Whose poem is Drunken Flower Shadow?

Drunk with flowers, Li Qingzhao's fog is thick and the clouds are sad forever, and the mind is refreshed and the golden beast disappears. The festival is also a double ninth festival, and the jade pillow gauze kitchen is half cold at night. Dongli drinks until dusk, and faint chrysanthemum fragrance overflows his sleeves. Don't say clear autumn is not a person, the west wind rolls the flag and beads curtain, and the person in the curtain is thinner than that Huang Ju. This word was written by the author after his early separation from her husband Zhao Mingcheng. It expresses the poet's loneliness and lovesickness through mourning for autumn. Li Qingzhao lived a happy love life and family life in her early years. As women in the boudoir, due to the constraints of feudal society, their activities are restricted and their life experiences are also heavily constrained, even the upper-class intellectual women like Li Qingzhao are no exception. Therefore, relatively speaking, their requirements for love are higher than those of ordinary men, and their experience is more delicate. Therefore, when the author and her husband parted, facing the monotonous life, they could not help expressing their sadness and farewell by cherishing Spring and Qiu Lai. This word is a reflection of this emotion. Literally, the author does not directly express the pain and lovesickness of living alone, but this feeling is everywhere in his writing. Write cool autumn scenery in the first film. The first two sentences are written in the daytime: "The fog is thick and the clouds are sad forever." This "mist and thick clouds" not only covered the whole sky, but also covered the poet's heart. The Beast of Renau Xiao Jin wrote a long and boring time, and at the same time set off the sadness of the environment. Starting from the evening, the last three sentences first point out the festival: "Double Ninth Festival". Then, from some distinctive things such as "jade pillow gauze kitchen" and the poet's special feelings, the autumn chill that penetrates people's skin is written, suggesting the heroine's mood in the poem. The words "worry" and "cool" run through "eternal day" and "night". Late autumn, season and climate, material state and human feelings are already in sight. This is the reason for the next movie "People are thinner than yellow flowers". The next movie is about the ninth festival. The first two sentences are chrysanthemum appreciation and drinking. The ancients had the habit of enjoying chrysanthemums and drinking alcohol on the ninth day of the ninth lunar month. Meng Haoran, a poet in the Tang Dynasty, said, "I'll come back when it's chrysanthemum time." During the Song Dynasty, the wind never weakened. Therefore, on the Double Ninth Festival, the poet still wants to "drink in the East" until "after dusk", and the fragrance of chrysanthemums overflows his sleeves. What these two sentences say is that the festive season is still the same, but the situation of people is different: "The immortal emperor rolls the west wind, and people are thinner than yellow flowers." Contrast up and down, many things are different, the past and the present are different. As far as the relationship between the upper and lower films is concerned, this one is about the result. Clever metaphor is also one of the important reasons why this word is widely read. In ancient poetry, it is not uncommon to compare people's thinness with flowers. For example, "People are as thin as Qingyang" (Song's anonymous dream), "People are thin, how much thinner than plum blossoms and plum blossoms?" (Song Chenggai's "Passing the Jiangchengzi") "Heaven knows, the sky is thin." (Qin Guan "Water") and so on. But compared with Li Qingzhao, this article is so successful. The reason is that the metaphor of this word is closely combined with the overall image of the whole word, which is very suitable for the identity and emotion of the poetess and is friendly to read. In the words, the technique of baking clouds to support the moon is also properly used, which has a hidden charm. For example, the next article is about chrysanthemum, which is used to describe people. But there is not a word "chrysanthemum" in the whole article. "Dongli" originally used Tao Yuanming's poem "Picking chrysanthemums under the Dongli", but the word "picking chrysanthemums" was hidden, in fact, it was hidden. For another example, the same is true of the word "89". Before the word "nine", there was already the word "chrysanthemum". Because the ancients had the habit of drinking chrysanthemum wine on September 9, the word "chrysanthemum" was also omitted here. Another example is "dark fragrance", where "dark fragrance" refers to the fragrance of chrysanthemum, not the fragrance of other stamens. "Yellow flower", that is, "chrysanthemum". As can be seen from the above, there is not a word "chrysanthemum" in the whole word, but the color, fragrance and shape of "chrysanthemum" are all on the paper. There is a turning point in the word, a layer of thinking is added when singing, and the charm of the poem is also thickened. The rhetorical technique is also one of the noteworthy artistic features of Ci. Ming Mao Ying said in Ci De that people "only know how to memorize" (meaning "people are thinner than yellow flowers"), but they don't know that beauty lies in "not knowing the truth". This statement is very insightful. The sentence "Mo Dao" can actually be compared with the sentence "How much leisure" in He Zhu's Jade Case. The difference is that the sentence "Mo Dao" contains rhetorical questions and provocative questions. Yuan Yi's "nirvana in fire" is a story like this: "Yi An sent a letter to Zhao Mingcheng in Chongyang, which read" Drunken Flowers ". I really admire you, and I'm ashamed. I want to win. All those who thanked the guests and didn't eat or sleep for three days and nights got 50 yuan, which could easily be regarded as the symbol of their friend Lu Defu. Dave played it over and over again and said, "There are only three wonderful sentences". Mingcheng. Answer:' The Tao never dies, and the curtain rolls in the west wind, and people are thinner than yellow flowers. It is easy to be safe. "No matter how credible this story is, the spread of this story alone is enough to show that Li Qingzhao's life experience is not experienced by ordinary literati; His artistic style and skills are not imitated by ordinary poets. It is in this way that the image of a boudoir beauty is sentimental and fragile. Because this image is the product of a specific historical period and class in feudal society. So when we appreciate it today, we mainly learn from her expression techniques and methods. Don't be a person who "falls in love with the next level", so you will "worry about adding new words". I hope the reader's ideas are useless, and you are happier than me to be the first.