Go back to my room and put down the crystal curtain, still looking at the exquisite moon through the curtain. "Palace Complaint" Author: Li Yinian: Tang genre: Seven unique dew wet sunny flowers spring temple incense, moonlight songs blowing Zhaoyang.
It's like adding seawater to a crack in the palace and leaving Nagato for one night. Note: Rainbow Changling's masterpiece "Beauty with a broom" and "Young woman in a boudoir" and so on, the complainer of this poem did not appear at the beginning.
Nagato Palace was the residence of Empress Chen during the reign of Emperor Wu of the Han Dynasty, and Zhaoyang Hall was the residence of Emperor Zhao of the Han Dynasty. Tang poetry is usually used to refer to the residence of palace officials who are out of favor and in favor respectively. Writing about Nagato's resentment, but writing about Zhaoyang's luck first, is a remarkable feature of this poem.
The state of the first two sentences is beautiful. Palace flowers in the poem refer to peach blossoms. At this time, spring is blooming, and the flowers are dotted with dew, which has the brilliance of "burning its China".
Sunny flowers touch dew, which makes them more beautiful. The fragrance of flowers at night is particularly obvious, and the spring breeze is gone, making it more fragrant.
This is a writing environment, and it is not just a writing environment. This beautiful state complements the happy mood of the singers and dancers in Zhaoyang Hall.
In Zhaoyang Temple, we sang all night, and the happy people didn't rest. It is easy to understand that "the song blows the sun", but the bright moon is everywhere. Why does it belong to Zhaoyang alone? Here, the poet subtly implies that the Zhaoyang Hall is particularly bright even with the moon.
Although both sentences are written about the environment, they can make readers feel that there are people in the environment, and then from the scene to the emotion. These two sentences are not about palace resentment, but the opposite of palace resentment, which is a scene of grace and favor.
Writing grace is not the poet's purpose, but a means. The last two sentences suddenly turned, and the beautiful environment and happy atmosphere disappeared, and another environment and another atmosphere were turned.
In sharp contrast to Zhaoyang Hall, there is no fragrance of flowers, no singing, no moonlight, endless dripping water and endless leakage, which is endless night. There is also an insomniac here.
However, unlike the short-lived joy and pain in Zhaoyang Temple, Nagato Palace has a long melancholy night. This poem uses image contrast, which has a strong contrast effect and highlights and deepens the theme of "palace resentment"
The front and back of this poem focus on the context. Because of the rich feelings of characters and the blending of scenes, people can be seen in the context, which is implicit. Compared with Bai Juyi's harem poems, its advantages are particularly remarkable.
The word "harem" wrote that "the dream of tears failed" and "the beauty was broken before she was old, and she sat in the Ming Dynasty by leaning against the smoke cage". Because the path is too straight, she feels very shallow and close, so the poem is not so tolerant of people. The first two sentences of this poem tend to be realistic, while the last two sentences are somewhat exaggerated.
Copper pot dripping is an ancient timing instrument. The person dedicated to Gong Jin is "Gong Li".
Generally, water is added once at night, and it leaks out when it is more important, and it is not clear at night when it leaks endlessly. "It's like adding seawater to the leak in the palace", exaggerating the long night and long leak in Nagato with the huge capacity of seawater.
Of course, there is no such thing as uterine leakage and seawater in reality, but this exaggeration still has a realistic basis. "Water leakage from uterus" is true. Imperial secretary in Nagato is worried about insomnia, but the nights are long. The unity of subjectivity and objectivity has created the artistic conception of "adding seawater to the palace and dropping Nagato overnight".
Virtual and real, the form is fascinating. Although what is written here will definitely not happen, it is actually the language of family. /scdq/htm/4 175.htm .
2. Begging for poetry and complaining about the palace-Bai Juyi's tears wet the silk scarf dream, and the temple sang in the middle of the night.
Beauty is not old, has lost the elegance of the king, and sat on warm clothes until dawn. Rhyme translation: tears drench towels, good dreams are hard to do; Late at night, rhythmic singing came from the front hall.
Beauty is not decadent, but elegance is cut off; She sat alone in a smoking cage until dawn. Appreciation: an emotion, written in six layers, doing all the lingering things.
But the whole poem is a breath, such as bamboo shoots breaking ground, although the bud festival is there, it is not exposed; Spinning like a cocoon, no pains come. In just four sentences, the complex and contradictory inner world of a fallen maid-in-waiting is exquisitely displayed.
I can't sleep at night, waiting for the king to get lucky and write his hopes; Hearing the singing in the front hall, the king was very happy and wrote down his disappointment. Your grace has been broken, and you are still waiting in the smoking cage, writing down your bitter hope; The sky is bright, the king's future, writing his despair. Tears wet the towel and write the reality of maids; Seek favor in dreams and write their fantasies; Well, but still wait, write its wishful thinking; Sit until dawn and see the king, and then write down its sad reality.
The whole poem turns from hope to disappointment, from disappointment to bitter hope, from bitter hope to final despair; From reality to fantasy, from fantasy to fantasy, and from fantasy to reality, the poet poured deep sympathy for the unfortunate. Long letter autumn ci-one of the golden wells in Wang Changling, the phoenix tree has yellow autumn leaves, and the bead curtain does not roll frost at night.
Jade pillow jade pillow looks like a withered face, lying on your back and worrying about listening to the south temple-style leaking face. Secondly, the high palace anvil rings at midnight, and the frost deeply recalls the cold clothes.
Deeper, under the cutting of the silver lamp, my eyes turned to Miyagi Prefecture. The third is to offer a broom to open the Golden Palace and temporarily stroll around the fan.
A beautiful face is not as beautiful as a crow, and it can also bring the shadow of Zhaoyang Hall. Fourth, I really thought about it for a long time, dreaming that the king felt suspicious.
The light shines on the west palace, knowing that it is a night drink, and seeing the favor. Its five long letters are the moon in the Mid-Autumn Festival in the palace and the sound of His Highness Zhaoyang smashing clothes.
The Millennium Hall is full of traces of weeds, and the red Luo Zhang is in deep love. Palace words-Zhu Qingyu closes the gate when she is lonely, and the beauty stands side by side with Qiong Xuan.
County magistrate Liu, everyone wants to talk about the sadness in the palace. No one dares to reveal his depression in front of the parrot. This poem about palace resentment reflects the pain and emptiness of a maid-in-waiting who has fallen out of favor or not. Zhang Hu, a maid-in-waiting who has left home thousands of miles away, has lived here for twenty years.
He Manzi, watch how hard she tries to hold back her tears. West Palace's Spring Hatred-Wang Changling West Palace's night is quiet and fragrant, and I want to roll the bead curtain for a long time.
Obliquely holding the clouds and seeing the moon, the hazy trees are hidden in the sun. Autumn resentment in the West Palace is not as good as beauty makeup, and the wind in the water temple is fragrant.
Who covered the autumn fan with crying? Hang the moon in the sky for the king. "Chen Ajiao hatred Li Bai back to Beidou hanging west wing, golden house without fireflies.
Moonlight wants to reach Nagato Hall, so don't worry about the palace. The long sorrow in Guidian does not remember spring, and the golden house has autumn dust.
Hanging in the clear sky at night, people take photos alone in Nagato Palace. Sima Xiangru's husband is a beautiful woman, and he is very comfortable.
The soul is excessively lost, but not rebellious, haggard and living alone. They say I come and go, eat happily and forget people.
Be proud of your heart moving without worrying, and be proud of your blind date. Yi is dull and stupid, and he is chaste in his heart.
I am willing to ask questions and make progress, and I will get the jade sound of Zunjun. I hope my empty words are sincere. I will leave the palace in the south of the city.
Repair thin tools and set yourself up, but you refuse to be lucky. The program dives alone and specializes in it, and the sky is blowing with the wind.
When I arrived in Lantai, from a distance, the gods were embarrassed and lewd. .
. Where is the beauty? Take a gentle step.
The fragrant soul is drifting away, no longer gathering, haggard and lonely. I promised to visit me often, but I forgot my old friends because of my new love.
From then on, I never saw you again and fell in love with other beautiful women. What I did was stupid, just to please Mr. Lang.
I hope I have a chance to cry, and I hope Teacher Lang will give me an answer. I'm looking forward to knowing whether it's empty talk or willing to believe it's true.
Make the bed every day, but Lang Jun refuses to be lucky. The corridor is lonely and calm, with cold air and cold morning.
I boarded Lantai and looked at Mr. Lang, in a trance like a dream. Mei Fei Jiang Caiping Tang Xuanzong Kaiyuan (7 13-74 1), eunuch Gao Lishi went to Fujian and Guangdong, met Jiang Caiping, a fairy couple with beautiful bones, and was chosen to serve Tang Xuanzong in the palace, which was greatly favored. Emperor Xuanzong of the Tang Dynasty was proud of Jiang Caiping and treated her like dirt in his palace.
Jiang Caiping likes plum blossoms, and plum trees are planted everywhere where he lives. Whenever plum blossoms are in full bloom, he will admire and love flowers and linger. Mei Fei is the title of Xuanzong's play. Mei Fei was favored not only by her beauty, but also by Tang Xuanzong, a music and dance expert, for her performance of "Surprise Dance".
Emperor Xuanzong of the Tang Dynasty once praised "it's an honor to blow white Yu Di and make a' dance of surprise'". The east building is covered with jade dust, and the phoenix lingers.
Lazy cicadas comb their temples skillfully, and practice lightly in idle clothes. Gong Hui's bitterness and loneliness, Blue Dot's paranoia.
Plum blossoms with fallen flowers are not common in Nagato. The situation is that the flower heart hates, the eyes are sad, the warm wind blows gently, and the spring birds chirp.
Upstairs at dusk, listening to the wind and looking back; Yun Lan dusk, staring at Su Yue. Long and deep, the letter of qingluan; When I didn't go to the hot spring, I recalled the old tour of picking up green.
Recalling the past, the water is clear and floating, singing and enjoying the swallow, accompanying Chen. Play wonderful dances and love songs, and take a beneficial bird fairy boat.
Your feelings are tender, and you are well prepared. Swear to the mountains and seas, like the sun and the moon.
Why are you jealous of mediocrity, burning with jealousy, taking away my love and relegating me to a secluded palace? It's hard to miss the old love, and the dream is hazy.
Spend time with the moon and evening, shy and lazy spring breeze. If you want to be like each other, you won't be able to work.
Is endless sorrow, already ringing, sighing and hiding, hesitating to set foot on the east building. Xie Cizhen's eyebrows didn't last long, and her makeup was red with tears.
There is no toilet in Nagato every day. Why should pearls comfort loneliness?
3. Ask for several classic poems about palace grievances: Tang Author: Du Xunhe Style: Five Ways to Know Beauty My misfortune, I sigh in the mirror.
Ok, ok, not on the pretty face; Finally, in order to please who, ask me to decorate. The bird's song is broken, it is for the warm spring breeze; When the sun is at noon, the flower shadows will appear thick.
I really miss my female companion in Yuexi Hu Sha every year; Song laughed and picked hibiscus casually. "Spring Palace Complaint" Author: Tang Author: Du Xunhe style: Five ways to know my misfortune, I sighed in front of the mirror.
Ok, ok, not on the pretty face; Finally, in order to please who, ask me to decorate. The bird's song is broken, it is for the warm spring breeze; When the sun is at noon, the flower shadows will appear thick.
I really miss my female companion in Yuexi Hu Sha every year; Song laughed and picked hibiscus casually. Author: Ming Author: Grain Rain Purple Temple has a dream of prosperity, and the courtyard is covered with dark moss.
The clouds are abnormal, according to your wishes, and the moon shines on my heart. The defensive crossbar is locked in the cold, and the pulley pulls the well deep.
Empty will spread sorrow, lonely who listens to empty foreign sounds. On one occasion, Emperor Gaozu visited Baizichi in the moonlight.
Jumping to bed in spring, drinking wine and watching chess in Panlong at night. But the command is unscrupulous, and the public is willing to die as a bear.
Old hatred falls with the leaves, and the spring breeze flies around the branches for thousands of years. The water temple hides frost and burns incense on the new moon night.
The fan in the window contains Qiu Si, and the lantern in the tent is separated from the royal light. The four walls are covered with pepper, and the leakage of Liugonglian is long.
Your manners are not necessarily crowing, nor are you crazy in Zhao Yang's palm. Nagato and Wan Li are only a stone's throw away, so I am ashamed to drag my skirt to my waist.
Ying Ying's Bi Shen is a mirror, and the vast Milky Way is broken. Go hunting in the garden with flags at night, and set up a drum to disperse the morning dynasty.
This body is not as good as a two-legged phoenix, and you can listen to nine "less" everywhere. The sun and moon flags are not seen, and the grass in the corner of the court covers the brightness.
Today is everywhere, and she has never been right or wrong. Shuang Yan dusk rain into the balcony, spring cold pool hall flowers sparse.
The prison palace is gone, and no one is talking. He is singing green by himself. Emerald cicada enters the imperial residence, and plans to return its new favorite to lead China.
The king is confident of his face in the picture, and the quiet woman is empty to meet the dream. In autumn, the shed hall is shaded by corner pillows, and the corridor is empty, responding to the pipa.
Lonely, Zhu Lan dusk, full courtyard breeze. The age of ancient palace resentment: Tang Author: Wang Jian genre: Yuefu Confucianism and martial arts are dumb, flying and crying, and Chengtou is in the palace sooner or later.
The farewell hall of the prince of Wu is by the river, and there are no beautiful women in the harem. Angry-year-old Wu Gong Author: Tang Author: Style: Yuefu Wu Gong is surrounded by autumn water, and the Qing Dynasty soldiers.
The prince of Wu wanted to change clothes after being drunk, and the beauty on the seat could not afford to be charming. There are thousands of families in the palace. Who can count your kindness?
Your heart is different from my concubine, I just sing and dance in front of you. Cornus officinalis is full of palaces and red flowers, and the autumn wind rolls up countless branches.
On the Gusu stage, I went to Yan in the evening, and the others went back to bed alone. During the day, the sky shines on the earth, and today you have to look away.
4. Ask for some classic poems about palace grievances.
Year: Tang Author: Du Xunhe Style: Five Methods
In the early years, I was misled by beauty and fell into the palace. I'm not too lazy to dress up in front of the mirror.
Ok, ok, not on the pretty face; Finally, in order to please who, ask me to decorate.
The bird's song is broken, it is for the warm spring breeze; When the sun is at noon, the flower shadows will appear thick.
I really miss my female companion in Yuexi Hu Sha every year; Song laughed and picked hibiscus casually.
Spring palace resentment
Year: Tang Author: Du Xunhe Style: Five Methods
In the early years, I was misled by beauty and fell into the palace. I'm not too lazy to dress up in front of the mirror.
Ok, ok, not on the pretty face; Finally, in order to please who, ask me to decorate.
The bird's song is broken, it is for the warm spring breeze; When the sun is at noon, the flower shadows will appear thick.
I really miss my female companion in Yuexi Hu Sha every year; Song laughed and picked hibiscus casually.
Quasi-palace resentment
Year: Ming Author: Gu Lin
The dream of the purple palace has sunk, and the moss in the courtyard is dark.
The clouds are abnormal, according to your wishes, and the moon shines on my heart.
The defensive crossbar is locked in the cold, and the pulley pulls the well deep.
Empty will spread sorrow, lonely who listens to empty foreign sounds.
On one occasion, Emperor Gaozu visited Baizichi in the moonlight.
Jumping to bed in spring, drinking wine and watching chess in Panlong at night.
But the command is unscrupulous, and the public is willing to die as a bear.
Old hatred falls with the leaves, and the spring breeze flies around the branches for thousands of years.
The water temple hides frost and burns incense on the new moon night.
The fan in the window contains Qiu Si, and the lantern in the tent is separated from the royal light.
The four walls are covered with pepper, and the leakage of Liugonglian is long.
Your manners are not necessarily crowing, nor are you crazy in Zhao Yang's palm.
Nagato and Wan Li are only a stone's throw away, so I am ashamed to drag my skirt to my waist.
Ying Ying's Bi Shen is a mirror, and the vast Milky Way is broken.
Go hunting in the garden with flags at night, and set up a drum to disperse the morning dynasty.
This body is not as good as a two-legged phoenix, and you can listen to nine "less" everywhere.
The sun and moon flags are not seen, and the grass in the corner of the court covers the brightness.
Today is everywhere, and she has never been right or wrong.
Shuang Yan dusk rain into the balcony, spring cold pool hall flowers sparse.
The prison palace is gone, and no one is talking. He is singing green by himself.
Emerald cicada enters the imperial residence, and plans to return its new favorite to lead China.
The king is confident of his face in the picture, and the quiet woman is empty to meet the dream.
In autumn, the shed hall is shaded by corner pillows, and the corridor is empty, responding to the pipa.
Lonely, Zhu Lan dusk, full courtyard breeze.
Ancient court resentment
Year: Tang Author: Wang Jian Style: Yuefu
Milk dumb, flying crying, Chengtou is in the palace sooner or later.
The farewell hall of the prince of Wu is by the river, and there are no beautiful women in the harem.
Martial arts resentment
Year: Tang Author: genre: Yuefu
Wu Gong Qiu Jiang around, Qingjiang Bai Furong died. The prince of Wu was drunk and wanted to change clothes.
The beautiful woman in the seat is charming. There are thousands of families in the palace. Who can count your kindness?
Your heart is different from my concubine, I just sing and dance in front of you. Connors' palace is full of red,
The autumn wind rolled up countless branches. On the Gusu stage, I went to Yan in the evening, and the others went back to bed alone.
During the day, the sky shines on the earth, and today you have to look away.
5. The representative works of palace resentment poems The Tang Dynasty poets created a large number of palace resentment poems. However, it is different from those palace poems devoted to describing the luxurious life of the court in the Six Dynasties and the early Tang Dynasty, but with the theme of describing the bitterness of ladies-in-waiting. Bai Juyi's White-haired Man and the Concubine in the Cemetery, Liu's Spring Complaint, Gu Kuang's, Liu Yuxi's and Zhu Qingyu's palace poems, Wang Wei's Autumn Night, Du Mu's Autumn Evening, Li Bai's Jade Class Complaint, Xie Tiao's Jade Class Complaint, and so on. Wang Changling, the master of quatrains, wrote the famous Poems of Spring in the West Palace and Long Letter in Autumn. Most of these poems describe the miserable life and mental pain of maids (or concubines) from different angles. However, they have one thing in common: they all attribute the resentment of the ladies-in-waiting to the resentment of falling out of favor or falling out of favor, and they all just show a corner of the ladies' lives, or they are very subtle.
6. Appreciation of the Palace Complaint Poetry in Tang Dynasty "Palace Complaint Poetry" is an important part.
Many poets, such as Li Bai, Wang Changling, Gu Kuang, Bai Juyi, Liu, Du Mu, Zhu Qingyu, Du Xunhe, etc., have described the experience of maids as lonely, helpless and touching. With the scenery lining resentment, desolation is infinite; It's hard to understand when you hear voices complaining; Complaining because of feelings, grief and indignation overflowing.
Poets euphemistically express their grievances, grievances or complaints from the perspective of vision, hearing and illusion, and write grievances alone or integrate various feelings, so that poetry can reach another new artistic realm. First, visually, the scenery reflects resentment and is desolate and infinite.
In that distorted society, ladies-in-waiting are redundant people, without status and status, and are not favored by the emperor. Maids-in-waiting were elected to the palace because of their good looks, but they were accompanied by endless loneliness and loneliness.
The tragic inner world of ladies-in-waiting is intuitively displayed in Tang poetry, which is reflected in many aspects, such as lining people with flowers, writing people with full moon, and feeling sorry for themselves in the mirror in the morning. Write sadness with flowers: Bright flowers are often a symbol of life and liveliness, and also a sign of youthful vitality.
Of course, it can set off the misfortune of maids, but flowers and leaves can also set off more tragic experiences. A typical example is Du Xunhe's necklace, "Beautiful birds singing and flowers climbing in a sunny day" in Hating the Spring Palace.
Hu Zai, a famous critic in the Song Dynasty, said in Volume XXIII of Poems: "As the saying goes,' There are 300 poems by Du Fu, but only one couplet'-'The weather is beautiful and the birds are singing high'." This shows how lively this poem was at that time.
The wind is "warm" and the birds are "broken", which are filled with the fresh breath of life and youthful vitality, but also reflect the resentment and resentment of the left-out maids. Liu, a poet of the Tang Dynasty who was almost contemporary, wrote the last two sentences in his quatrain "Spring Complaint": "Lonely and empty, spring dawn, pear blossoms everywhere."
There is no one in the yard now, and it is the late spring season when the flowering period has already passed. The whole yard makes people feel lonely and deserted, making people want to cry. Beauty is like a pear flower, dying, how sad its life experience is, and how fleeting its youth is.
Wang Changling's quatrains "Peach Blossom in the Spring Palace" and Zhu Qingyu's quatrains "When the flowers are lonely, the courtyard is closed, and the beauties in Qiongxuan stand side by side" are also vivid sentences describing the distress of maids. Full Moon Writing Love: Moonlight is the embodiment of tranquility and serenity, which can allude to a person's quiet and peaceful inner world.
When there is a moon, it will also make people homesick. The description of moonlight in "Poems of Palace Complaints" also includes these.
Wang Changling's "Spring Palace Complaints" says: "Last night, the wind opened peach blossoms, and the moon was high in the front hall of Weiyang." First of all, it depicts a faint palace landscape full of spring and tranquility.
Poetry touches the mood with peach blossoms and hints at the mood with moonlight. Here, touching things is a metaphor for a maid-in-waiting, just like a peach blossom dipped in rain and dew, giving consideration to competition and prosperity; Here, the moon, which had no distinction between high and low, was also said to be "the moon in front of Weiyang Temple is high", just because it is a place where the old and the new are loved and abandoned, and it is a sad place that the fallen maid-in-waiting yearns for but can't get close to, so she feels that the moon is high and low, and the emperor is near and far.
Li Bai's five-line poem "Jade Family" is also written in this way: "The jade steps are cold and dew, and the silk bottom is wet, which has been lingering for a long time. Behind her closed window, why is she still waiting, looking at the glory of the autumn moon through the crystal glass? . "
Late at night, deep resentment, deeper sadness, quiet and lonely feeling arises spontaneously. Maid-in-waiting, moonlight, like the moon pity people, like people pity the moon; If people don't accompany the moon, why should other things accompany people? The moon is speechless, and people are speechless.
Complaining without complaining is far deeper than complaining. For example, in Gu Kuang's Gong Ci, three or four sentences say that "the moon shadows open at night, and the water curtain is near Qiu Jiang", and Du Mu's Autumn Evening says that "the silver candle draws a cold screen, and the small fan flies lightly.
Day and night are as cool as water. "Look at the Petunia and the Weaver Girl" is also a wonderful poem that writes sadness with a full moon. Self-pity in the mirror: the mirror can truly reflect the original face of the character.
The ladies-in-waiting look at themselves in the mirror, either to win the king's favor or to lament that time flies and youth is hard to come by. Feng Xue's seven laws "Gong Ci" say: "Twelve-room girls, putting on their daily makeup, look at the master of Xiange from afar.
The door of the door is locked and the door of the door is locked inside. The copper dragon funnel is getting slower and slower, and the waiting time is longer. The comb on the temples can give you a mirror, and a robe can add fragrance to it.
From a distance, the flickering shadow of the main hall opened the curtain; I saw a maid with a short robe and embroidered trousers cleaning the imperial bed. "Maid-in-waiting concubines deliberately dress up, the only purpose of which is to please the emperor, and the only thing they can do is to seduce people with colors.
Looking in the mirror, we can see that the first couplet of this poem is about hope. The couplet sets off their hopes with the environment, and the neckline reflects their expectations with actions. At the end, Du Xunhe's "Hating the Spring Palace" is conspicuously written: "I was mistaken by cicada Juan, and I sighed in the mirror. How should I dress myself to please a picky emperor? ? The bird's song is broken, it is for the warm spring breeze; When the sun is at noon, the flower shadows will appear thick.
I really miss my female companion in Yuexi Hu Sha every year; Song laughed and picked hibiscus casually. "Second, hearing above, heard the voice of hatred, melancholy.
Lonely and abandoned life, monotonous and spacious courtyard, can only make ladies-in-waiting do their best to see, listen or think, and pass it on layer by layer, which is sad and difficult to relax. Look, you can only sit and watch the sky; Look, you can also put it down for a while.
Du Xunhe's "Hating the Spring Palace" and "Beautiful Birds Singing in a Sunny Day", a bird singing makes people uneasy and heartbroken; The fourth sentence in Feng Xue's Seven Laws "Gong Ci", "The bell is ringing in the morning", also depicts the anxious mentality of ladies-in-waiting eager to find spiritual sustenance. Bai Juyi's seven-character quatrain "Gong Ci" "Tears wet the silk scarf dream, and the temple sings in the middle of the night.
The same is true of the beauty who broke before she was old, sitting in the Ming Dynasty leaning against the smoking cage and writing her feelings with her hearing. In addition, the third sentence of Wang Changling's "Hating the Spring Palace", "Pingyang's singing and dancing heart is favored", is an excellent detail to describe the favor of maid-in-waiting enterprises. The word "new favor" naturally reminds people of the old man who just fell out of favor. He may be standing under the eaves of a secluded palace with moonlight like water, looking at the emperor's bedroom, listening to the songs and dances of new people, with his loneliness and sadness and his resentment.
Let's look at Gu Kuang's four-line poem "Gong Ci": "On the jade building, there is a blow in the middle of the night, and the wind sends laughter and peace to the palace. The shadow of the Moon Palace smells the night leak, and the water curtain rolls close to Qiu Jiang. "
Here, the artistic techniques of contrast and contrast are used in poetry.
7. Appreciation of Palace Complaint Poetry in Tang Dynasty "Palace Complaint Poetry" is an important part.
Many poets, such as Li Bai, Wang Changling, Gu Kuang, Bai Juyi, Liu, Du Mu, Zhu Qingyu, Du Xunhe, etc., have described the experience of maids as lonely, helpless and touching. With the scenery lining resentment, desolation is infinite; It's hard to understand when you hear voices complaining; Complaining because of feelings, grief and indignation overflowing.
Poets euphemistically express their grievances, grievances or complaints from the perspective of vision, hearing and illusion, and write grievances alone or integrate various feelings, so that poetry can reach another new artistic realm. First, visually, the scenery reflects resentment and is desolate and infinite.
In that distorted society, ladies-in-waiting are redundant people, without status and status, and are not favored by the emperor. Maids-in-waiting were elected to the palace because of their good looks, but they were accompanied by endless loneliness and loneliness.
The tragic inner world of ladies-in-waiting is intuitively displayed in Tang poetry, which is reflected in many aspects, such as lining people with flowers, writing people with full moon, and feeling sorry for themselves in the mirror in the morning. Write sadness with flowers: Bright flowers are often a symbol of life and liveliness, and also a sign of youthful vitality.
Of course, it can set off the misfortune of maids, but flowers and leaves can also set off more tragic experiences. A typical example is Du Xunhe's necklace, "Beautiful birds singing and flowers climbing in a sunny day" in Hating the Spring Palace.
Hu Zai, a famous critic in the Song Dynasty, said in Volume XXIII of Poems: "As the saying goes,' There are 300 poems by Du Fu, but only one couplet'-'The weather is beautiful and the birds are singing high'." This shows how lively this poem was at that time.
The wind is "warm" and the birds are "broken", which are filled with the fresh breath of life and youthful vitality, but also reflect the resentment and resentment of the left-out maids. Liu, a poet of the Tang Dynasty who was almost contemporary, wrote the last two sentences in his quatrain "Spring Complaint": "Lonely and empty, spring dawn, pear blossoms everywhere."
There is no one in the yard now, and it is the late spring season when the flowering period has already passed. The whole yard makes people feel lonely and deserted, making people want to cry. Beauty is like a pear flower, dying, how sad its life experience is, and how fleeting its youth is.
Wang Changling's quatrains "Peach Blossom in the Spring Palace" and Zhu Qingyu's quatrains "When the flowers are lonely, the courtyard is closed, and the beauties in Qiongxuan stand side by side" are also vivid sentences describing the distress of maids. Full Moon Writing Love: Moonlight is the embodiment of tranquility and serenity, which can allude to a person's quiet and peaceful inner world.
When there is a moon, it will also make people homesick. The description of moonlight in "Poems of Palace Complaints" also includes these.
Wang Changling's "Spring Palace Complaints" says: "Last night, the wind opened peach blossoms, and the moon was high in the front hall of Weiyang." First of all, it depicts a faint palace landscape full of spring and tranquility.
Poetry touches the mood with peach blossoms and hints at the mood with moonlight. Here, touching things is a metaphor for a maid-in-waiting, just like a peach blossom dipped in rain and dew, giving consideration to competition and prosperity; Here, the moon, which had no distinction between high and low, was also said to be "the moon in front of Weiyang Temple is high", just because it is a place where the old and the new are loved and abandoned, and it is a sad place that the fallen maid-in-waiting yearns for but can't get close to, so she feels that the moon is high and low, and the emperor is near and far.
Li Bai's five-line poem "Jade Family" is also written in this way: "The jade steps are cold and dew, and the silk bottom is wet, which has been lingering for a long time. Behind her closed window, why is she still waiting, looking at the glory of the autumn moon through the crystal glass? . "
Late at night, deep resentment, deeper sadness, quiet and lonely feeling arises spontaneously. Maid-in-waiting, moonlight, like the moon pity people, like people pity the moon; If people don't accompany the moon, why should other things accompany people? The moon is speechless, and people are speechless.
Complaining without complaining is far deeper than complaining. For example, in Gu Kuang's Gong Ci, three or four sentences say that "the moon shadows open at night, and the water curtain is near Qiu Jiang", and Du Mu's Autumn Evening says that "the silver candle draws a cold screen, and the small fan flies lightly.
Day and night are as cool as water. "Look at the Petunia and the Weaver Girl" is also a wonderful poem that writes sadness with a full moon. Self-pity in the mirror: the mirror can truly reflect the original face of the character.
The ladies-in-waiting look at themselves in the mirror, either to win the king's favor or to lament that time flies and youth is hard to come by. Feng Xue's seven laws "Gong Ci" say: "Twelve-room girls, putting on their daily makeup, look at the master of Xiange from afar.
The door of the door is locked and the door of the door is locked inside. The copper dragon funnel is getting slower and slower, and the waiting time is longer. The comb on the temples can give you a mirror, and a robe can add fragrance to it.
From a distance, the flickering shadow of the main hall opened the curtain; I saw a maid with a short robe and embroidered trousers cleaning the imperial bed. "Maid-in-waiting concubines deliberately dress up, the only purpose of which is to please the emperor, and the only thing they can do is to seduce people with colors.
Looking in the mirror, we can see that the first couplet of this poem is about hope. The couplet sets off their hopes with the environment, and the neckline reflects their expectations with actions. At the end, Du Xunhe's "Hating the Spring Palace" is conspicuously written: "I was mistaken by cicada Juan, and I sighed in the mirror. How should I dress myself to please a picky emperor? ? The bird's song is broken, it is for the warm spring breeze; When the sun is at noon, the flower shadows will appear thick.
I really miss my female companion in Yuexi Hu Sha every year; Song laughed and picked hibiscus casually. "Second, hearing above, heard the voice of hatred, melancholy.
Lonely and abandoned life, monotonous and spacious courtyard, can only make ladies-in-waiting do their best to see, listen or think, and pass it on layer by layer, which is sad and difficult to relax. Look, you can only sit and watch the sky; Look, you can also put it down for a while.
Du Xunhe's "Hating the Spring Palace" and "Beautiful Birds Singing in a Sunny Day", a bird singing makes people uneasy and heartbroken; The fourth sentence in Feng Xue's Seven Laws "Gong Ci", "The bell is ringing in the morning", also depicts the anxious mentality of ladies-in-waiting eager to find spiritual sustenance. Bai Juyi's seven-character quatrain "Gong Ci" "Tears wet the silk scarf dream, and the temple sings in the middle of the night.
The same is true of the beauty who broke before she was old, sitting in the Ming Dynasty leaning against the smoking cage and writing her feelings with her hearing. In addition, the third sentence of Wang Changling's "Hating the Spring Palace", "Pingyang's singing and dancing heart is favored", is an excellent detail to describe the favor of maid-in-waiting enterprises. The word "new favor" naturally reminds people of the old man who just fell out of favor. He may be standing under the eaves of a secluded palace with moonlight like water, looking at the emperor's bedroom, listening to the songs and dances of new people, with his loneliness and sadness and his resentment.
Let's look at Gu Kuang's four-line poem "Gong Ci": "On the jade building, there is a blow in the middle of the night, and the wind sends laughter and peace to the palace. The shadow of the Moon Palace smells the night leak, and the water curtain rolls close to Qiu Jiang. "
Here, the artistic techniques of contrast and contrast used in poetry are very distinct. The more extravagant the poet is, the more he enjoys the pleasure of the palace princess.