This word creates an image of a homesick woman who is deeply looking forward to her husband's return (or her lover's return, who doesn't understand the meaning seriously) with an ethereal pen. The meaning is straightforward and easy to understand. But to understand its subtlety, we still need to ponder it carefully.
"Wash and Dress, Leaning Alone on the Wangjiang Tower" is about the heroine getting up in the morning, rushing to wash and dress, and leaning alone on the Wangjiang Tower to look out. From these eight words, we should be able to read several meanings:
(1) "Wash and Dress" points out that the time is in the morning, which also paves the way for the evening (oblique light) below. Mr. Tang Guizhang said in A Brief Interpretation of Tang and Song Ci that this is the toilet after a nap. If the time is short for half a day, the following sentence "After Qian Fan" will be lost for a long time, which seems to be undesirable.
(2) Wash and Dress implies the heroine's expectation of longing to go home. If it weren't for this mood, she might be as lazy as Wen said in his words, "Bodhisattva crosses the river and the hills overlap with gold." "A woman is pleasing to herself" is meaningful to her sweetheart. It is precisely because she expects her husband to come back and hope that he can see his beautiful appearance that she will dress carefully.
(3) The word "strike" followed by "solitary" reflects the heroine's eagerness-get up at dawn and rush to Jianglou as soon as she finishes grooming.
(4) Since she hurried to Jianglou early in the morning and looked out a little, she should still feel that her thoughts should not be suddenly generated after getting up in the morning. She may have stayed up all night last night and missed it all night. Or she dreamed of good omen last night, so she couldn't wait to get to Wangjianglou early.
(5) Further, from today to yesterday, from yesterday to the day before yesterday, did she come here every day to look forward to her return?
The word "independence" not only expresses her loneliness, but also implies her separation from her sweetheart, and also echoes the following symbol of "Bai Pingzhou" (see below for details).
"Too many Qian Fan are nothing", she wrote the process of alternating hope and disappointment. Every time there is a boat in the distance, she is looking forward to it. As the boat gets closer, her heart is getting more and more nervous and her hope is getting bigger and bigger. But the ship moved relentlessly at the top of the building. How disappointed she was when she realized that this was not the ship she was waiting for!
But at this moment, she is not completely disappointed. Her fantasy urges her to look into the distance again ... In this way, in the alternation of countless hopes and disappointments, her inner injury is getting more and more serious. At the same time, this sentence also shows the long time she expected, her infatuation and persistence. "Qian Fan" is synonymous with "a thousand ships", but this is not just a difference in rhetorical methods. The farther the boat is on the water, the more you can see the sail instead of the boat. Li Bai's "Lonely sail shadows the sky, only the Yangtze River flows in the sky" is about getting on the boat and turning it upside down. Isn't this how the homesick woman looks forward to getting on the boat? Therefore, a word "sail" leads the reader's eyes to the distance, making the reader think between the lines. Women are looking forward to people's return.
It's time for the sun to set, and the expectations in the morning gradually fade away with the setting sun. This oblique glow is still affectionate and infinitely sympathetic to the unfortunate situation of the heroine. Why did the person she expected be so heartless and abandon her? Running water is the endless tenderness in the heroine's heart, her youth passing away day by day, and endless infinite sadness.
"heartbroken Bai Pingzhou", when the sadness is full and the twilight fades, the heroine's eyes just meet Bai Pingzhou, where they broke up that year. How can she not be heartbroken? Zhu Guangqian believes that "deleting the words' heartbroken Bai Pingzhou' means more endless." Because of the first few words, I have written the image of a homesick woman leaning against the building waiting for someone to return but disappointed again and again. The sentence "Xie Hui" is full of emotion, which is enough to give people unlimited association space. If you paint "heartbroken" and spill it everywhere, the spirit and form are gone, that is failure. This is very reasonable.
In addition, it should be noted that "Wangjianglou" and "Baipingzhou" have their own advantages. Wangjianglou is located on the Jinjiang River outside the East Gate of Chengdu, Sichuan. Baipingzhou is the name of the Tang Dynasty, and now it is called Lianhuazhuang, which is located on the Tiaoxi River in the southeast of Huzhou, Zhejiang. But in this word, neither is the exact meaning. Wangjianglou here refers to a building overlooking the river, which cannot be understood as a place alone. Baipingzhou refers to a small house with white apples in the river. White apple is a kind of grass floating in water, and its color is white. In ancient times, men and women often picked apple flowers to give away, so white apple island was often used as a reference in ancient poems.
Another feature of the whole poem is the use of emotional relaxation. (1) "Qian Fan too much is nothing" contains thousands of small emotional relaxation; (2) From this day on, it is another big relaxation process-from the nervous look full of expectation when we set sail for the first time in the morning to the heartbreaking loss in the oblique photo; (3) Due to the limitation of space, the poet only captures the hope of missing a woman for one day, but if the separation of missing a woman and missing a lover is not a day, then her missing is naturally not a day. In this perennial yearning, isn't her mood a greater relaxation process?
Respondent: jack _ nan 2002- Jianghu rookie level 4-15 18:39
Inscription of name
Memory of Jiangnan, also known as Looking at Jiangnan, has other names: Good Jiangnan, Chunqu, Wangjianglou, Dream Jiangnan, Wangjiangmei and so on.
Originally named Tang, it was later used as an inscription. Miscellaneous Notes of Yuefu in Duanan Festival: Looking at the South of the Yangtze River began in Zheri, Li Taiwei (Deyu) Town, Zhu Ya, and was written for Xie Qiuniang, a dead prostitute, whose real name was Xie Qiuniang, and later renamed. "Since Bai Juyi wrote three poems" Recalling Jiangnan "in the Tang Dynasty, this tune was renamed" Recalling Jiangnan ".
Jin Mang Ji entered Lu Nan Palace. Monotonous 27 words, three-level rhyme. There are seven words and two sentences in the middle, and the duality is appropriate. There is also a bracket in the second sentence. Song people often use double tones.
Measure:
○⊙●
⊙●●○△
⊙●⊙○○●●
⊙○⊙●●○△
⊙●●○△
(○ ⊙ ⊙ ⊙ ⊙ ⊙ ⊙).
Examples of works:
1, looking at Jiangnan
Qi Wang
Jiangnan, the west building is full of clear nights.
Clouds fall and ice spit, and jade sinks and waves are deep.
When does this round end?
The stars are shining, and the wind is exposed to the new autumn.
Dangui doesn't know how to get rid of her hatred, so Su E should believe that she won't leave her sadness.
The sky is very long.
Appreciation of Wang Qi's Ci
Wang Qi's poem "Chanting to the Moon" is lyrical with scenery. Jathyapple's endless absence symbolizes the impermanence of personnel gathering and dispersion. The image of Chang 'e expresses deep and painful parting sadness and depicts the joys and sorrows of the world. The whole poem has vivid scenery, implicit essence, distant artistic conception and implicit meaning.
Start with the sentence "the moon in the south of the Yangtze River, and the west building is full of clear nights", and write a clear autumn night, and the bright moonlight fills the west building. "The clouds fall and the ice spits, and the jade sinks and the waves are deep." I don't know how many times the moon rises and sets, and the full moon is short. When the clouds cleared, the full moon hung high in the sky like an ice mirror. The next sentence is about the moon in the river, which opens in the depths of the waves and sinks in the middle of the river like jade. The first sentence "sword" is full moon, and the second sentence "hook" is full moon: "ice spit sword" and "jade sink hook". The sentence pattern is novel and unique. The words should be "Bing Jian" and "Jade Hook", and the author separates the noun phrases "Bing Jian" and "Jade Hook" from the verbs "Tu" and "Shen" to make the moonlight bright. Distinguishing and describing the shape of the bright moon is not only wonderful in sentence structure, but also clever in word meaning. The last sentence "When is the full moon absent?" Not only did I accept the first two sentences, but I also naturally started the next sentence with the feeling that when the full moon will be absent.
The first sentence of the next movie, "The stars shine brightly, and the wind reveals the new autumn", is written that the stars move, the galaxy is far away, and it is another golden autumn. "Dangui doesn't know how to regret it. Su E should believe it and shouldn't stay worried." Osmanthus fragrans does not wither at four o'clock in the middle of the month, although it will not wither because of autumn; But in the middle of the month, Chang 'e lived in loneliness and endless loneliness, and of course she also experienced the pain of parting. It's another name of Chang 'e, Dangui. There is a sweet osmanthus tree in myths and legends, which is 500 feet high and charming, and the tree is made with it (paragraph "Youyang Miscellany"). Tianzhi "). The phrase "the sky is * * * long" tells us that the separation of human beings and Chang 'e in the sky are both sad for the people who are not separated on the moon and the full moon. A long and anxious expression. The sentence "* * *" received the artistic effect of "killing two birds with one stone".
This poem about the moon left a deep aftertaste for readers. That beautiful, chic, simple and subtle style is really unforgettable.
2. Looking at Jiangnan
Wu Wenying
At the end of March, the flowers fell even worse.
People hang on the moon and swing, while horses stop and shake the wind.
Draw a boat on the bank.
Drunk, less curtain.
The night is outside the silver candle, and the warbler is singing in the shade.
Residual red is nowhere to be found.
Appreciation of Wu Wenying's Ci
This is an erotic poem that hurts spring and misses the past. It was described by famous writers with elegant brushstrokes and dense composition. It's not routine at all. On the contrary, songs convey lovers' sincere feelings and profound psychology.
"At the end of March, flowers are more affectionate." In late spring and March, what we are talking about here is not the season of falling flowers and falling into the water, but all kinds of leisure. "More affectionate", affectionate and secret, should mean joy. Then "people go to the swing to hang the moon, and the horse stops and shakes the wind." When I first read the words "The Riverside of the Painting Boat", I probably felt that I was writing a breakup situation of "Fang Huaigu, Lan Zhou hurried"; In addition, Hanging the Moon and Swing is also easy to remind people of Hanwo's cold food night: "An autumn rope rides obliquely in the middle of the night, and the castle is misty and rainy", or Mengchuang's own "The wind enters the pine": "The wasp flies the autumn rope frequently, and the hand is fragrant at that time." But if you look carefully, you will know that it is wrong.
What is painted here is by no means a bleak picture of rainy and windy March dusk. The pen and ink of "people go to the horse to stop" does hide some specific events. A scene of "meeting and hating each other late" with deep feelings is so vague and muddled, and the technique can be described as brilliant. I don't really write about Liu Yin rocking out a painting boat, nor do I describe in detail the scene of ladies swinging, but I can't see people's activities at all. The author just innuendo, lightly setting off a picture similar to "empty lens": the swing locks the moon, a float is moored at the berth, and a horse is tied to a weeping willow. All these are drawing the reader's thoughts correctly, following the poet's meticulous thinking, and naturally stopping in the past: tired of the Ma Si wind, resting on the willow boat-waiting for someone to return! The night is deep and the moonlight is hazy. The whole environment is completely enveloped in a quiet, sweet and holy atmosphere. This is the first film without words. In fact, this happy description is actually paving the way for the sadness of the next movie.
Seasons, from spring to summer; The same is true of emotions, from deep feeling like wine to ecstatic eyes. The world is like a dream of spring, if it is lost, it can't be recovered; People are like Hong Fei, who leave and never come back. The secret agreement is irreversible, and the gorge clouds are seamless to each other. All that remains is endless disappointment and endless memories. She may just stare blankly at the window all day. The phrase "silver candle for the night" refers to the charming literal meaning of the poem "Silver candle has light to hinder silver candle for the night" written by Wen Qixi on the pond, but it refers to people's loneliness at this time. The next sentence, "The warbler is singing in the shade", makes people feel unbearable, which doubles the protagonist's lonely mood. Finally, I stopped filming with "Residual Red is Nowhere to Find". Corresponding to the above "Falling Flowers", I also pointed out the helplessness of rushing to gather and disperse. The author's warmth for the unfortunate protagonist was poured into the elegy. Dream Window Ci is good at expressing homesickness by means of clutch and throughput.
Comparatively speaking, the length of long-tune and slow-tune words is easier to spread freely, and it is easier to express sadness and joy directly, while it is quite difficult for a small word like Looking at the South of the Yangtze River to convey the rhyme of true and false sadness and joy, but the author skillfully compares the events of the upper and lower parts belonging to two periods, and the sadness and joy continue to form a seamless whole. In particular, his unique technique of writing erotic stories in seclusion and expressing his soul in emptiness has created an ethereal realm with elegant style and mellow affection, which cannot but make people admire.
3. Looking at Jiangnan
Wen tingjun
Dress up,
Leaning alone in Wangjiang Tower.
After all, Qian Fan is nothing,
The oblique view is full of water.
Broken-hearted Baipingzhou.
Appreciation of Wen Wang Jiangnan
This poem has only twenty-seven words. "It is difficult for a word to have fun as it is for a poem to make a quatrain" and "A word cannot be idle" (A Brief Review of White Elephant Words). The sentence of "freshen up" seems dull, and "the words are not surprising and endless", but these three words are rich in connotation, leaving a lot of imagination for readers. This is not an ordinary person getting up in the morning to wash his face and comb his hair, but a reflection of a specific personality (thinking of a woman) on a specific emotion (joy and excitement) under specific conditions (preparing for the return of a long-lost lover).
In China's classical poems, it is often said that "the stove is not used, and the dressing case is born of dust." The description of "the abnormal color of the leading edge, golden green and dark without essence" shows Steve's lonely and painful life and state of mind. The usage of this article is different. The pain of parting, the loneliness of lovesickness, the lonely days seem to be over, or the beautiful days she hopes seem to be coming, so she looks at herself in the mirror, looking at herself with self-pity and deliberately embellishing. As a result, the warm fire of hope meets the cold reality, bringing deeper disappointment and greater mental pain, and we have to return to the predicament of "nothing can be saved" and "head flying like a cornice". Don't these three words vividly show the environment in which the woman lives alone, her inner feelings and her yearning for a better life?
As a result, a broad and colorful artistic picture appeared: "Relying on Wangjiang Tower alone." The river is the background, the building is the main body, and the focus is on lonely people. At this time, women's feelings are complicated; As time goes on, emotions will change. The excitement and joy of climbing the stairs for the first time, the anxious impatience, and the deep nostalgia for the past … Here, the word "independence" is very vivid. The word "independence" has neither color nor sound, but it is meaningful. This is not the "interdependence" of intimate love words between lovers, nor is it the "* * * dependence" of a group of people chattering. Through this silent and lonely picture, the spiritual world of the characters is reflected. The sight of a beautiful woman leaning against the fence in the distance is "I want to miss the sky several times and know the way home". When people, scenery and feelings are linked together, colorful colors that blend with the beautiful Lijiang scenery will appear on the screen, and there will be changes in people's emotions and the blending of rivers.
"Too many Qian Fan are nothing" is the emotional turning point of the whole poem. This sentence contrasts with the first cheerful mood, bright and strong; It is also connected with the emptiness and anxiety of "leaning alone on the Wangjianglou", connecting the preceding with the following. The boat is empty, how can people be inferior! Hopes were dashed. At this time, what caught her eye was "the water is slanting." Sunset and running water, originally lifeless and heartless things, have become affectionate beings in the eyes of women who think here and now. This is an associative analogy caused by her painful mentality of empathy with natural objects. The sun is about to set, and I am deeply affectionate to the disappointed woman, unable to bear to leave, quietly receiving the afterglow; The endless river seems to understand her mood, and she flows away silently. It's like a set of focal planes: a deliberately decorated woman, staring at the vast river by the building, waiting for her lover who has not returned after a long separation, from sunrise to sunset, from hope to disappointment, how touching this woman's misfortune is.
At this point, the description of the scenery, the expression of feelings and the contrast of the atmosphere are all mature, and finally the strongest sound of the whole song pops up: "heartbroken apples and white continents." "The last sentence should be noted, and the meaning is not enough." Compared with the whole word "non-trace", the theme at the end is too straightforward, but in the climax of feelings, where is Bai Pingzhou with "unfinished meaning"? Mr. Yu Pingbo said, "Don't be too practical, it's better on the whole" (Yu Pingbo's Selected Interpretation of Tang and Song Ci), which is a very profound insight. But in the artistic description of this article, it should be that Baizhou really exists in the middle of the river, not figuratively, imaginatively and generally, but actually. You can see this continent at a glance just by looking at the Wangjiang Tower, but you were eager to see the ship at that time and didn't see the mainland. Qian Fan passed away, which is very sad. Jiangzhou remains the same. If you don't think about it, you won't feel heartache!
Ci is an artistic form that pays attention to the poet's subjective lyricism. This poem is sincere, vivid and natural, without any pretense or words against one's will. Building head, sail, oblique light, river, and small continent, these unrelated objective beings, and women's pain and disappointment from expecting to return home to "heartbroken Baipingzhou" are complex changes in the emotional expression of these characters. Through ingenious artistic conception, the writer made them into a seamless artistic image. The writer's thoughts and feelings are like a bridge, which connects these scenes with the characters, permeates the scene description and character activities, and becomes an organic artistic whole, making the cold buildings, sails, water and mainland seem to have temperature and flesh-and-blood life and become affectionate; Integrate scattered and isolated scenic spots into an artistic picture with internal logical connection; Make the external performance and internal psychological activities of the characters perfectly and uniformly displayed. This is the resentment and hatred, blood and tears of the homesick woman in real life, which deeply touched the writer; In these seemingly calm words, the writer's sincere and warm heart is beating.
This poem, like a beautiful small axis landscape, has no surging waves in the river on the screen, only a helpless sigh. Even the afterglow of the sunset lacks a solemn meaning, and there is a nameless sadness and resentment hovering. There are also buildings on the riverside, small sails, long flowing water and distant continents, all of which are fascinating and intriguing, with a beautiful taste and an artistic conception of blending scenes. This poem, seemingly quiet, is full of affection in understatement, ups and downs, and it is "heavy pen" if it is not hard.
Many people write about women's thoughts, which can be said to be a "hot topic", but this poem is unique and distinctive. This is also a feminine theme, but this poem is not feminine and has a positive, healthy and simple artistic conception. In the warm words with gorgeous "flower" breath, this poem can be said to be sincere, beautiful, natural and unique.
(Selected from Appreciation Collection of Tang and Song Ci, People's Literature Publishing House 1983 Edition)
Brief analysis
"Wash and dress" in the morning and "dusk" in the evening, she leans against the building from beginning to end, but the exhausted Qian Fan in front of her is not the boat she hoped for. Hope, disappointment and even despair, how can it not be heartbreaking and sad? The scenes of "pulse" and "leisure" are affectionate and have a special charm.
4. Looking at Jiangnan
Yu Li
How much hatred,
In my dream last night.
Just like swimming in the garden in the past,
Cars are like running water in Ma Rulong;
Flowers and the moon are spring breeze!
[analysis]
This little poem about dreams was written by Li Yu after he was imprisoned in the Song Dynasty. It describes the joy of reliving the old life in the dream and the sadness and hatred after waking up. Express sadness in real life with happy scenes in dreams. "Cars are like running water in Ma Rulong, and flowers and moons are spring breeze." The beautiful environment and scenery during the amusement poured the poet's infinite affection for his past life. This little word of "deep sorrow and shallow appearance, long affection" has reached its peak in art, and the ingenious techniques of "waking people up in dreams", "loving to write about worries" and "getting twice the result with half the effort" have given this little word an intriguing artistic life.
5. Looking at Jiangnan
Yu Li
How many tears, broken face after horizontal H. ..
When you are worried, don't talk to tears, Shengfeng will cry.
Broken heart is more certain.
Sentence solution:
How many tears, broken face after horizontal H. ..
Break your face and cross your head, write tears and communicate, pointing to your cheek. This sentence seems to have the same form as the first sentence, but the structure is quite different. The first hate is a dream, and there are "how many tears, broken face." Described completely from the front, the cheeks are filled with endless tears, and the word "Fu" highlights the constant appearance of tears. The poet was so sad that he had nowhere to go except Lacrimosa.
When you are worried, don't talk to tears, Shengfeng will cry.
According to legend, and played Xiao, while it inspired Feng. Later generations used "phoenix" to describe the beauty of metaphor. Who can tell the pain in your heart, regardless of tears? If you complain, you'd better not blow it when you are in tears, which will only aggravate your sadness. The tone of "Mojiang" and "Xiuxiang" seems to be warning others, but in fact the poet himself is warning himself.
Broken heart is more certain.
If you really want to talk until you burst into tears and cry when you blow, it must be heartache! The poet keeps comforting himself, but can he really convince him? Tang Guizhang said in "A Brief Interpretation of Poetry in Tang and Song Dynasties": "The sentence' heartbroken' is an expression of sadness in my heart. It is more obvious that the world is happy and has nothing to do with itself, but it will not last for many days. This is the real sadness."
Comments:
The poet began with tears directly, and described it as best he could, with his face broken, as if it were in front of him. Then he said something encouraging. Needless to say, Shengfeng didn't have to blow it anymore. He wanted to swallow it with tears in his eyes. The phrase "heartbroken" was straightforward, and the poet finally lost his voice in grief. Liu Yongji mentioned in "A Brief Discussion on Ci Poems in Tang, Five Dynasties and Song Dynasties": "In the past, people said that all the ci poems written after the death of my late master were written in blood, and they were true and heartfelt." It fits perfectly.
6. Looking at Jiangnan
Cao Xueqin
Stay with you and plan your future alone.
Unexpectedly, the storm started from the ground and the life of the body stopped immediately.
Which is softer?
The water in the east dies, but the water in the west does not return.
Imagine a dreamless grass, add clothes and see Cui.
The pulse is worrying!
7 "Looking at Jiangnan"
Yu Li
Dreaming in a distant place,
This is clear autumn in the south.
Thousands of miles away, the cool color is in the distance,
A boat is moored in the depths of reed flowers.
The flute is in the Moon Building.
Comment and analysis
This word is like an elegant ink painting. "National Wan Li" is the vision; The lake is full of reeds, and the boat is moored alone. This is a close-up view. Playing the flute under the moon is the main body of the picture. The boat is anchored in the depths of the reed flowers, reflecting freedom; Playing the flute on a moonlit night is melodious and full of romantic chic. "Autumn is sad and lonely since ancient times", this word praises autumn scenery in the south of the Yangtze River, because it is a memory of the captured ancestors of Song Dynasty, and compensates for the lost joy with the beautiful scenery in the dream. It means "I don't know that I am a guest in my dream, and I am greedy for joy in one day."