Yu Guangzhong (1928-) was born in Yongchun, Fujian and Nanjing, Jiangsu. 1947 joined the Foreign Languages Department of Jinling University (later transferred to Xiamen University), 1949 moved to Hong Kong with his parents, and went to Taiwan to study in the Foreign Languages Department of Taiwan Province Provincial University the following year. 1953 founded "Blue Star" Poetry Society with Qin Zihao and Zhong Dingwen. Later, he went to the United States for further study and obtained a master's degree in art from the University of Iowa. After returning to Taiwan Province, he became a professor at National Normal University, National Chengda University, National Taiwan Province University and Chinese University of Hong Kong. He is currently the Dean of Art College of Sun Yat-sen University in Taiwan. Yu Guangzhong is a complicated and changeable poet, and his changing track can basically be said to be a trend of the whole poetry circle in Taiwan Province for more than 30 years, that is, westernization first and then regression. In the early poetry debates in Taiwan Province and the rural literature debates in the mid-1970s, Yu Guangzhong's poetry theory and creation showed a strong tendency of advocating westernization, ignoring readers and being divorced from reality. As he himself said, "When I was a teenager, my pen was touched by the aftermath of Heaton Ling Ke, or the river of the Thames. The brewing industry is nothing more than 1842 wine. " After the 1980s, he began to realize the importance of his country to his creation. He extended his poetic pen back to that continent and wrote many homesick poems. His attitude towards local literature changed from opposition to kindness, showing an obvious trajectory of returning from west to east, so he was called a "prodigal son" by Taiwan Province provincial poetry circles. From the perspective of poetic art, Yu Guangzhong is an "artistic hybrid poet". His works are extremely inconsistent in style. Generally speaking, his poetic style varies from subject to subject. Poems expressing will and ideals are generally magnificent and powerful, while works describing homesickness and love are generally delicate and soft. He has written more than ten kinds of poems such as Elegy of Zhou Zi, Blue Feather, Stalactite, Halloween, White Jade and Bitter Melon.
In childhood
Homesickness is a small stamp.
I'm at this end
Mom is over there.
When I grow up
Homesickness is a narrow ticket.
I'm at this end
The bride is over there.
We'll talk about it later.
Homesickness is a low grave.
I am outside
Mom, it's in there.
But now
Homesickness is a shallow strait.
I'm at this end
The mainland is over there
Brief introduction of the author
Yu Guangzhong (1928—), a native of Yongchun, Fujian, is a famous contemporary poet in Taiwan Province. He was born in the traditional Double Ninth Festival in China, and his father was an official of the Kuomintang government. During my stay in War of Resistance against Japanese Aggression, my family moved to Chongqing. 1947, the poet was admitted to both Peking University and Jinling University. He chose the latter because he didn't want to leave his mother. 1949 to Xiamen University. 1950 went to Taiwan Province province with my family. 195 1 year, the poet was instructed by Liang Shiqiu. 1952, the poet graduated from National Taiwan University and published his first book of poetry, Elegy of Zhou Zi, which received little response. The following year, he joined the army and became a compiler. 1956, the poet retired and began to teach in some schools, while editing literary magazines such as Blue Star; In September of the same year, the poet married his cousin Fan Wocun. 1958 and 1966, the poet went to America twice. 1974 The poet went to Hong Kong to teach. 198 1 year, he met with poets such as Huang and Xin Di and had a cordial exchange with them. 1992, he finally looked forward to the day when he missed him day and night. He returned to his hometown with his wife. In addition to the above, the poet's works include Blue Ling, White Jade and Bitter Melon, Guanyin on the other side and the collection of essays Wandering around.
Appreciation of masterpieces
In the history of China's poetry, homesickness is the theme of thousands of poems. However, as a long-term writing theme, Yu Guangzhong may be the first person in the history of China literature. Among his many homesick poems, homesickness is undoubtedly the most popular and euphemistic one.
An inch square stamp bears the poet's childhood attachment, and the poet was comforted by his mother in the exchange of news. A narrow ticket carries the poet's love and snuggling for his lover; In the coming and going, the poet filled the emotional gap, and the taste is self-evident. A loess blocked the meeting between the poet and his mother. Where did the poet's heart go? That homesickness is an impossible dream! "This end" and "that end" finally moved towards a heavy separation, and the poet's heart suddenly sank into deep darkness.
In this strong emotion, the poet turned to the narrative of the present. Now, that shallow strait has become a deep scar of an ancient nation, a scar in the poet's heart, and a scar of millions of China people like the poet. The artistic conception of poetry has suddenly been sublimated here. That homesickness is not only the lovesickness and anguish in the poet's heart, but also the lovesickness and anguish of all people in China, Qian Qian. Therefore, poetry has profound symbolic significance. Isn't that mother a symbol of the motherland? Isn't that lover a poet's metaphor?
In The World, the poet succinctly extracted several simple images: stamps, boat tickets, graves and straits. These images are combined by simple words "this" and "that", which closely link people, things, time and space that are isolated from each other. If there is no distance and connection, it will give a strong buzz to people who are rushing about lovesickness, parting and gathering all day long, giving people an unspeakable sadness and joy. As the poet said, "a vertical sense of history and a horizontal sense of region. The realism of the crossroads formed by vertical and horizontal intersection ",poetry takes the time sequence as the longitude and the distance between the two places as the latitude, which has its own fascinating charm in straightforward narration, causing people infinite sadness and endless acacia.
Poetry presents the beauty of decoration in structure and music in rhythm in art: it pursues lively expression in uniform sentence patterns; In the proper combination of images, the phonology of words is perfectly used, which makes poetry have the rhythm of music, full of twists and turns, singing and sighing. The poet sang his deep attachment to the motherland and ancestors with true feelings and musical language. This modern poetic style, which combines the traditional aesthetic features of China, has aroused great repercussions in Taiwan Province Province. It can be said that Yu Guangzhong's poetry is the maturity of Taiwan Province's modern poetry.
Respondent: Chen Ziao Cool-Scholar Level 3111122: 48.
The song of my hometown is a flute in Qingyuan.
It always rings on a moonlit night.
The face of my hometown is a vague disappointment.
Like waves in the fog.
After leaving,
My hometown is a tree without rings.
Never grow old.