(1) Zhi Oak sang the poet's personality ideal enthusiastically and frankly. Oak and kapok stand side by side in an independent posture, and they are affectionate, which can be said to be a group of symbolic images with brand-new character in China's love poems.
(2) The image of "Oak" symbolizes the rigid beauty of men, while the kapok of "Honghua" obviously embodies the female personality with new aesthetic temperament. She abandoned the delicate nature of old-fashioned women and was full of rich and vigorous life breath, which was exactly the same as the poet's ideal of women's independence and self-esteem.
(3) The first sentence of the poem: "If I love you, I will never show off myself by your branches, like a climbing Campbell flower; If I love you, I will never learn from spoony birds and repeat monotonous songs for the shade; It is not only like spring, but also brings cool comfort all year round; It is not just like a dangerous peak, it increases your height and sets off your dignity. Even sunshine, even spring rain. "
(4) expressing kapok, she doesn't want to climb on the other side and show off her vanity by the other side's prosperity; She doesn't want to drown herself in the cold shade of the other party, singing the crazy song of unrequited love alone.
(5) The second verse of the poem "No, these are not enough! I must be a kapok beside you, standing with you in the image of a tree. " It shows that kapok is determined to break the barriers that only advocate sacrifice for each other in love, and clearly shows that it is not an accessory, but a foil and ornament for each other, and must stand on the same footing with each other. "Root, close to the ground; Leaves, touching in the clouds.
Every time a gust of wind passes, we greet each other, but no one understands us. "That lovers shoulder to shoulder, soul mate. You have copper branches and iron stems, like knives, swords and halberds, symbols of men-strong, unyielding, sharp-edged and masculine.
(7) "I have my red flowers like a heavy sigh and a torch for heroes." The symbol of women-healthy and lively, beautiful and moving, deep and broad, tenacious and unyielding, with flexible temperament. Put forward the love concept that modern women should have.
(8) That is the real equality between men and women, and they all appear as "trees". Heart to heart, mutual respect and love, like-minded. The independent personality of men and women not only has not lost its due glory, but also shines more brightly in the shadow of each other.
(9) The third section of the poem "We share cold waves, storms and thunderbolts; We like mist, flowing mist and rainbow. It seems to be separated forever, but in fact it is lifelong. " Explain that lovers should "share joys and sorrows, * * * adversity." In the same realistic environment, both parties share the hardships of life and the happy situation, which is love. "
(10) This is great love, and there is constant here: love-not only your stalwart body, but also your standing and the land under your feet. "
(1 1) What the author wants to express is the firmness of love. This firmness is not only manifested in the loyalty to the other party's "mighty body", but also in the combination of appearance admiration and body. Further, it is to bring the other party's beliefs and ideals into the arms of his own love. Standing in the same position, we have the same belief in life.
(12) In artistic expression, poetry adopts the lyrical way of inner monologue, which is convenient to express the poet's inner world frankly. At the same time, the image is constructed by the method of overall symbol (the whole poem uses the overall image of oak and kapok to symbolize the independent personality and sincere love of both lovers), so that philosophical thoughts and ideas germinate in a kind and sensible image and are poetic.
(13) To the Oak Tree adopts holistic symbolism, and the poet's conception intention is not only to limit the theme of the work to the longing for love. The moral ideals of mutual sympathy, mutual understanding, mutual trust, equality and independence among people extend equally and reasonably from the image composition of oak and kapok.
2. To the Oak is a contemporary poem by China poet Shu Ting. In the first 13 lines of this poem, the poet denies the traditional view of love with six images: climbing Campbell flowers, spoony birds, fountains, dangerous peaks, sunshine and spring rain; 14 ~ 36 lines positively express their ideal view of love. Through the artistic technique of overall symbol and the inner monologue from "kapok" to "oak tree", the whole poem enthusiastically and frankly sings his own personality ideal and love view, which requires standing shoulder to shoulder, independence and affection. The composition and syntax of poetry have been carefully arranged, so that lyricism and discussion are naturally integrated, and the rich and delicate feelings are given a rational luster.
3. "To Oak" was selected as a Chinese textbook for senior high schools of People's Education Publishing House, and as a Chinese textbook for universities such as Zhengzhou University, Northwestern Polytechnical University and Shanghai University of Finance and Economics.