Su Shi said, "Do you also know this water and the moon? Like this river, it has not really passed away; The round time is like this month, but it doesn't increase or decrease in the end. If from the changeable side of things, there is not a moment between heaven and earth that does not change; From the unchangeable side of things, everything is as endless as one's own life. What is there to envy? Besides, between heaven and earth, everything has its own ownership, and if it is not what it should have, even a penny can't be obtained. Only the breeze on the river and the bright moon in the mountains can hear the sound when they reach your ears, and draw all kinds of colors when you enter your eyes. No one will forbid you to get these things, and you will never have to do your best to enjoy them. This is an endless treasure of nature, and I can enjoy it with you.
So the companion smiled happily and washed the cups and refilled the wine. All the dishes and fruits have been eaten, leaving only the cups and plates on the table in a mess. (Perilla and her companions) slept on each other's pillows in the boat, and before you know it, the sky has turned white.
appreciation/appreciation
Paragraph 1, write about the night tour of Chibi. The author "boated with guests under the Red Cliff" and plunged into the embrace of nature, enjoying the beauty of breeze, white dew, mountains, running water, moonlight and skylight, and reciting the first chapter of The Book of Songs, "The moon is bright, and the people are shining." Shu Yao corrected it, and his heart was sad. " Compare the bright moon to a beautiful woman with a good figure, and look forward to her Ran Ran rising. Responding to the poem "The Moon Comes Out", "Little Yan, the moon rises from the East Mountain and lingers between bullfights." And leads to the following self-made song cloud by the author: "Looking at beauty and loving heaven", which is consistent in emotion and style. The word "wandering" vividly depicts that the soft moonlight seems to be extremely attached and affectionate to tourists. Under the bright moonlight, the white fog enveloped the river, and the sky and water became one piece, which is the so-called "autumn water * * * sky is one color" (Wang Bo's Preface to Tengwang Pavilion). At this time, tourists are open-minded, comfortable and unrestrained, so they are "like a reed, and they are at a loss", and they are floating with the waves on a boat, just like flying in the wind in space, leaving the world leisurely and detached; It's like flying into a fairyland with wings. The vast river and free and easy mind leap out of the author's pen, and the joy of boating is beyond words. This is a section of this article that describes the scenery of "boating" in a positive way, expressing emotion with the scene, blending feelings into the scene, and the scene is good.
in the second paragraph, the writer's joy of drinking and singing and the sad flute sound of the guests. The author is extremely happy to drink, and sings, in order to express his disappointment and frustration of thinking about "beauty". The "beauty" mentioned here is actually the embodiment of the author's ideal and all good things. The song said, "Gui Gui is like a blue oar, striking the sky and tracing the streamer. I am pregnant, and I hope that the beauty will be one side. " This lyric all uses the meaning of "Chu Ci Shao Si Ming": "Looking forward to the beauty and looking forward to the future, and singing a magnificent song in the breeze", and embodies the content of "reciting the poem of the bright moon and singing a gentle and graceful chapter" above. I can't see it because I want to be beautiful, and I have already expressed my frustration and sadness. In addition, the guest plays the Dong Xiao, and according to its song, the tone of the Xiao is sad and resentful. "If the resentment is like longing, it is like crying, and the lingering sound is like a wisp", which actually attracts the dragon hidden in the ravine to dance, making the widow who is alone in the lonely boat weep. A tune of Dong Xiao is mournful and tactful, and its sad tone is touching, which causes the author's feelings to change suddenly, from joy to sadness, and the article is ups and downs because of it.
in the third paragraph, write the guest's exclamation about the shortness and impermanence of life. This section is endowed with historical sites instead of natural scenery of Chibi. The host asked "What is natural", and the guests answered with the historical sites in Chibi, and the arts and sciences turned to nature. But the article is not about Chen Qi, but uses two questions. First of all, based on Cao Cao's "Short Songs", I asked: "Is this not a poem by Cao Mengde?" He also won with the mountains and rivers in front of him and asked, "Is this not because Meng Dezhi is trapped in Zhou Lang?" Two questions made the article stir again. Then, it recounts the past when Cao Cao broke Jingzhou and forced Liu Cong to surrender. At that time, the mighty Cao Jun descended from Jiangling along the river, and the warships were connected thousands of miles, and the flags covered the sky. Cao Caozhi is full of pride, cocky, drinking on the river at the bow, and writing poems horizontally, which can be described as "the hero of the world"! Where is he now? Heroes like Cao Cao are only prominent for a while, not to mention our generation! Therefore, now I can only sigh the shortness of my life, envy the endless flow of the river, and hope to intersect with the gods and be with the bright moon. However, all these are unrealistic fantasies, which is why the sadness and sorrow are conveyed through the flute. The guest's answer shows a nihilistic thought and a negative outlook on life, which is one aspect of Su Shi's revealing his thoughts through the guest's mouth.
In the fourth paragraph, Su Shi stated his views on the impermanence of the guest's life, so as to understand the other side. The guest once "envied the infinity of the Yangtze River" and wished to "embrace the bright moon and end up long". Su Shi took the river and the bright moon as metaphors, and put forward that "the dead are like this, but they have never been there;" Those who are surplus and deficiency are like that, and those who die are not ebbing and flowing. If you look at things from the perspective of change, the existence of heaven and earth is only a blink of an eye; If you look at it from the same point of view, things and human beings are endless, so why envy the river, the bright moon and heaven and earth! Naturally, there is no need to "mourn my life for a moment"! This shows Su Shi's open-minded outlook on the world and life. He is in favor of looking at the problem from multiple angles rather than absolutizing it. Therefore, he can maintain an open-minded, detached, optimistic and adaptive mental state in adversity, and can get rid of the impermanence of life and treat life rationally. Then, the author further explains that everything between heaven and earth has its own owner and individuals can't force it. So what is all for us? The breeze on the river is audible, the bright moon in the mountains is colorful, the mountains are endless, the wind and the moon are eternal, the world is selfless, and the music is entertaining. We can just wander around and enjoy ourselves. This situation is due to Li Bai's "Xiangyang Song": "The breeze and the bright moon don't need a penny to buy, and Yushan is not pushed by people", and then it is deepened.
In the fifth paragraph, after listening to the author's talk, the writer turned grief into joy and drank heartily. "I don't know that the East is white because of the pillow in the boat." Looking after the beginning, I write about the joy of traveling and enjoying, but as for forgetting the gains and losses, I am detached from the realm.
Fang Bao, an ancient prose writer in Qing Dynasty, commented on this article, saying: "What you see is unique, but the literary environment is unattainable, and the good reason is that you are idle and open, your chest is free of sundries, your touch is full, and you are full of consideration. I don't know why. Only others can't imitate it, even if Zi Zhan is more aware of it, he can't be so adaptable and smooth. " Su Shi expresses his magnanimous mind through various artistic techniques. Only when he forgets his gains and losses and has a magnanimous mind can he write the poem "Fu on the Red Wall" with an unattainable literary environment.
(1) the integration of emotion, scenery and reason.
The full text, whether lyrical or argumentative, never leaves the scenery on the river and the story of Chibi. This has formed an artistic realm which is full of emotion, scenery and reason, poetic and philosophical.
(2) the genre form of "writing as fu".
this paper not only retains the characteristics and charm of the traditional poetry, but also absorbs the style and techniques of prose, breaking the shackles of the duality of sentence patterns and temperament, and is more composed of prose, so that the article has both the profound charm of poetry and the penetrating concept of prose. The style of the prose makes the whole article feel depressed and frustrated, such as "thousands of springs gushing out" Different from Fu's emphasis on duality, it is relatively more free. For example, at the beginning of the passage, "Autumn is endless, July is looking forward, and Perilla and the guests are boating under the Red Cliff", which is full of scattered sentences, and there is put in order's intention in the jagged and sparse. From the following to the end of the article, most of them rhyme, but the rhyme changes quickly, and the rhyme change is often a paragraph of the text, which makes this article particularly suitable for reading, and it is very beautiful in rhyme, reflecting the advantages of rhyme.
(3) the language features of beautiful images and being good at analogy.
For example, it describes the bitterness and sorrow of the flute sound: "Its sound is whining, like resentment, like weeping, and the lingering sound is lingering. Dancing in the secluded valley, weeping for the widow of a lonely boat. " The six metaphors used in succession play up the sadness of the flute sound, and appeal the abstract and elusive sound to the reader's vision and hearing, making it concrete and sensible, with excellent results.
Author Su Shi's brief introduction
Su Shi (137 ~ 111), with the word Zi Zhan and the word He Zhong, was an important writer in the Song Dynasty and a representative of the highest literary achievements in the Song Dynasty. Han nationality, a native of Meishan, Meizhou (now Meishan City, Sichuan Province) in the Northern Song Dynasty. Jia You (Song Renzong year number, 156 ~ 163) was a scholar. He once wrote a letter to argue about the disadvantages of Wang Anshi's new law, and later he was sent to the censorial prison and demoted to Huangzhou for satirizing the new law with poems. Song Zhezong, then a bachelor of Hanlin, was once known as Hangzhou, Yingzhou, and the official minister of rites. Later, he was relegated to Huizhou and Danzhou. Multi-policy. The pawn is Wen Zhong. Knowledgeable, like to reward backward. Together with his father Su Xun and his brother Su Zhe, they are called "Sansu". His prose is arbitrary, and he is one of the "Eight Great Masters in Tang and Song Dynasties". His poems are broad in subject matter, fresh and vigorous, good in exaggeration and metaphor, and unique in style. He is also called "Su Huang" with Huang Tingjian. The words are bold and unconstrained, and they are also called "Su Xin" with Xin Qiji. He also works in painting and calligraphy. There are seven episodes of Dongpo, Dongpo Yi Zhuan, Dongpo Yuefu and so on.
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