Poetry expressing love for the sea

The night now gives way to the ocean of the sun, and the old year melts in the clear stream, anchored at the foot of Beibao Mountain, Wang Wan, and we meandered along the blue mountain, me and my boat, along the green water. Until the river bank widens at low tide, and no wind blows my lonely sail. ... night gives way to the ocean of the sun, and the old year melts in freshness. I can finally send my messenger, the wild goose, back to Luoyang. On the night of June 20th, Su Shi crossed the sea, and on the third night, the bitter rain finally cleared up. Who embellishes the clouds and the moon, the sky and the sea will be clear. In his spare time, Chaucer took advantage of music to get a general understanding of Xuanyuan's music. I don't hate the narrow escape in the south. I spent the rest of my life traveling. Since Xunyang boating Minghai Menghaoran River was divided into nine factions, Miao Man has become a water town. Zhou Zili used his profits to go to Xunyang. Because of this, I traveled all over the world and visited Sanxiang. The Taoist temple is strong and beautiful, but the pain is heavy. Wei que's heart will always be there, and Jinmen will never forget it. Pity from afar, the war plate has been returned to the item. Looking forward to Hai Xia, Li Bai Sili and Chicheng Sunny. The morning glow is red and scattered, and the light shines on the snow cliff. A meal of throat lotion will take away the sand in five days. Hands up, what are you waiting for? Qinglong White Tiger Car Age: Wei and Jin Author: Cao Cao Works: Viewing the Sea Content: Jieshi Viewing the Sea in the East. The sea is so vast that the islands stand high on the sea. Trees and paraquat are very lush. Autumn wind makes trees make sad sounds, and the sea is surging. The movement of the sun and the moon seems to come from the vast ocean. A trip to the sun and the moon, if unexpected; Han is a talented star, if you take him by surprise. I am glad to use this poem to express my inner desire. Note: Walking out of Xiamen, also known as Longxi West, belongs to Xiangruge tonal music of ancient Yuefu. "Xiamen" was originally the city gate at the western end of Luoyang city. The Han Dynasty was called Xiamen, and the Wei and Jin Dynasties was called Great Xiamen. There are only two sentences left in the ancient words: "People are changeable in the city, but the tomb is flat for a thousand years" (see Shan Li's note in Selected Works). The Yuefu Poetry Collection also records an ancient poem, Evil Path Goes Over the Empty Lodge, which describes the matter of achieving the Tao as a fairy. This article by Cao Cao, Records of Le Shu in the Song Dynasty, is listed as a Daqu with the title Jieshi Stepping out of Xiamen. Judging from the content of the poem, it has nothing to do with the meaning of the topic, so it can be seen that it is just writing current affairs through ancient inscriptions. The poem begins with the word "Yan" (overture) and is divided into four chapters (chapters): watching the sea, winter in October, strange land and longevity of turtles. For example, in the twelfth year of Jian 'an (207), Wu Huan won the Northern Expedition and returned to Li. In the last years of Han Le, the crowds competed for the Central Plains, and Wuhuan, who lived in western Liaoning, became strong. They attacked the city and plundered the land in the south, which became a serious border problem in Hebei. In the tenth year of Jian 'an (205), Cao Cao destroyed Yuan Shao's ruling foundation in Hebei Province, and Yuan Shao vomited blood and died. His sons Yuan Tan and Yuan Shang fled to Wuhuan and colluded with the nobles of Wuhuan many times. At that time, Cao Cao was in a disadvantageous position between the north and the south: Liu Biao and Liu Bei occupied Jingxiang in the south, and yuan brothers and Wu Huan in the north. In order to get rid of the passive situation, Cao Cao adopted the advice of Guo Jia, a counselor, and led his army northward in the summer of the twelfth year of Jian 'an, ending in May and July. In autumn, there was a flood, and the road by the sea was impassable. Later, he accepted Tian Chou's suggestion and changed his course flatly. After Xu Wushan, he went to the Cylon, pointing to Liucheng, and won the first world war. In September, he returned to Li smoothly, passing through Jieshi and other places, and wrote this group of famous poems by borrowing the old title of Yuefu's Out of Xiamen. This poem describes the scenery around Heshuo, expresses personal ambition and embodies the heroic spirit of the poet. As for Cao Cao's coming to Jieshi from the east, it was thought that it was when he was going to northern expedition to Wuhuan. In fact, this view does not conform to historical facts and is not credible. We looked up the records in the History of the Three Kingdoms, the Ji of Emperor Wudi and the Biography of Tian Chou. Cao Cao climbed Jieshi on his way home from the Northern Expedition to Wuhuan. Because he is in a flood, the road near the sea is impassable, so he has to take the path from Xuwushan to western Liaoning. "In September, Gong quoted from Liucheng, and ... Eleven Xiao. He should "visit Jieshi" and "see the sea" in September this year (2007) or at the beginning of 10. As for where Jieshi Mountain is today, there is still controversy in academic circles, either it sank into the sea in Laoting County, Hebei Province, or it was Jieshi Mountain in the north of Changli County, Hebei Province. In any case, when Cao Cao ascends the mountain, it should be a high stone mountain near the sea. "Jieshi is in the east, looking at the sea. The first two paragraphs point out the position of "looking at the sea": the poet climbed to the top of Jieshi Mountain, facing the sea, with a wide field of vision and a panoramic view of the sea. The following ten descriptions are almost all derived from this. " The water is full of water, and the mountains and islands are all scenery "is the general impression of seeing the sea at first, which is a bit like a thick line in the painting." ""Lian Lian "describes the vastness of the sea; "How, how, today's word" how much "is a beautiful sigh. If you add beauty to the beauty, you can imagine the vastness of the sea. In this rippling sea, the first thing you see is the towering mountain islands, which are dotted on the flat and wide sea, making the sea look magical and spectacular. These two sentences roughly outline the prospect of the sea, which will be described in depth at different levels. " There are many trees and plenty of herbs. The operation of the sun and the moon seems to be from the vast ocean. "The first two sentences specifically describe the mountain island: although the autumn wind is bleak and the vegetation is withered, the trees on the island are lush and the grass is rich, giving people a sense of business. The last two sentences are about "What is water like? ":Look carefully, the sea in the bleak autumn wind is actually a huge wave, surging and undulating. Here, although it is a typical autumn environment, it is not as bleak and desolate as autumn. In the history of China literature, due to the writer's world outlook, situation and other reasons, since Song Yu's "Nine Arguments" opened the first sound of sad autumn literature, how many poets and writers shed tears in the autumn wind, watching the fallen leaves, feeling hurt! Cao, on the other hand, faced the bleak autumn wind and wrote about the vastness of the sea: in the bleak autumn wind, the sea was surging and mighty; The mountain island is tall and straight, with lush vegetation and no fading and sentimental artistic conception. This new realm and new style just embodies his "martyr" mind. "The trip to the sun and the moon, if by surprise; Xinghan is brilliant, if you take it by surprise. "The previous description is observed from the plane of the sea. These four sentences are related to the vast universe, presenting the momentum and strength of the sea to readers: the vast sea is connected with the sky and the air is turbid; In front of this magnificent sea, the sun, the moon, the stars and the Han (the Milky Way) are all small, and their operation seems to be freely absorbed by the sea. The sea described by the poet here is not only the real scene in front of him, but also his own imagination and exaggeration, which shows the magnificent atmosphere of the universe and is full of the momentum of "the five mountains start from the square". This kind of "cage cover breathing atmosphere" is the artistic realm of the poet's "eyes" and "chest". (See Zhong Xing's Review of Ancient Poems, Volume 7) From the heart, a poet would never have written such a magnificent poetic scene without great political ambition, ambition to make contributions and optimism about the future. In the past, some people said that Cao Cao's poems were "full of pride" (in Shen Deqian), referring to works such as Looking at the Sea. Of course, "domineering" is a kind of ridicule, but if "domineering" is understood as the ambition to unify China, then this kind of artistic appreciation is still desirable. " Fortunately, even if it is, the song is to be sung. "This is a group of words in the chorus, which has nothing to do with the content of the poem, so I don't need to elaborate. Literally, the sea, mountain islands, vegetation, autumn wind, and even the sun, moon and stars are all immediate scenery. This poem describing natural scenery seems to have never been written by Cao Cao in the history of China literature. It not only describes the whole landscape, but also has its own style. It is the earliest masterpiece of landscape poetry in China, especially loved by literary historians. It is worth pointing out that the objective natural scenery reflected in the poet's mind must be subjectively filtered by the poet-understanding, blending, selecting and emphasizing, and then form an artistic product. This product is not only the reflection of the objective world, but also the condensation of the poet's subjective spirit. This poem, written on the autumn sea, can wash away the sentimental sentiment of sad autumn and is vigorous and magnificent, which is closely related to Cao Cao's tolerance, personality and even aesthetic taste. So, even pure landscape works. Because works, even pure landscape works, can't be purely objective photo production. In addition, Cao Cao's existing more than 20 poems, although they are all old poems from Yuefu, are all brand-new. Shen Deqian pointed out: "The ancient Yuefu wrote current affairs from Cao Gong." This is also a bold breakthrough in the history of China literature. This new style, which attaches importance to reflecting real life and is not bound by old songs and old sayings, has greatly promoted the development of China's literary realism. This achievement of Cao Cao is also worthy of recognition and praise.