"Chong" nine, the second sound, means Double Ninth Festival.
The traces of frost and precipitation have faded away, and the pale blue scales reveal the distant continents. The wine is fading, the wind is soft and whistling, the hat is worn but the head is sentimental.
If the festival is a reward, it will cost you your Qingzun in autumn. Everything is just a dream in the end, just rest, the yellow flowers and butterflies will be worried tomorrow.
Appreciation:
This poem was written for Xu Junyou, the magistrate of Huangzhou, at a banquet at Hanhui Tower in Rijun, Chongyang, in 1082 AD (the fifth year of Yuanfeng) when Su Shi was demoted to Huangzhou. do. The poem expresses the author's contradictory mood of being adaptable to adversity, open-minded and optimistic, but also slightly melancholy and sad. The author uses the artistic conception, language, subject matter, and content of the poem into the lyrics, closely following the banquet on the ninth floor, and the scene blends to express his heart and embrace.
The first scene of the poem is a distant view from a writing building. The first sentence, "The traces of frost and precipitation have faded, and the pale blue scales reveal the distant continents" describe the sunny autumn scene on both sides of the river. The shallow water on the river is a phenomenon during the frost season in late autumn, which is represented by the "water mark". "Qianbi" refers to the river water in the previous sentence, and "scale scale" means that the water is microwaved, like fish scales: "Luyuanzhou" means that the water level drops, exposing the sandbar in the middle of the river. The word "yuan" reflects what you can see when you climb the tower and look into the distance. The two sentences describe the immediate scene here and now, outlining the clear, bright and majestic autumn scenery.
"The power of the wine is gradually fading, the wind is soft and whistling, and the broken hat is sentimental but the head is in love." These three sentences describe the feelings after drinking. "The power of alcohol wears off" and my skin is sensitive, so I feel "windy". However, the wind is very weak, so I feel that its power is "weak". Although the wind is "soft", I still feel a "whistle" of coolness. But no matter how soft the wind is, it will still not cause the hat to fall. These three sentences take "wind power" as the axis and play around it. Meng Jia lost his hat in Longshan during the Jin Dynasty, which is a common allusion in Tang and Song poetry. Su Shi reversed this allusion and said that the broken hat was very attached to his head and would not leave it no matter how the wind blew. "Broken hat" here has a symbolic meaning, referring to the turmoil of worldly affairs and the intrigues of officialdom. The author said that the broken hat is a "passionate love head". Not only is he not disgusted, but he is deeply happy. This is actually a joking way to express his helplessness of longing for detachment but being unable to truly detach.
In the next film, Hanhui has a banquet upstairs to express his emotions. The two sentences "If the festival is a reward, but the clear bottles will be sacrificed to see the autumn", the meaning of the sentence "But the wine will be drunk to reward the festival, there is no need to climb to complain about the falling light" in Du Mu's poem "Chongjiu Qishan Climbing High". "Send away" means to send away. The major political blow he suffered changed his attitude towards worldly affairs, from fear to optimism. This was the method of peace of mind he learned during his Huangzhou period.
Take a break and explain in three sentences why you should end autumn with fine wine. "Everything is just a dream in the end" is a paraphrase of Pan Lang's sentence in the early Song Dynasty: "Everything is a dream in the end, don't complain that a hundred tricks are not as good as a man's". "Tomorrow the yellow flowers and butterflies will also be worried" is a metaphor for the meaning of the sentence "The bees are worried about the butterflies when the festival is gone, and the broken branches are still twisted around the dawn garden" in the "Ten Days Chrysanthemum" written by Zheng Gu of the Tang Dynasty. It means that the color and fragrance of tomorrow's chrysanthemums will be greatly reduced, which is no longer the case. Today's chrysanthemums, even the butterflies who are obsessed with chrysanthemums, will feel sad for them. This sentence uses the sorrow of butterflies to describe the fleeting time of good times and the eternity of good flowers. Because of this, at this time, we should drink and enjoy the chrysanthemums in full bloom.
"Everything is just a dream in the end, don't stop", which is different from Su Shi's other words "The world is like a dream", "Everything in the world is a big dream", "Everything is a dream until you turn around" , "The past and present are like dreams, never dreamed of sleep", "The monarch and his ministers have a dream, the past and present are empty names" and other laments have the same purpose, expressing Su Shi's life attitude in the second half of his life. From his point of view, everything in the world is just a dream and becomes empty in a blink of an eye; honors and disgrace, gains and losses, wealth and poverty are all passing by; there is no need to worry about the turmoil of worldly affairs. If fate does not allow you to achieve anything, just drink and have fun for the rest of your life; if you have the opportunity to express your ambition, then work hard for it.
This contradictory dual psychology of advancement and retreat, positivity and negativity is concentratedly reflected in the words