Five Poems on Things is a set of poems written by Du Fu, a great poet in the Tang Dynasty, in Kuizhou (Fengjie, Chongqing) in the first year of Tang Daizong Dali (766). These five poems recite the monuments left by Yu Xin, Song Yu, Wang Zhaojun, Liu Bei and Zhuge Liang in the Three Gorges area of the Yangtze River.
He praised the articles, knowledge, morality and great achievements of five historical figures, and expressed deep sympathy for their bleak life experiences and unsatisfactory lives. He also expressed his feelings of frustration in his career and wandering in life, and expressed his ideals, feelings and sadness. The language of the whole poem is concise and profound.
Full-text: Thousands of mountains and valleys are near Jingmen, and only girls grew up in the village where they grew up. She came out of the purple palace and entered the desert. Now she has become a green grave in the yellow dusk. Her face! Can you imagine the spring wind? Huan Peikong is the soul of jathyapple. The Tatar song on her jade guitar tells her eternal sadness.
Through Qianshan Wanhe to Jingmen, a beautiful village where Zhaojun grew up. She left the Han Palace and stepped into the distant desert, leaving only the bleak dusk of the Qing Mausoleum. Confused kings distinguish beauty from ugliness according to portraits, and Zhao Jun's soul can return in the moonlight. For thousands of years, the sound of pipa echoed in the air, which was Zhao Jun's endless resentment and complaint.
Extended data:
"Her face! Can you imagine the spring wind? Yan Peikong belongs to the soul of jathyapple. " This is followed by the first two sentences, which further describes Zhao Jun's life experience and feelings of home and country. Draw sentences to inherit the third sentence, and ring sentences to inherit the fourth sentence. Drawing pictures means that Emperor Han and Yuan only looked at pictures in the harem, not at people. Saving knowledge means a little knowledge. Pei Huan's sentence is that she misses her old country and will never change. Although the bones remain in the grave, the soul will return to the country where her parents grew up on a moonlit night.
"The Tatar song on her jade guitar tells her eternal sadness." This is the end of this poem, which points out the theme of Zhao Jun's "sadness" through the pipa tune of Hu Yin for thousands of years. As has been explained repeatedly, although Zhao Jun's "resentment" also contains the "resentment" of "hating the emperor and not meeting each other", more importantly, a woman who is far away from her hometown will always miss her hometown and homeland. It is the deepest affection for hometown and motherland accumulated and consolidated by generations for thousands of years.