Interpretation of poetry
Don't you see that the surging Yellow River water seems to fall from the sky? It rolled eastward and ran to the East China Sea, never to return. Didn't you see, looking in the mirror in the high hall, sighing deeply at the white hair? My hair is still full in the morning, but it becomes like snow at night. Therefore, when you are proud of your life, you should enjoy yourself and never let the golden cup be empty to the bright moon. Since God has made me a pillar, I will be useful. Even if I use up 2000 gold coins, I will get it back. Let's enjoy cooking sheep and slaughtering cattle. When we meet today, we really have to drink 300. Master Cen, Dan Qiusheng, drink quickly and don't stop. I'll sing you a song. Please listen to me carefully. It is not precious to enjoy the luxurious life of rich food in the sound of bells and drums. I hope I will never get drunk or wake up. Since ancient times, those sages have felt lonely, and only those who send love and wine can leave a good reputation. In the past, Chen Wang Cao Zhi gave a big banquet in heirakuji, and although a barrel of wine was worth 1000 yuan, he drank it casually. Master, why do you say there is not much money? Go and buy wine, and we'll drink enough together. Bring in the precious five-legged horse, take out the expensive golden retriever and replace it with wine. Let's * * * together to melt this endless eternal sadness!
Appreciation of poetry and prose
Making friends at the banquet is a great pleasure in life, and it coincides with the "talent shortage", so it is full of poetry for wine. The poet's emotion and literary thought are unstoppable at this moment; Like a river flowing into the sea.
Time goes by, like a river entering the sea, which is gone forever; Life is too short to see the blue silk and snow in the morning and evening; The smallness of life seems to be an irreparable tragedy, and the only thing that can solve the worries is golden wine. This is Li Bai's sadness: sad but strong, sad but not hurt, extremely indignant and extremely bold. The table is lamenting that life is easy to get old, and the table is lamenting that talents are not met. The disillusionment of the ideal is caused by the dark society, and the poet is powerless to change it, so he turns the rising anger into a bold act of enjoyment, vents his dissatisfaction, dispels his worries and resists reality.
The whole article is full of ups and downs, and poetry suddenly unfolds, from sadness to joy, to madness, to anger, and then to madness. In the end, it boils down to "eternal hatred". In response to the beginning of the article, like the running of a river, it can carry a tripod. The whole poem is full of five tones, with uneven sentence patterns and extraordinary weather. This article is as ingenious as a ghost axe, enough to shake the earth and make the gods cry. It is the pinnacle of the poet Li Bai.
"The husband of heaven and earth, the inverse of everything; Time flies, one hundred generations fly "(Preface to the Spring Banquet in Taoliyuan). Although sadness is inevitable, pessimism is not close to Li Bai's nature. In his view, as long as "life is proud", there is no regret and you should indulge in joy. Five or six sentences are reversed, from "sadness" to "joy". From then on, until "the cup never stops", poetry gradually became wild. "When you reach your destiny, you don't worry when you are free. You can climb the stairs with wine" ("Song of Liangyuan"), and you can't eat, drink and be merry without wine. This is the topic. But what is in the cup is not written directly in the sentence, but expressed in the image language of "golden urn" and "moon", which is not particularly vivid and makes drinking poetic; If you don't write directly, you will drink and party. Don't write directly, but use the double negative expressions of "don't make" and "empty", which is more focused. "Oh, let a man with spirit take risks where he likes" seems to advocate the idea of "eat, drink and be merry", but it is only a phenomenon. Has the poet ever been "proud"? "The phoenix blooms purple mud at the beginning, and the emperor calls it a royal banquet" ("Yu Hu Yin")-it seems to be proud; However, this is just an illusion, "I want to go home, there is no fish to eat, and I don't think about courtesy for weeks"-this seems to be not pride, but disappointment and indignation. But are you depressed? No. Therefore, the poet affirmed his life and himself in an optimistic and competitive tone: "Since God has given talents, let them be used!" This is a word that makes people applaud. "Useful" and "necessary", how confident! Like a declaration of human values, this person-"I"-must be capitalized. Here, from the seemingly negative phenomenon, there is a hidden and eager positive essential content. "I will ride the wind and waves one day", why not drink and sing for such a future! Spending money is nothing-"spin a thousand pieces of silver and come back all!" ! "This is another amazing word of high self-confidence, which can drive money instead of being made by money, which really surprises all ordinary people. Poetry is like a man, thinking that the poet "traveled in less than a year and scattered more than 300,000 yuan" ("Pei Chang Shang An Shi") is how heroic. Therefore, the lofty sentiments deeply embedded in the bones are by no means posturing. The author uses this style to describe a grand banquet, which is by no means "do you want one dish or two dishes?" "Do you want a pot of wine, two pots?" But "cooking sheep and slaughtering cattle" from beginning to end, and never stop until you drink "300 cups". What a feast, what a magnificent poem!
At this time, wild feelings tend to climax and the melody of poetry accelerates. The poet's dizziness and feverish drunkenness suddenly appeared on the paper, making people feel as if they heard him loudly exhort wine: "Thank you, Dan Qiusheng, just enter the bar and don't stop drinking!" The sudden addition of several short sentences not only changed the rhythm of poetry, but also forced Xiao to speak loudly. He is not only a bosom friend, but also a drinking opponent. Not only "get carried away", the poet even forgot that he was writing a poem, and the poem he wrote seemed to restore life. He also thought, "Let me sing you a song! Please listen to me. " The following eight sentences are songs in the poem. The idea is so strange that it is a stroke of genius.
"Zhong Gu Yu" means a rich life (when the rich people eat, the bells ring and the food is as beautiful as jade), but the poet thinks it is not expensive enough and declares that "I hope I will never wake up after being drunk". At this point, poetry has obviously changed from wild to angry. There are not only drunken ravings, but also drunken confessions. Taking "I" as a naturally useful talent should have been in the position of prime minister, but "the road is as wide as the sky, and there is no way out" ("Difficult to Walk"). To say that wealth is "not expensive enough" is out of indignation. The following words "It has existed since ancient times, and sages get carried away" are also angry words. The poet once lamented that "Ge alone can't control it", so the ancients were "lonely" and showed their own "loneliness". So I want to stay drunk. Here, the poet poured his own wine from an ancient wine glass. When it comes to "only drinkers leave their names", he is represented by "Wang Chen" Cao Zhi. And with his "famous name", he said, "Go back to the banquet to have fun, and the wine fights ten thousand people." Since ancient times, drunkards have been vividly remembered. Why do they prefer "Wang Chen"? This is inseparable from Li Bai's conceit. In his mind, Xie An and other high-level figures set an example, and among these figures, "Wang Chen" is more associated with wine. This style of writing is consistent with the extremely confident tone mentioned above. Furthermore, Cao Zhi, the "Wang Chen", was highly suspected at the time of Pirui, and his ambition was difficult to show, which also aroused the sympathy of the poet. Mention "ancient sages" and "Wang Chen" Cao Zhi, full of grievances. At first, this poem seems to involve only the feelings of life, but has no political color. In fact, the whole article is full of a deep and profound anxiety and self-belief. Poetry is so sad but not hurt, so sad and strong, which is rooted in this.
Just showing a little affection, I went back to talking about wine and looked in a higher mood. The following poems are wild again, becoming more and more crazy. "Master, why do you say your money is missing?" Taking care of the phrase "1000 yuan has been spent", and pretending to be ups and downs, it leads to the last brave words: even if you spend 1000 yuan, you should not hesitate to take out precious treasures-"five-flowered horse" (a good horse with five patterns on its fur) and "golden autumn" for wine, so as to get drunk. The beauty of this ending lies not only in "Tiger" and "Jade", but also in a big tune; Moreover, it has an arbitrary mood that the author may not be aware of at the moment. You know, poets are just guests invited to drink by friends. At the moment, he is sitting in a high seat, bossing around, suggesting that he should be a horse, which makes people wonder who is the "master". Romantic color is extremely strong. Speak quickly, unless you are bold and considerate, you can't do this. Poetry is so wild at this point that it makes people cry. When you sing, you should "dance". Love is not over, poetry is over. Suddenly, another sentence "I will always sell my sadness" is related to the beginning "sadness", and the meaning of "forever sadness" is more profound. At the end of this "white clouds floating from the air and disappearing with the wind", it is obvious that the poet is surging and ups and downs. Throughout the whole article, it is really ups and downs, and it must be like a giant pen.
"Into the Wine" is not long, but it is full of five tones and extraordinary weather. It is full of pen and ink, sad and angry, wild and uninhibited, and its language is extremely bold and calm. Poetry has the momentum and strength to shock the ancient and modern times, which is of course related to exaggeration. For example, the poems repeatedly use huge numbers ("Thousands of Women", "300 Cups", "Fighting for Millions of Drinks", "Jubilee for Thousands of Years" and "Sorrow through the Ages") to express heroic poetic feelings, without giving people an empty and grandiose feeling. Its root lies in its rich and profound inner feelings and the bottom wine words. In addition, the whole article is full of ups and downs, and poetry suddenly unfolds, from sadness to joy, to madness, to anger, to madness, and finally to the song of everlasting regret, echoing the beginning of the article, such as the river running, magnificent, full of twists and turns, which can carry the tripod. Some of his songs are pregnant, some are ingenious and some are wonderful, right? You can study at the moment, but you can't reach it at that speed. The whole article is mainly composed of seven words, but it is "broken" by thirty or fifty words, which is extremely unbalanced and complicated; Poetry is mainly prose, but it is also interspersed with short sentences (such as "Cenfuzi, Dan Qiusheng", "Five Flowers Horse, Golden Ball Ball"), with changeable rhythm, unrestrained and difficult to flow. "Tang Poetry" says that "those who read Li's poems are far away from the gods in large and medium-sized schools, and they are immortal." This article is enough.
"The husband of heaven and earth, the inverse of everything; Time flies, one hundred generations fly "(Preface to the Spring Banquet in Taoliyuan). Although sadness is inevitable, pessimism is not close to Li Bai's nature. In his view, as long as "life is proud", there is no regret and you should indulge in joy. Five or six sentences are reversed, from "sadness" to "joy". From then on, until "the cup never stops", poetry gradually became wild. "When you reach your destiny, you don't worry when you are free. You can climb the stairs with wine" ("Song of Liangyuan"), and you can't eat, drink and be merry without wine. This is the topic. But what is in the cup is not written directly in the sentence, but expressed in the image language of "golden urn" and "moon", which is not particularly vivid and makes drinking poetic; If you don't write directly, you will drink and party. Don't write directly, but use the double negative expressions of "don't make" and "empty", which is more focused. "Oh, let a man with spirit take risks where he likes" seems to advocate the idea of "eat, drink and be merry", but it is only a phenomenon. Has the poet ever been "proud"? "The phoenix blooms purple mud at the beginning, and the emperor calls it a royal banquet" ("Yu Hu Yin")-it seems to be proud; However, this is just an illusion, "I want to go home, there is no fish to eat, and I don't think about courtesy for weeks"-this seems to be not pride, but disappointment and indignation. But are you depressed? No. Therefore, the poet affirmed his life and himself in an optimistic and competitive tone: "Since God has given talents, let them be used!" This is a word that makes people applaud. "Useful" and "necessary", how confident! Like a declaration of human values, this person-"I"-must be capitalized. Here, from the seemingly negative phenomenon, there is a hidden and eager positive essential content. "I will ride the wind and waves one day", why not drink and sing for such a future! Spending money is nothing-"spin a thousand pieces of silver and come back all!" ! "This is another amazing word of high self-confidence, which can drive money instead of being made by money, which really surprises all ordinary people. Poetry is like a man, thinking that the poet "traveled in less than a year and scattered more than 300,000 yuan" ("Pei Chang Shang An Shi") is how heroic. Therefore, the lofty sentiments deeply embedded in the bones are by no means posturing. The author uses this style to describe a grand banquet, which is by no means "do you want one dish or two dishes?" "Do you want a pot of wine, two pots?" But "cooking sheep and slaughtering cattle" from beginning to end, and never stop until you drink "300 cups". What a feast, what a magnificent poem!
Bai Juyi's Song of Eternal Sorrow
The emperor of China, eager to shake the beauty of an empire, has been in office for many years, searching and never finding it. Until a child of the Yang family grew up in the inner room, almost before she grew up, and no one knew her.
However, due to the gift of heaven and no concealment, it was finally elected royal one day. If she just turned her head and smiled, there were a hundred spells, and the powder and paint of six palaces disappeared without a trace.
It was early spring. They let her bathe in a pure pool to warm and smooth her creamy skin. Because she was tired, a maid lifted her up, when the emperor noticed her for the first time and chose her as his bride.
On the night of spring, the warm hibiscus curtains covered her fluttering hair, petals on her cheeks and golden ripples on her head. But the night in spring is short and the sun rises too fast. Since then, the emperor has given up his early hearing.
He wastes all his time on parties and revelry. He is the lover of spring and the tyrant of night. There are other ladies in his court, 3,000 of whom are stunning beauties, but his love for 3,000 is concentrated on one person.
The golden house is dressed up to serve the night. When the table in the jade tower is cleaned, she will wander around and drink wine slowly. Sisters and brothers are in this country because she illuminates and glorifies her family.
When a girl is born instead of a boy, she brings happiness to every father and mother in the empire. ... high rose plum palace, into the blue clouds, and the wide breeze carries magical notes.
The emperor's eyes are always staring at her. Until the sound of drums came from Yuyang, which shook the earth and broke the tune of rainbow skirts and feather clothes.
The Forbidden City, a nine-story palace, is hidden in the dust and travels southwest from thousands of chariots and horses. The imperial flag opened the way, suddenly moving and stopping, 30 miles from the capital and passing the west gate.
People in the army stop, and no one will move until they are under their hooves. They may trample on those moths. The gorgeous hairpin fell to the ground, and no one picked it up, a green and white Hosta and a golden hairy bird.
The emperor couldn't save her, so he had to cover his face. Later, when he turned to look, there was blood and tears. Hidden in the yellow dust blown by the cold wind, they crossed a cloud line at the crack in the path of the dagger tower.
Under Emei Mountain. The last few came, and the flags and banners lost their colors in the fading sun. But the water in Shu is always green and the mountains are always blue, so your majesty's love is constant and deeper than the sky.
He stared at the desolate moon from his temporary palace, and he heard the rain at dusk, cutting his chest. Heaven and earth in last contact, the dragon car comes home, and the emperor never leaves.
The memory and pain are buried in the soil of Maweipo. Where is her white face? . Rulers and lords, when their eyes met, cried on their coats. They rode horses, loosened the reins and slowly returned to the capital.
Pond, garden, palace, everything is the same as before, Taiye Lake hibiscus, Weiyang Palace willow. But the petals are like her face, and the willow leaves are like her eyebrows. Whenever he looks at them, what can he do but cry? .
Peach and plum trees are in bloom. In the spring wind, after the autumn rain, the leaves fall to the ground. The palaces in the west and south are scattered with evening grass, and the steps are piled with red leaves that are not swept.
Bai Faxin, a disciple of Liyuan, and the moth old lady in Jiao Fang. Fireflies were flying on the throne, and he was meditating in the twilight. , he will extend the wick to its end and still never fall asleep. ..
Bells and drums will slowly ring the long night, and before dawn, the Milky Way in the sky will become clear. And the porcelain mandarin ducks on the roof grow thick morning frost, and the jade is cold, so who and who * * *.
The distance between life and death is year after year, but no beloved soul has visited his dream. There lived a Taoist priest in Lingqiong. He was a guest in the sky and could summon the gods through his concentration.
People were moved by the emperor's constant meditation, and they begged the Taoist priest to see if he could find her. He opened a path in space, like lightning, cut through the sky, up and down, looking for it everywhere.
Above, he looked for the green void, below, the yellow spring, but he didn't find the one he was looking for in two places. Then he heard a story about a magical island at sea, which is part of the invisible world.
There are pavilions in the five-color sky, and exquisite immortals walk back and forth. And one of them, they call it forever true, has a face like her snow and flowers.
So he went to the golden gate of the West Hall, knocked on the Jasper Gate, and asked a girl named Small jade to tell Shuang Perfect. This lady, after hearing the news of Emperor China's envoy, woke up from her dream in her canopy.
She pushed open the pillow, got dressed, shook off her drowsiness, opened the pearly curtain, and then opened the silver screen. Ji Yun is half asleep, and her flowered hat is loose when she walks along the balcony.
The wind blew the fairy's robe, as if she were dancing in a rainbow skirt and feather coat. Tears fell from her sad pale face, just like the spring rain on pear flowers.
But when she asked him to thank her monarch, her eyes shone with love. Since they separated, her form and voice were unfamiliar to her. Because happiness ends in the courtyard of the sun, the moon and dawn become long in the palace of Xianshan.
But when she turned to look down at the earth and tried to see the capital, there was only fog and dust. He expressed his love for the old man and sent him back a shell box and gold hairpin through his special envoy.
However, one branch of the hairpin and one side of the box were kept, and the gold of the hairpin and the shell of the box were broken. "Our souls belong to each other," she said, "just like this gold and this shell." Somewhere, at some time, on earth or in heaven, we will be together.
She sent him a message through his messenger, reminding him that only the hearts of the two of them knew the oath. On the seventh day of July, in the Palace of Eternal Life, we secretly told each other in the quiet midnight world.
We hope to fly in heaven, two birds become one, grow on the earth, two branches of a tree ... the earth lasts forever, and the sky lasts forever; One day both will end, and this endless sadness will last forever.
Comment and analysis
This poem is the author's masterpiece and was written in the first year of Yuanhe (806). The whole poem vividly describes the love tragedy between Xuanzong of Tang Dynasty and Yang Guifei. Poets use historical figures and legends to create stories of dispatched people, and reproduce the truth of real life through artistic images, which has infected readers for thousands of years.
The theme of this poem is "Song of Eternal Sorrow". The first part, starting with "Emperor China, lust may shake the beauty of an empire", describes how Xuanzong was greedy before the Anshi Rebellion, and finally got Yang. Because of Yang's love, chickens and dogs ascended to heaven. And repeatedly rendered Xuanzong's indulgence, debauchery, and disregard for state affairs, which led to the Anshi rebellion of "until the drums were beaten, Yuyang was blown up and the world shook." This is the basis of tragedy and the internal cause of "long hatred". "No one in the army will move" is the second part, which specifically describes that after the Anshi Rebellion, Xuanzong fled to Xishu in panic, causing the "Sixth Army" in Malaysia to demand the recall of the imperial concubine who had brought disaster to the country and people. This is the key plot of the story. After Yang returned to Yin, Xuanzong was lonely and sad, and acacia became a disease. The poem depicts Xuanzong's "Song of Eternal Sorrow" in a sour and touching style, which makes people cry.
In the third part of "The Taoist priest who lives in a heavenly abode", Xuanzong, with the help of the Taoist priest, found the trace of Yang in the illusory Penglai Fairy Mountain. Yang's Pear Blossom with Rain reappears in the fairyland. Through lyrical and material-holding messages, he reiterates his previous vows and expresses his willingness to be a "lovebird" and a "lover", further enhancing the theme of "Song of Eternal Sorrow". Finally, the theme of "the length of heaven and earth is sometimes exhausted, and this endless sorrow is endless" deepens and adds the weight of "long hatred".
The whole poem is sentimental, and the book hates endlessly. The words are sad and touching, and the tone is melodious. It is a masterpiece of past dynasties and is often read and updated.
Modern people, Yi Ding and Fang Chao, believe that this poem is Bai Juyi's work of praising historical figures and pinning his feelings in the article "On the Evaluation of Song of Eternal Sorrow". The article said that when the poet was young, he fell in love with Xiang Ling, a girl from an ordinary family. However, due to family values and fashion, he failed to get married formally. When breaking up, the poet wrote, "Don't cry, sneak away; Silent, dark acacia; Except for two hearts, no one knows ... there is no end to each other. " The article points out that Song of Eternal Sorrow was written a few months before the author got married, and the poet suffered because he lost the possibility of meeting Xiangling. For this reason, Ding and Fang believe that Song of Eternal Sorrow is not a record and evaluation of history. "We hope to fly in the sky. Two birds grow together on the ground with a new wing. The two branches of a tree ... the earth lives forever, and the sky lives forever; One day, both will end, and this endless sorrow will continue forever. "This is the poet's expression of his pain and feelings through the tragedy of his ex-wife. ".
From the perspective of "expressing ambition with poetry" and "expressing emotion with poetry", Ding Hefang's statement is not unreasonable. However, as far as the historical truth and social significance reflected by the works and their influence for thousands of years are concerned, it can not be said to be a historical record or an evaluation of historical events. As far as Bai's own love tragedy experience is concerned, observing and analyzing Li Yang's love tragedy will undoubtedly help his poems to be delicate, sincere and sincere, and be endowed with infinite artistic charm.
Enjoy 1
This poem was written in the first year of Yuanhe in Tang Xianzong (AD 806). The author was 35 years old and served as a county magistrate in Zhouzhi. As for the origin of this poem, according to Chen Hong, a good friend of Bai Juyi, he and Bai Juyi and Wang Zhifu visited the temple in October of the first year of Yuanhe. Occasionally speaking of this tragic story of Tang and Yang Guifei, everyone lamented. So Wang Zhifu asked Bai Juyi to write a long poem and Chen Hong to write a biography. The two complement each other and are used by future generations. Because the last two sentences of the long poem are "the earth lasts forever, and the sky lasts forever;" One day, both will end, and this endless sadness will go on forever. They called this poem "The Song of Eternal Sorrow" and that poem "The Song of Eternal Sorrow".
The Song of Eternal Sorrow is divided into three sections, from "Emperor China's desire for earth-shattering beauty" to "Broken Feather" as the first section, which describes the love life and love effect of Tang and Yang Guifei, and the resulting national famine and chaos and Anshi rebellion. Among them, the first eight sentences are about Yang Guifei's beauty and what Tang got. Ming was the emperor of the Tang Dynasty, but the poem said "Emperor Wu of the Han Dynasty", which was a habit left by people who wrote ancient poems in the Tang Dynasty. Fall in love with the country: refers to a beautiful woman who falls in love with the country. Yuyu: refers to the emperor, who rules the world. Eighteen sentences from It's Early Spring. People use "having a girl is happier than having a boy" to describe Yang Guifei's love and the luxury of the Yang family. Huaqingchi: On Mount Li in the south of Lintong County, Anton, Xi, there is the emperor's palace in the building, which is famous for its hot springs. Condensing fat: it is a metaphor for people's white and smooth skin. Walking: headdress of ancient women. "But spring night was short, and the sun rose too early, so the emperor gave up his early hearing." He wrote about Tang's infatuation and ignored politics. He wastes all his time on parties and revelry. He is the lover of spring and the tyrant of night. There are other ladies in his court, 3,000 are rare and beautiful, but his favor is 3,000 concentrated in one body. "Write Yang Guifei spoiled to what extent is inseparable. Then the author compares their relationship with the allusion that Emperor Wu of the Han Dynasty doted on Chen Ajiao and wanted to build a golden palace for Gillian. "Brothers and sisters are listed in the soil, and because she is so aboveboard, she has glorified her clan. She brought happiness to every father and mother in the whole empire, because she gave birth to a girl instead of a boy. " One person gets the word, chickens and dogs ascend to heaven, Yang Guifei is favored by one person, and Yang Zongmen immediately becomes strong. My younger brother Yang became the prime minister, and my sisters became good wives and mothers, fighting for power and profit. This is what Du Fu's "The Second Way" is about. Empresses and concubines of the emperor are also human beings and have lust, just like civilians; But the emperor has authority in his hand, and his lust is often inseparable from the use of this authority. This makes their love effect very different from that of civilians. Lust is not a big crime, but it leads to excessive rewards, allowing bad people to steal power and disrupt the platform, which is not far from the destruction of the country and family. Therefore, when we comment on the love of emperors, we must not leave the specific content of their lives and their social effects. "... the high rose plum palace, entering the blue clouds, and the wide breeze carrying magical notes. Soft songs and slow dances, the music of string bamboo, the emperor stared at her. "These four sentences echoed the previous" and the emperor, from now on, abandoned his early listening ",further describing that Tang was addicted to debauchery and neglected the country. The luxurious life of the rulers in the Tang Dynasty was based on the cruel plunder and extreme poverty of the working people. Du Fu described the happy life of Tang and Yang Guifei on Lishan Mountain in "Ode to 500 Words from Beijing to Fengxian", and then said: "Sharing the same pavilion and parting silks originated from cold women. Whip his husband's family and get together. " He added: "The wine in Zhumen stinks, and the road has frozen bones. It is difficult to distinguish between glory and death. "It is precisely because the ruling clique is so fatuous and decadent and the class contradictions are so sharp that once the great aspirant An Lushan launched a rebellion, the dazzling pyramid of the Tang Dynasty immediately collapsed." Until Yuyang drums, shaking the earth, broken color feathers "vividly illustrates this process. Yuyang: the name of the county, which belongs to the jurisdiction of Jixian County in Tianjin today. This area is sometimes called Yuyang County and Fanyang County. An Lushan was appointed as our time in Fanyang, Pinglu and Hedong, and the base camp was in Yuyang. Drum: A musical instrument used by the army. Yuyang Daigu refers to the rebel army led by An Lushan; In November of the 14th year of Tianbao reign of Emperor Xuanzong of the Tang Dynasty (AD 755), An Lushan launched a rebellion. Cai Yu: The name of the dance music comes from Kaiyuan Xiliang. It is said that Tang personally polished it and wrote lyrics. After Yang Guifei entered the palace, she was good at dancing.
From "the Forbidden City, a nine-story palace, vaguely in the dust" to "but no beloved soul visited his dream", sentence * * * 42 is the second paragraph, describing the rebellion of Mayi, the murder of Yang Guifei, and Tang's yearning for Yang Guifei from now on. Among them, the first ten sentences are about the mutiny of Ma Weiyi. Jiuchong City Que: refers to the capital city. The emperor's court has nine doors, so it is called the palace. Smoke and dust: refers to enemy police. Heading southwest from thousands of troops: refers to Tang Mingdi and others who fled from Chang 'an to Sichuan in June of the 15th year of Tianbao (AD 756). Cuihua: refers to the ritual ceremony of the emperor. It is only 30 miles away from the capital, outside the west gate, and its place is Mayi Post, which is located in Xingping West, Shaanxi. Sixth Army: The army called the Emperor of Heaven in ancient times, referring to the Imperial Guards of the Tang Dynasty. No hair: no further progress, which means mutiny here. At that time, the mutinous soldiers first killed Yang and Yang Guifei's two sisters, and then forced Tang to give Yang Guifei a death present. Flowers, cuiqiao, broom and jade scratching head are all ornaments on Yang Guifei's head. "Hidden in the yellow dust blown by a cold wind" wrote the following eight sentences about Tang's thoughts of Yang Guifei on his way to Chengdu and during his stay in Chengdu. Cloud: the air passage in the mountains. Jiange: Jiange Gate, a dangerous barrier between Shaanxi and Sichuan in ancient times, is located in the northeast of Jiange County, Sichuan Province. Emei Mountain: It is in the southwest of Emei County, Sichuan Province, not on the way to Sichuan from Shaanxi. The poet piled up here, emphasizing the dangers of the mountain road between Sichuan and Shaanxi. In Li Bai's Difficult Road to Shu, there is a saying that "there is still a bird's path to the west of Dabaishan, which can cross Emei Mountain". The same mistake. The following four sentences are written in "On the same day in last contact, the dragon car is heading home": When Tang Jun recovered Chang 'an, Emperor Tang Ming returned to Beijing from Chengdu, and then passed through Mayi Post, seeing the present and thinking about the past, he was hurt by the scenery. Everything goes back and forth: the situation changes, and the Tang army retakes the two capitals. This happened in September and October of the second year from Tang Suzong to Germany (AD 757). Dragon: It refers to Tang's driver's car. That memory, that pain. Where is her white face? There is only an empty grave and the body is gone. Since then, the story has been added with myth. At that time, there was a legend that Yang Guifei had been "dismembered" and died as a fairy. The following 20 sentences, "The monarch and the minister care for each other in tears", are about how the emperor of the Tang Dynasty saw things and thought about people after he returned to Beijing, and he was so sad that he didn't want to live. Believe in the return of the horse: let the horse go by itself and say that people are not in the mood. Great grandfather: the name of the water in Daming Palace. Weiyang: The name of the palace where the emperors of the Han Dynasty lived, referring to the Daming Palace in the Tang Dynasty. Xigong: Taiji Palace, called Xigong or Xinei in the Tang Dynasty. Nannei: Xingqing Palace. The Tang people called Daming Palace, Taiji Palace and Xingqing Palace three major districts. Daming Palace was the place where the then emperor Tang Suzong lived. After returning to Beijing, the abdicated Tang was placed in Taiji Palace and Xingqing Palace. Liyuan disciple: refers to the court song and dance troupe that once served Tang. It is said that Tang personally taught them to rehearse. Pepper room: the palace where the empresses live, painted with pepper paste, one takes its fragrance and the other takes its many children. A Jian: Eunuch. Qing 'e: It refers to maids. The above two sentences share the responsibility of Tang and Yang Guifei, meaning that the people who served them before are now old. Yuanyang tile: roof tile with asphalt interlocking. Emerald blanket: A quilt decorated with emerald feathers. The above layers show that Emperor Tang Ming misses him all the time, and everything and scenery evoke his nostalgia for Yang Guifei.
Song of Eternal Sorrow is a narrative poem with strong lyrical elements. The poet adopted the expression technique of China's traditional poetry, which is good at telling stories and portraying characters, and harmoniously combined narrative, scenery description and lyricism, forming the lyric characteristics of poetry. Poets sometimes inject the thoughts and feelings of the characters into the scenery, and use the refraction of the scenery to contrast the mood of the characters; Sometimes we grasp the distinctive scenery and things around the characters, express their inner feelings through their feelings, and render them layer by layer, appropriately expressing the unspeakable feelings hidden in the hearts of the characters. On his way to the southwest, Emperor Xuanzong of the Tang Dynasty was surrounded by yellow dust, plank roads and high mountains. The sun is dim, the standard is dull, and autumn scenery is desolate. This is a sad autumn scenery to set off the sad thoughts of the characters. In Shu, facing the green mountains and green waters, we still can't forget ourselves. The mountains and water in Shu are beautiful, but in the lonely and sad eyes, the "green" of the mountains and the "green" of the water are also sad. The beauty of nature should be appreciated with a quiet mind, but he didn't, so he increased his inner pain. This is to write sad feelings through beautiful scenery, so that feelings are deeper. The moonlight in the palace and the bell on a rainy night are already very exciting. The poet grasped these unusual but distinctive things and brought people into the realm of sadness and heartbreak. In addition, when they see and smell, they are intertwined, which also shows the sadness and sadness of the characters in language and tone. This is another floor. Still on the road, "everything is spinning" was originally a happy thing, but the old place ended and Yu Yan disappeared, so I couldn't help crying. In the narrative, another layer of painful memories is added. After returning to Chang 'an, "ponds, gardens, palaces, everything is the same as before, Taiye Lake hibiscus, Weiyang Palace willow. But petals are like her face, and willow leaves are like her eyebrows. Whenever he looks at them, what can he do but cry? " . During the day, caused by the environment and scenery, people are associated with the scenery, and the scenery remains the same, but people are gone. I can't help bursting into tears. From the hibiscus flowers in Taiye Pool and the weeping willows in Weiyang Palace, I seem to see the appearance of Yang Guifei, showing the extremely complicated and subtle inner activities of the characters. "Fireflies were flying on the throne, while he was meditating in the twilight. He will extend the wick to its end and still never fall asleep ... bells and drums will slowly ring the long night, and before dawn, the Milky Way in the sky will become clear. " From dusk to dawn, the focus is on the scene where you can't sleep for a long time because of emotional troubles at night. This bitter yearning is like "peaches and plums bloom and the spring breeze blows" and "after the autumn rain, the fallen leaves return to their roots". It is sad to see that the "disciples of Liyuan" and "A Jian Qing E" in those days were all white-haired and their faces were withered, which reminded us of the happy thoughts of the past. From the rambling of Huang Chen to the lush of Shushan, from rainy night in the palace to triumphant return, from day to night, from spring to autumn, we are moved by things everywhere, always thinking of people, and repeatedly rendering the protagonist's hard pursuit and search from all aspects. If you can't find it in real life, you will find it in your dreams. If you can't find it in your dream, go to fairyland. This kind of ups and downs, layer by layer rendering, makes the feelings of the characters swirl and reach a climax. It is through such layers of rendering that the poet repeatedly expresses his feelings and goes back and forth, which makes the characters' thoughts and feelings more profound and rich, and the poetry is "delicate in texture" and more artistic.
As an immortal narrative poem, Song of Eternal Sorrow has a high artistic achievement. Throughout the ages, many people have affirmed the special artistic charm of this poem. What infected and seduced readers with the art of Song of Eternal Sorrow? Touching, I am afraid, is its greatest artistic personality, and it is also the power that it can attract readers, make them infected and tempted for thousands of years.