of women and condemn the ignorant rulers for wronged the country. More is to write lyrical works, or fresh and beautiful, or plain and tasteful, to express the poet's life feelings. For example, in Sleeping at Night in Huangxi, the Three Gorges is dark and full of trees, and the moon is full of Sichuan, and an ape mourns; In Cao Cao's song, the West Lake comes in spring to send thanks, the snow outside the door disappears, and the riverside flowers bloom in February; In "Thrushcross Birds", hundreds of sounds follow, and the flowers are red and purple; I just know that it is better to be locked in a golden cage than to crow in the forest. Generally speaking, his poetic style is still diverse.
Ouyang Xiu is not only good at writing poems, but also has new ideas from time to time. Later generations compiled a book called Selected Poems on June 1st, which was the first poem in the history of China literature. Guo Shaoyu, a modern man, said: "The name of poetic talk originated from Ouyang Xiu, that is, the style of poetic talk, or it can be said that it originated from Ouyang Yi" (Textual Research on Poetic Talk). Ouyang Xiu's poetry criticism has changed the previous practice of paying attention to Lu's comments, important examples, practices or skills. Instead, it is eclectic, detailed and abstract, and comments on poetry in a casual and friendly way, which has become a new form of poetry criticism. When he commented on poetry, although he did not abolish carving, he advocated returning to nature. In Preface to Mei Poetry, he put forward the argument that poetry is "poor before writing", developed the poetry theories of Du Fu and Bai Juyi, pointed out the direction for the development of Song poetry, and had a great influence on poetry creation at that time and later generations.
Ouyang Xiu also occupied an important position in the early Song Dynasty. ......& gt& gt
Question 2: Ouyang Xiu's main works Ouyang Xiu's works are numerous, rich in content and remarkable in achievements. Participated in co-editing the Book of the New Tang Dynasty, independently wrote the History of the New Five Dynasties, and compiled the Collection of Ancient Records, which was handed down from generation to generation with the Collection of Ouyang Wenzhong. Only the representative works are listed as follows: the representative articles "On the Partisans" and "History of the Five Dynasties"? Biography of Lingguan, Drunk Pavilion, Fengle Pavilion, Ode to Autumn, Sacrifice to it and Selling Oil Weng, with lyrics such as Picking Mulberry Seeds (the West Lake is fortunately after the blooming of flowers), Complaining (the autumn frost is on the curtain in the morning), Walking in the sand (waiting for plum blossoms in the pavilion) and "Singing".
Question 3: What works does Ouyang Xiu have? Ouyang Xiu (1007 ~ 1072) was a statesman and writer in the Northern Song Dynasty, and one of the eight great poets in the Tang and Song Dynasties. The word Yongshu,no. Drunken Weng, was also known as Liu Yiju and Luling (now Ji 'an, Jiangxi) in his later years. Zong Shenxi Ning died at home in the fifth year (1072) and died in Wen. He has many political works, such as Ben Lun, Original Disadvantages, Senior Minister's Advice, and The Theory of Partisans. He also wrote a lot of lyric and narrative prose, mostly mixed with scenes and swaying. His works, such as Secretly Performing the Preface of Poetry, Preface of Poetry, Preface of Poetry by Su, mourn the old friend and recall the past, which is touching. His works "Fengle Pavilion" and "Zuiweng Pavilion" are written slowly, tactfully and tortuous, with beautiful words and fresh style.
Question 4: What are Ouyang Xiu's representative works? His representative works of prose are free and easy Zuiweng Pavilion and Autumn Story.
His representative works of Taoism include "A Letter to a Scholar of Wu Chong", which embodies his writing style of paying equal attention to Taoism and reality. The representative works of political writing include "On the Party" and "A Letter of Advice to Gauss".
Question 5: What are Ouyang Xiu's calligraphy works? Ouyang Xiu was a writer in the Northern Song Dynasty, and his main achievement was literature. Of course, he is also a representative of calligraphy and calligraphy. His works include the letter "Burning Ai Tie" and the letter "Zhi Duan Ming Servant Read and Stay in Taiwan".
Question 6: Ouyang Xiu's style of writing Ouyang Xiu wrote more than 500 essays in his life, each with its own characteristics, including political essays, historical essays, notes, lyric essays and notes. Most of his essays are rich in content and magnificent, with a simple, natural, fluent and witty artistic style. The narrative is euphemistic and concise; The discussion is thoughtful, but full of logical power. Composite structures can be tortuous and very compact. Partisan theory, the history of the New Five Dynasties? Biography of Lingguan, Advice to Gauss, Drunken Pavilion, Fengle Pavilion, Longgang Divine Watch, etc. are all masterpieces that have been told for ages. Ouyang Xiu was also a pioneer in the creation of notes in Song Dynasty. His notes include Return to the Field, Pen and Pen. Articles are eclectic, lively and interesting, and often describe details and people. Among them, The Record of Returning to the Field describes the imperial legacy, official system, social customs and anecdotes of literati, and introduces his own writing experience, which is very valuable. Ouyang Xiu's Fu is also very distinctive. The famous Ode to Autumn Sound uses various metaphors to describe the invisible autumn sound very vividly, making people seem to be audible. This paper changes the "metrical style" from the Tang Dynasty to "prose style", which is of pioneering significance to the development of Fu. Ouyang Xiu's poetry is not as successful as prose, but it is also very distinctive. Some of his poems reflect people's sufferings and expose the darkness of society, such as eating bad people and answering Yang Zijing's long sentence to pray for rain. He also talks about current affairs in his poems, attacking corrupt politics, such as "Answering the son of a national scholar to comfort the south of the Yangtze River". Others, such as Qu Yu Wang and Qu Yu Re He, show the poet's sympathy for the fate of women and condemn the ignorant rulers for wronged the country. But what he wrote more and more successfully was poems expressing his personal feelings and scenery. His poems are mainly influenced by Han Yu in art, and his works such as Stone in Lingxi, Shi Zhuan and Zishiping Song imitate Han Yu's fantastic poetic style. However, most of his works mainly study the characteristics of Han Yu's "writing with poetry", that is, argumentative and prose culture. Although he avoided the dangers of Han Yu with his natural and fluent poetic language, some poems are still too logical and lack vivid images. Some of Ouyang Xiu's poems are gloomy, narrative, argumentative and lyrical, and their styles are close to Du Fu's, such as rereading The Collection of Dugu and Sending Du Qigong to Official. Other works are magnificent and bold, but close to Li Bai, such as "Lushan Mountain in Liu Zhongyun returns to Nankang in the same year". More lyrical works about scenery are fresh and beautiful, or plain and tasteful, such as "There are thousands of trees in the Three Gorges, the moon is full of Sichuan, and an ape mourns" and "The snow disappears outside the door, and the flowers on the riverside are sunny in February" in Song of Spring by Cao Cao and Xie Xihu. Generally speaking, his poetic style is still diverse. Ouyang Xiu is also good at poetry. In Preface to Mei Poetry, he put forward the argument that "poor works are the last", which developed the poetic theories of Du Fu and Bai Juyi and had a great influence on the poetic creation of that time and later generations. His Poems on June 1st is the first poem in the history of China literature. It comments on poetry in a casual and intimate way and becomes a new form of poetry conversation. Ouyang Xiu is also good at lyrics. The main contents of his ci are still acacia, drunken songs, cherishing spring and enjoying flowers. He is good at writing Thirteen Poems of Picking Mulberry with fresh and light brushstrokes, depicting the natural beauty of Yingzhou West Lake, which is quiet, clear and full of emotion, just like elegant landscape paintings. In other words, "apricot blossoms and red hills are scarce, and pedestrians on the hillside rest under the mountain", "Jade House Spring" and "people in the upper reaches of the dike row boats one by one, patting the spring water on the dike to the sky. Qingyang building goes out to swing "([Huanxisha]) and so on. It is also a good sentence to write about scenery. Lyric writing is elegant and touching, with deep feelings. For example, the last two sentences of "Walking in the Sand", "The sorrow is getting farther and farther away, and the distance is like spring water", "Spring mountains are everywhere, and pedestrians are more outside", express their feelings very deeply through spring water and spring mountains. He still has something to say. Although he is old and complaining, he speaks his mind directly, showing his generosity and optimism. There are also some colorful words, although they are written about dating between men and women, but they are also simple and vivid; Of course, there are also some shallow and vulgar works. Ouyang xiu's achievements in Confucian classics, history and epigraphy Ouyang xiu has made great achievements in Confucian classics, history and epigraphy. In the study of Confucian classics, he studied The Book of Songs, The Book of Changes and The Spring and Autumn Annals, and was able to put forward his own unique views regardless of what his predecessors said. Historical attainments are deeper than Confucian classics. He not only participated in the compilation of the 250-volume Book of the New Tang Dynasty, but also wrote the History of the New Five Dynasties, summarizing the historical experience of the Five Dynasties, in order to serve as a warning. He devoted himself to collecting and sorting out Zhou Dynasty documents ... >>
Question 7: What are the works of Ouyang Xiuchu Middle School? & gt。
Question 8: What are Ouyang Xiu's famous essays? Ouyang Xiu (1007~ 1072), whose name is Yongshu, an alcoholic, a laity on June 1st, was a famous writer and historian in the Northern Song Dynasty. Ouyang Xiu, an official, academician, deputy envoy and member of the Senate, advocated that the article should be "Ming Dow" and "practical". He expressed dissatisfaction with the extravagant and fantastic style of writing since the early Song Dynasty and actively cultivated backward people. He was the leader of the ancient prose movement in the Northern Song Dynasty, and he wrote The Collection of Ouyang Wenzhong. Ouyang Xiu's prose creation has three characteristics: 1 diverse styles, both argumentative, narrative and lyrical; (2) adopt the advantages of "ancient prose" and "parallel prose" and merge them into a new style; Variety, open and close freely, with a sense of harmony and rhythm. Ouyang Xiu's political essays, such as Advice to Gauss, On Friends and Preface to Lingguan in the Five Dynasties, are not only rich in practical significance, but also fluent in language, and are famous among "ancient prose". Ouyang Xiu's prose achievements can best be reflected in his works which are both narrative and lyrical. Ouyang Xiu's prose of this kind, whether describing scenery or describing people's feelings, is sincere. For example, his most famous "Zuiweng Pavilion" describes the four-color scenery of Chuzhou mountains and the changes in the morning and evening, as well as the scenes of people playing in the mountains. It is clear in organization and fluent in language, expressing a kind of relaxation and loss after getting rid of the bondage. Like Ouyang Xiu's Ode to a Cicada and Ode to Autumn, Zuiwengting Ji keeps the characteristics of parallel prose that pays attention to melody and diction, and the addition of prose syntax makes the rhythm of the article change harmoniously and freely. The overall style of Ouyang Xiu's prose is implicit and euphemistic, which consists of simple and legal narration, pedantic discussion, tortuous and changeable composition, and fluent sentences that are not embarrassing or stagnant.
Question 9: What is the representative work of Ouyang Xiu, a writer in the Song Dynasty? Ouyang Wenzhong's works.
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