Original text:
The light thunder fell all night, and the light tiles were uneven.
Affectionate peony contains spring tears, weak rose lies on the branches.
Spring translation:
Last night, gentle thunder brought a drizzle all night, and the floating light reflected by the glass green tiles in the morning light was different. Affectionate peony drops like tears in the spring rain, and the wild rose that has experienced the rain lies on the twig in the morning light.
Spring word interpretation:
1. Selected from Huaihai Collection. Qin Guan (1049- 1 100), Han nationality, was born in Gaoyou (now Gaoyou City, Jiangsu Province) in the Northern Song Dynasty.
2. Silk means rain.
3. Floating tiles, the sun shines on the tiles.
Four. light: the sun is shining after the rain. Ji: After the rain, it will clear up.
5. Uneven: the appearance of high and low.
6. Paeonia lactiflora: a herb, here refers to peony flowers.
7. Spring tears, raindrops.
Spring background: None
Creation background
Literally, this poem is the author's impression of spring outing. According to the age of the author's life, when this poem was written, Surabaya had already been occupied by Jin people, and swimming in Surabaya was not a real thing, but a virtual one. The author has never been to Surabaya, but this poem was written in Surabaya. The reason is that Zhu's psychology is subtle, and he likes Confucius. He yearned for Confucius to live in our thoughts, recite string songs and preach the victory of teaching, so he hoped to wander and find incense. So this poem is actually based on Surabaya, the holy land of Confucius.
Appreciation of spring:
This poem is about spring scenery after rain. You see, the courtyard after the rain, the thin cage of morning fog, the crystal blue tiles, the beautiful spring; Peony flowers bring rain and tears, affectionate and leisurely, roses are quiet and charming. There are close-up and distant views, dynamic and static, affectionate and graceful, and can be touched at will, uneven. The whole poem is dense and vivid, with a fresh and graceful charm. The poet grasped the characteristics of spring rain, focused on a corner of the courtyard, and took a beautiful picture of spring and dawn after a thunderstorm, which was very popular. Through the form of duality and personification, the gorgeous courtyard is set off and the charming modality of peony and rose is depicted. Peony is slim and graceful, roses are stretched, and each has a state of "tears in spring" and "unable to lie down". Because of its subtle objects and feelings, the whole story has a fresh and beautiful charm, which shows the poet's keen observation, perception, absorption and performance of natural scenery and phenomena. In terms of artistic conception, the whole article focuses on "Spring Sorrow". Although the word "sorrow" is not revealed, it can be understood from the modality of peony and rose, and it also reflects the poet's sentimental character formed by the difficulties and obstacles in his career.
"Good rain knows the season", under the call of a weak spring thunder, it "sneaked into the night with the wind" and it "moistened things silently". Ray is "light" and rain is "silk" The poetic features of Spring Rain are only shown in two words.
The green glazed tile was washed clean and crystal clear by the spring rain all night, like jade, with water drops on it. In the morning light, sparkling, dazzling and refreshing-this is the beauty written in the second sentence.
The best part is the last two sentences. The poet uses beauty to describe flowers, and with antithesis, they are really beautiful.
Li Bai's novel "A red dew condenses fragrance" and Bai Juyi's novel "Harmony, because of her laziness, a maid is helping her" are strikingly similar to the third sentence of Yang Fei. Peony after the rain is like a sentimental girl, crying for you and full of affection.
The last sentence is reminiscent of the description in A Dream of Red Mansions. Shi Xiangyun is drunk and sleeps in peony indium: Xiangyun "The official career is fragrant like a dream, peony flowers are flying in all directions, and red incense is scattered all over her face." Shi Xiangyun, drunk and covered in flowers, is full of love and charm, much like "a weak rose lying on a twig."
Personal data:
Qin Guan (1049- 1 100), Han nationality, was born in Gaoyou (now Gaoyou City, Jiangsu Province) in the Northern Song Dynasty, and was called Mr. Huaihai. One of the "Four Bachelor of Sumen", regarded as a synonym of graceful and restrained school, was appointed by Dr. imperial academy and edited by the History Museum. Representative works: Queqiao Fairy, Huaihai Collection, and Huaihai Jushi Long and Short Sentences;
Qin Guan is an important writer in the literary history of the Northern Song Dynasty. However, in all the existing works of Qin Guan, there are only three volumes of 100 words, while there are 430 poems in 14 volumes and more than 250 articles in 30 volumes, which are several times longer than words.
Qin Guan's life was bumpy, and his poems were lofty and heavy, which entrusted his life experience and touched people deeply. Su Shi personally went to Yangzhou to visit Qin Guan. It happened that Sun Jue and Wang Gong were also in Gaoyou, so they made an appointment to visit Dongyue Temple and recite poems with wine paper, which became a much-told story for a while. Wherever Qin Guan went before his death, there were many relics. Such as Zhejiang Hangzhou Qin Guan, Lishui Qin Guan Xiang, Huaihai Temple, Huaying Pavilion; Qingtian Qin Xueshi Temple; Three steles in Chenzhou, Hunan; Guangxi Hengxian Haitang Pavilion, Zui Xiang Pavilion, Huaihai Guild Hall and Huaihai Academy. The tomb of Qin Guan is located in the north of Huishan, Wuxi, and the words "Map Tomb of Qin Long" are written on the tombstone. There are Qinjia Village, Qinjia Courtyard and Guwen Youtai, a provincial cultural relics protection unit. Later, in the eighth year of Yuanfeng (1085), he was admitted as a scholar. At the beginning, it was the main book of dinghai, Professor Cai Zhou. In the second year of Yuan You (1087), Su Shi was recommended as Dr. imperial academy. Later, he was transferred to Zheng Sheng as secretary and editor of the National Institute of History. After Zhezong came to power in Shao Shengyuan (1094), the "new party" came to power, and many people in the "old party" were ousted. Qin Guan was sentenced to Hangzhou, and was demoted to Zhou, where he served as the wine tax supervisor. After moving to Chenzhou, Hengzhou was compiled and moved to Leizhou. After Hui Zong acceded to the throne, Qin Guan was appointed as Fu Xuandelang, and died in Tengzhou on his way back to the North.