What are Bai Juyi's works? Thank you for your questions.

Bai Juyi once divided his poems into four categories: satire, leisure, sentimentality and miscellaneous methods. Generally speaking, the first three categories are ancient bodies, and the latter category is near bodies. The first three categories are roughly divided by content, but they overlap. Among these four types of poems, Bai himself pays more attention to the first two types, and thinks that satirical poems embody the "ambition to be satisfactory to both sides"; Leisure poems show the meaning of "being independent"; It is a direct embodiment of his life goals. Sentimental poems and miscellaneous poems are "either seduced by one thing or sent by a smile, born spontaneously, not in life" (Yuan Zaju "Nine Books"). Satire is the essence of white poetry. There are 50 representative works of New Yuefu and Qin Zhongyin 10. They widely reflect the major issues in all aspects of social life in the middle Tang Dynasty, and focus on describing the darkness of reality and the suffering of the people. These poems are fiercely worded and have no scruples, breaking through the tradition of "gentle and honest" poetry teaching, and are very prominent in ancient poems criticizing current politics. Satire is more direct in form. The narrative is complete, the plot is vivid, and the plot of the characters is meticulous and vivid. The other part of satirical poetry uses allegory to support things and natural images to support political feelings. These two kinds of works have profound and broad generalizations, concentrated themes, vivid images and clear language. Some "new Yuefu" also adopt the sentence pattern of "337", which has traces of folk popular literature and art. Leisure poems mostly express the yearning for seclusion and quiet life in the countryside and the interest of leading an honest and clean life. Many poems also promote the idea of contentment, peace and happiness. However, some poems show dissatisfaction with reality from the side, which shows that his pursuit of leisure is only a helpless relief. The most famous sentimental poems are the narrative poems "Song of Eternal Sorrow" and "Pipa Xing". Song of Eternal Sorrow is a story about the marriage and love between Emperor Xuanzong of the Tang Dynasty and Yang Guifei, which contains both an earth-shattering satire on China's lust for beauty and endless sympathy and regret for this endless sorrow. Pipa has a sense of "returning to the world" and has outstanding language achievements. These two poems are full of twists and turns in narrative, meticulous in writing, good at parallelism, smooth and harmonious in sound and rhyme, and widely circulated. Bai also has many gifts for relatives and friends, sincere and sincere, simple and moving. However, in this kind of poems, there are many sad colors that lament the old people's illness and death, and Buddhist thoughts that get rid of the hubbub. Miscellaneous poems are the most in white poems, and some intriguing lyric landscape poems are very famous, with a few strokes and a lot of business. In addition, there are some long sentences and poems that tell the truth and contrast the melody. There is a glass of light, wine shadow and amorous feelings, which is quite imitated by people at that time. White poetry was widely spread at that time, from the court to the folk, and its reputation spread far and wide in Xinjiang, Korea and Japan. White poetry has a great influence on later literature. Pi Rixiu, Lu Guimeng, Nie, Luo Yin and Du Xunhe in the late Tang Dynasty and Wang Yucheng, Mei, Su Shi, Lu You, Wu and Huang Zunxian in the Qing Dynasty were all inspired by the style of white poetry. Later playwrights also re-created the poems according to the stories of Bai poetry, such as Bai Pu's Song of Eternal Sorrow and Hong's Song of Eternal Sorrow, namely Rain and Palace of Eternal Life. Ma Zhiyuan and Jiang Shiquan wrote Tears on the Shirt and Autumn on the Four Strings respectively based on Pipa. White poems and white sentences were also adopted by the three generations of characters in Song, Yuan and Ming Dynasties. Bai Juyi is not a literary group of Han and Liu, but he is also an advocate and creator of new style ancient prose. His 75 articles "Ce Lin" are outstanding in knowledge, popular in discussion and profound in writing, and they are political papers tracking Jia Yi's "public security policy". Yuan Jiu Shu is an important literary criticism document in Tang Dynasty. Essays such as Caotang Collection, Lengquan Pavilion Collection, Preface to Three Visits Cave and Preface to Litchi Map are concise and to the point. It is a masterpiece in the prose of Tang Dynasty. Bai Juyi is also a powerful promoter of ci creation. Poems such as Recalling Jiangnan, Langtaosha, Flowers Are Not Flowers, and Sauvignon Blanc paved the way for the development of literati ci. Poet Li Bai, great poets Du Fu and Liu Yuxi, as well as Li He and Shi Gui. Bai Juyi is called a "magical poet".