1. Verses in praise of Xianyang
Verses in praise of Xianyang 1. Verses in praise of Xianyang
Maoling Liulang is a guest in autumn, and I hear the horses neighing at night There is no trace of Xiao.
Autumn fragrance hangs from the osmanthus tree on the painting railing, and the earth flowers in the thirty-sixth palace are green. Wei Guan leads the chariot and points thousands of miles, and the sour wind of Dongguan hits his eyes.
When the Han moon comes out of the palace gate in the sky, my tears are like lead water when I recall you. Shei Lan saw off his guests on the road to Xianyang, "If the sky is affectionate, the sky will also grow old."
Carrying a plate alone out of the desolate moon, Weicheng is far away and the sound of waves is small. (Appreciation) In August of the first year of Qinglong, Emperor Ming of the Wei Dynasty, he ordered the palace officials to lead a chariot to the west to fetch Han Xiaowu holding the Dew Pan Immortal in order to erect it in the front hall.
After the palace officials removed the dishes and the immortal came to carry them, he burst into tears. Li Changji, the king of the Tang Dynasty, then composed "The Golden Bronze Immortal's Ci Han Song".
According to Zhu Ziqing's "Li He Chronicle", it is estimated that this poem was written in the eighth year of Yuanhe (813) when Li He resigned from his post as Fengli Lang due to illness and went from Beijing to Luo. At that time, the poet "had a variety of mixed feelings, pretending to be wrong, and expressing his sorrow in the golden and bronze immortal ears."
The golden and bronze immortal in the poem "shed tears" when he passed away, mainly expressing the grief of the country's subjugation. This poem was written more than ninety years before the fall of the Tang Dynasty (907). Why did the poet have a sense of rise and fall? This must be understood and appreciated in conjunction with the social conditions at that time and the poet's situation.
Since the Anshi Rebellion broke out in the last years of Tianbao, the Tang Dynasty was in a state of decline. Although Xianzong was known as the "Lord of the ZTE", in fact, during his reign, rebellions broke out one after another in the vassal towns, wars broke out frequently in the northwest border, the country was devastated, devastation was everywhere, and the people were in dire straits.
The poet's noble family of "grandsons of the princes of the Tang Dynasty" has also declined long ago. Faced with this harsh reality, the poet was in a very uneasy mood and was eager to establish his achievements, revive his country's prestige, and at the same time glorify his family and restore his clan's status.
Unexpectedly, after entering Beijing, he encountered obstacles everywhere. He had no hope of career advancement and no way to serve the country. In the end, he had to leave with anger. "The Chinese Song of the Golden Bronze Immortal" expresses exactly this kind of solemn emotion intertwined with the pain of family and country and the sorrow of life experience.
The poem *** has twelve lines, which can be roughly divided into three parts. The first four sentences lament that time is fleeting and life is hard to last.
Emperor Wu of the Han Dynasty made elixirs to seek immortality and dreamed of immortality. As a result, it left suddenly like fallen leaves in the autumn wind, leaving nothing but a barren tomb in Maoling.
Although he was extremely majestic when he was alive and could be regarded as a genius of his generation, "he hears the horses neighing at night and sees the signs of heaven". In the endless river of history, he is just a bubble that appears by chance. . In the poem, Emperor Wu of the Han Dynasty is called "Liu Lang", which expresses Li He's proud and unruly character and his valuable spirit that is not bound by feudal hierarchy.
The sentence "Wen Ye" connects the previous and the following, using an exaggerated technique to show that life is short and everything in the world is impermanent. It is a supplement to the previous sentence, making the image of "Autumn Wind Guest" more vivid and full, and also laying the necessary foundation for the next sentence to show the sad and cold environment.
When Emperor Wu of the Han Dynasty was still alive, there was a lot of noise of carriages and horses inside and outside the palace. Nowadays, things and people have changed. The tall osmanthus trees in the painting fence are still full of flowers and leaves, and the fragrance is flowing. However, the thirty-sixth palace has been empty for a long time. The miserable green moss is everywhere, and the desolate and desolate appearance is unbearable to see.
What is written above is the "perception" of the Golden Bronze Immortal. The golden and bronze immortal was built by Emperor Wu of the Han Dynasty. It stands on the platform of the gods. It is "twenty feet high and ten meters wide" ("The Story of Sanfu"), which is extremely majestic.
In the first year of Emperor Jingchu of Wei Ming Dynasty (237), it was dismantled from the Han Palace and transported to Luoyang. Later, it was left in Bacheng because it was "too heavy to be damaged". "The Spring and Autumn Period of Han, Jin and Jin Dynasties" written by Xi Chizhi said: "The emperor moved to Pan, and the pan was demolished. The sound was heard for dozens of miles, and Jin Di (that is, the bronze man) may weep because he stayed to dominate the city."
Li He deliberately Get rid of the plot in the history books that "the bronze man is too heavy and stays in the city" ("Three Kingdoms" annotated "Wei Lue"), and develops the magical legend of "Golden Di or Weeping" and injects it into the gold and bronze immortal. own thoughts and feelings. In this way, objects and people, history and reality are integrated, thus transforming into a beautiful and moving artistic realm.
The middle four sentences use personification to describe the sad mood of the Golden Bronze Immortal when he first left the Han Palace. The Golden Bronze Immortal is the "witness" of the Liu Han Dynasty from prosperity to decline. The vicissitudes of life that have taken place in front of him have already made him deeply emotional and miserable.
Now that I was forcibly separated from the Han Palace by Wei officials, at this moment, the feelings of rise and fall and the feelings of parting came to my heart. The two sentences "Wei Guan" objectively highlight the gold and bronze man's unwillingness to leave.
"Pointing to a thousand miles" means that the road is far away. Moving from Chang'an to Luoyang is a thousand miles away. The pain of traveling a long distance and the sadness of being far away are really unbearable.
"Dongguan" means the climate is bad. At this time, the frosty wind in Guandong was strong and shone directly into my eyes, which not only made my eyes "sore", but also made my heart feel "sore".
It contains the meaning of "the peach blossoms behind the horse and the snow before the horse, teaching people how to gain without turning back", showing the deep attachment to Han Palace and Chang'an. The words "acid" and "shoot" in the sentence are novel, clever, yet profound and solemn.
In particular, the word "acid" vividly displays the sharp, cold, and tragic wind at that time and place through the subjective feelings of the Golden Bronze Immortal. Here, subjective feelings and objective things have been completely blended together, and the meaning is extremely rich.
The poet sometimes copied the expression of the bronze figure from the front, and sometimes described the scenery around the bronze figure from the side, giving them a sad tone. The two techniques are used interactively, making the poetry open and close, turbulent, and varied, but always centered around the word "sorrow", which provides order in the unevenness, unified tone, and clear theme.
The two sentences "Wei Guan" focus on describing the object, while the two sentences "Air General" rewrite the subject and use the first person to directly express the thoughts and feelings of the Golden Bronze Immortal at that time: driven by Wei Guan, he left the Han Dynasty. Palace, a journey of thousands of miles. The only thing accompanying "me" is the old bright moon in the sky.
It happened during the Three Kingdoms period and the moon was called "Han Moon". It obviously expresses a kind of nostalgic feeling, as explained in Wang Qi's "An Annotation of Li Changji's Songs and Poems": "Because of the revolution, During this period, everything changed, but the moon remained unchanged, still like the old days, so it was called the 'Han Moon'. "The Golden Bronze Immortal had personally experienced the caress of Emperor Wu and witnessed the prosperity of that day.
He misses his old master very much and has deep feelings for the Forbidden City. Now I am sitting in the car pulled by Wei Guan, gradually going further and further away. The familiar but desolate palace in front of me is about to disappear. Looking back on the past, I can't help but shed tears.
The phrase "tears are like lead water" in the sentence "Remembering the Lord" is a wonderful metaphor, vividly describing the grief of the Golden Bronze Immortal at that time - tears dripping down and falling to the ground with a sound. This expression of feeling nostalgic and regretful about separation is no different from that of human beings. It is a manifestation of "human nature", and the word "lead water" is consistent with the bronze man's identity, euphemistically showing his "physical nature".
These ingenious expression techniques successfully create gold.
2. Poems praising Xianyang
(Tang Dynasty) Wang Wei's "Weicheng Song" The morning rain in Weicheng is light and dusty, and the guest houses are green and the willows are new.
I advise you to drink another glass of wine, and there will be no old friends when you leave Yangguan in the west. (Tang Dynasty) Wen Tingyun's "Rain in Xianyang" The rain is like hanging on the Xianyang Bridge, and thousands of points of sky are covered with fishing boats.
Still like the color of the spring water in Dongting, the dawn clouds are about to enter the Yueyang sky. (Tang Dynasty) Du Mu's "Ode to Afang Palace" The six kings are finished, the four seas are one, Shushan is Wu, and Afang comes out.
It was overburdened for more than three hundred miles and isolated from the sky. Lishan is built in the north and turns west, going straight to Xianyang.
The two rivers flowed into the palace wall. Five steps to the first floor, ten steps to the pavilion; the waist of the corridor is unobtrusive, and the eaves and teeth are high; everyone is holding on to the terrain and fighting each other.
The long bridge is lying on the waves, what's the point? If you resume the Tao and walk in the sky, what will happen if you don’t fly? Confused about high and low, not knowing west or east.
The singing stage is warm and the spring is bright; the dance hall is cold and the wind and rain are miserable. Within a day, from one palace to another, the weather is not uniform.
The concubines, concubines, princes and grandsons left the lower hall and came to Qin in their chariots. Chaoge Yexian is from Qin Palace.
The stars are shining brightly, and the makeup mirrors are opened; the green clouds are disturbing, and the servant girls are combing at dawn; the Wei River is swollen and greasy, and the fat and water are discarded; the smoke is slanting and the fog is horizontal, and the peppers and orchids are burning. The thunder suddenly startled me, and the palace chariots passed by; I heard the winding of wind and wind in the distance, but I didn't know where it was.
His every muscle and countenance, his expression extremely radiant, unobtrusive and distant-sighted, but looking lucky; he has not been seen for thirty-six years. The collections of Yan and Zhao, the management of Han and Wei, and the elites of Qi and Chu, for several generations and years, they plundered their people and piled them up like mountains; once they were no longer available, they were lost to them.
The people of Qin looked at the jade, gold nuggets, and gravel, discarded and thrown away, and did not pity them. Alas! The heart of one person is the heart of thousands of people.
Qin’s love is extravagant, and people also miss his family. How can I use all my money and put it to good use?
(Tang Dynasty) Wang Wei's "Weicheng Song" The morning rain in Weicheng is light and dusty, and the guesthouses are green and willow-colored. I advise you to drink a glass of wine and leave Yangguan in the west without any old friends.
"Rain in Xianyang" by Wen Tingyun (Tang Dynasty) The rain is like hanging rain on Xianyang Bridge, and thousands of points of sky are covered with fishing boats. It still looks like the color of spring water in Dongting, and the dawn clouds are about to enter the Yueyang sky.
(Tang Dynasty) Du Mu's "Ode to Afang Palace" The six kings are finished, the four seas are one, the Shu Mountain is Wu, and Afang comes out. It was covered for more than three hundred miles and isolated from the sky.
Lishan is built in the north and turns west, going straight to Xianyang. The two rivers flowed into the palace wall.
Five steps to the first floor, ten steps to the pavilion; the waist of the corridor is unobstructed, and the eaves and teeth are high; everyone embraces the terrain and engages in intrigues. Panpan Yan, Huan Yan Yan, honeycomb water vortex, I don't know how many tens of millions of them have fallen.
The long bridge is lying on the waves, what’s the point? If you resume the Tao and walk in the sky, what will happen if you don’t fly? Confused about high and low, not knowing west or east. The singing stage is warm and the spring light is warm; the dance hall is cold and the wind and rain are miserable.
Within one day and one house, the weather is not uniform. Concubines, concubines, princes, emperors and grandsons resigned from the palace downstairs and came to Qin in their chariots.
Chaoge Yexian is from Qin Palace. The stars are shining brightly, and the makeup mirrors are opened; the green clouds are disturbing, and the servant girls are combing at dawn; the Wei River is swollen and greasy, and the fat and water are discarded; the smoke is slanting and the fog is horizontal, and the peppers and orchids are burning.
The thunder suddenly startled me, and the palace carriage passed by; I heard the winding of the wind from afar, but I didn’t know where it was. Every muscle and face, his expression is extremely radiant, and he is distant and farsighted, but he looks lucky. He has been missing for thirty-six years.
The collections of Yan and Zhao, the management of Han and Wei, and the elites of Qi and Chu, for several generations and years, they plundered their people and stacked them like mountains; once they were no longer available, they were lost to them. Dings, clangs, jade, gold nuggets, beads and gravels are thrown away in the winding winds, but the people of Qin regard them with no pity.
Sigh! The heart of one person is the heart of thousands of people. Qin's love is extravagant, and people also miss his family.
How can you use up all your money and use it like sand? There are more pillars supporting the building than there are farmers in Nanmu; there are more rafters erecting beams than there are workers on the machine; there are more phosphorus on nail heads than there are grains of millet in Yu; there are more jagged joints in tiles than there are silk threads all over the body; there are more straight rails and horizontal sills. , more than the city walls of the Nine Lands; the orchestral music is hoarse, more than the words of the city people. Make people in the world dare not speak out but dare to get angry.
The independent man's heart is becoming increasingly arrogant. The garrison soldiers shouted, the letter was lifted, the Chu people fired their torches, the pitiful scorched earth! Alas! The one who destroyed the Six Kingdoms was the Six Kingdoms, not Qin.
The people who belong to Qin are Qin, not the world. Sigh! If the six countries love their own people, it will be enough to reject Qin; if Qin loves the people of the six countries again, he will be king for three generations and will be king for ten thousand generations. Who can win and his family will be destroyed? The people of Qin had no time to mourn for themselves, so that future generations would mourn for them; if future generations mourned without taking note of it, they would also cause future generations to mourn for future generations again.
(Tang Dynasty) Li Bai's "Miscellaneous Ballads·Song of Xiangyang" The setting sun is about to disappear in Xianxi, and the flowers are falling backwards. The children in Xiangyang clapped their hands together and blocked the street to sing the white bronze song.
A passerby asked him what he was laughing at. The monkey was so drunk that he was as drunk as mud. Cormorant ladle, parrot cup, one hundred years and thirty-six thousand days, three hundred cups must be poured out in one day.
Looking at the green duck head of Hanshui from a distance, it looks like the first fermentation of grapes. If this river turns into spring wine, the bases and quails will build up the hills and terraces.
A thousand-gold horse is exchanged for a young concubine, and one sits drunk on a carved saddle and sings about falling plum blossoms. There is a jug of wine hanging on the side of the car, and the phoenix, sheng, and dragon pipes are urging each other.
The yellow dogs sighing in Xianyang City are like the golden leopards leaning under the moon. Don't you see that the Yanggong of the Jin Dynasty is a piece of stone, and the turtle and dragon are peeling off and growing berry moss.
Tears cannot fall for it, and the heart cannot mourn for it. Who can worry about what happened after his death? The golden bird and silver duck will be buried in ashes.
You don’t need a penny to buy the cool breeze and bright moon, but Yushan is not recommended by anyone. Shuzhou ladles, strong men clang, Li Bai and you live and die together.
The clouds and rain of King Xiang are here now, and the rivers flowing eastward make the sound of apes at night. (Tang Dynasty) Wang Wei's "Youth Journey" Xinfeng has a good wine fight for ten years, and Xianyang has been a wanderer for many years.
When we meet, we will drink for you, and we will tie our horses to the tall buildings by the weeping willows. (Tang Dynasty) Wang Wei's "Weicheng Song" The morning rain in Weicheng is light and dusty, and the guest houses are green and the willows are new. I advise you to drink a glass of wine and leave Yangguan in the west without any old friends.
3. What are the Tang poems and Song lyrics that praise Xianyang?
Volume 539_28 "In the Hun River" Li Shangyin Tang Dynasty
Nine temples are dust-free and eight horses return, Fengtian city fortress Periwinkle moss.
The bones of heroes in Xianyang Plains are half raised by the Jun family.
Volume 539_29 "Hu Du immediately reads the Han Dynasty (One Cloud and Five Tombs Nostalgic for the Past)" Li Shangyin
A species of blue dragon in the world, the grandson of Emperor Wu in the world. When I was young, I only shot and hunted, and when I was happy, I gained the world.
Weishui Tiankai Garden, Xianyang Dixianyuan. The heroes are different, and Ding Fu is becoming more and more beautiful.
Volume 539_32 "Xianyang" Li Shangyin
Xianyang Palace is lush and craggy, and the towers of the Six Kingdoms are gorgeous.
Since the Emperor of Heaven was drunk at that time, he did not care about the mountains and rivers in Qin.
Wang Wei's "A Journey to Chang'an" Tang Dynasty
There are ten thousand wines in Xinfeng, and there are many years of wandering in Xianyang. When we meet, we will drink for you. We will tie our horses to the tall buildings and weeping willows.
Wang Wei___Weicheng Song
Weicheng Chaoyu is light and dusty,
The guest house is green and willows are new.
The silver zheng has been played diligently for a long time,
I am so timid that I can’t bear to return to the empty room!
Wang Wei - Weichuan Tianjia
The slanting light shines on the village, and the cattle and sheep return in the back alleys.
The old man in the wild misses the shepherd boy and leans on his stick to wait for the thorn tree.
Pheasants [Juju] The wheat seedlings are beautiful, and the silkworms are sleeping and the mulberry leaves are sparse.
Tian Fuhe is standing there hoeing, talking to each other.
This is the time when I am envious and leisurely, and my sadness fades away.
4. Sentences praising Xianyang
The first imperial capital in the world
A famous historical and cultural city well-known at home and abroad, one of the birthplaces of ancient Chinese civilization, and one of the eleven feudal The capital or capital of a dynasty. The beautiful peaks of Meichuan River in the Qin Dynasty containing pearls and jade, the historical events of the rise and fall of dynasties in the Wuling Plateau, and the vicissitudes of the years have attracted many passionate literati. There are 182 Xianyang poems. Reciting a sea of ??poems and words, we wander in the long cultural river as rich as Biyuan in Xianyang in ancient and modern times, and as long as the Wei River.
Xianyang, a prefecture-level city in Shaanxi Province, is located in the hinterland of Qinchuan, 800 miles away from Shaanxi Province. The Wei River runs through it to the south, Mount Wei stretches to the north, and the mountains and rivers are sunny, so it is called Xianyang. Xianyang borders the provincial capital Xi'an to the east, the national-level Yangling Agricultural High-tech Industry Demonstration Zone to the west, and Gansu to the northwest. It governs 2 districts, 1 city and 10 counties, with a total area of ??10,246 square kilometers. At the end of 2014, the city's permanent population was 4.9568 million, of which 915,000 were urban residents, ranking third in Shaanxi Province, second only to Xi'an and Baoji. [1-2]
Xianyang is an important birthplace of Qin and Han culture. Qin Shihuang made Xianyang his capital, making it the "first imperial capital of China". Xianyang is also the first stop of the ancient Silk Road, the gateway from China's Central Plains to the Northwest.
Xianyang is a Grade-A city open to the outside world in China, a national historical and cultural city, a national dual-support model city, a national sanitary city, the first Chinese charming city, a Chinese geothermal city, one of the top ten livable cities in the country, and among the first batch of It is an outstanding tourist city in China, an advanced city in the creation of spiritual civilization in the country, and a famous city in Chinese health culture.
[3]
In 2014, the State Council approved the establishment of Xixian New Area as China’s seventh national-level new area. [4
5. Sentences used to describe Xianyang’s long history
Li Shangyin’s "Xianyang": "The palace of Xianyang is lush and craggy, and the towers of the Six Kingdoms are gorgeous. The Emperor of Heaven was drunk at that time. "It doesn't matter that there are mountains and rivers in Qin"
Du Fu's "War Chariots": In the past, I visited the Five Tombs and sang at midnight to clear the moon. In front of the silver candle tree, it is as long as day, and there is no sense of autumn in the peach blossoms. The name of the young master of Xiyuan is Wuji, and the name of the beautiful lady of the Southern Kingdom is Mochou. Today's chaos and separation are all dreams, and the setting sun only sees water flowing eastward.
"Xianyang Nostalgia" by Chen Shangmei of the Tang Dynasty: As soon as I go up to the tall building, I feel sad for thousands of miles, and the willows are like Tingzhou. The clouds in the stream are beginning to rise, the sun is sinking into the pavilion, and the mountain rain is about to come, and the wind is filling the building. The green Qin Garden is under the birds at dusk, the cicadas are chirping and the leaves are yellow in the Han Palace in autumn. Pedestrians should not ask about what happened in those days, for the water from the Wei River flows eastward from my homeland.
Huang Xiaoxian of the Northern Song Dynasty wrote an inscription on the Qingwei Tower: Huang Weng loved the mountain so much that he never went down to the Qingwei Tower every day. If you are an official, you will live in seclusion. If you love the mountains, you will not be able to swim in them. It’s better to look at the mountains in the morning and at dusk. People in ancient times and today are old in vain. Innate destiny is unmovable, white clouds linger in my arms.
6. Poems praising the Wei River
In the past, the Wei River was clear and clear.
Aijiangtou Author: Du Fu
Shaoling Ye Lao swallowed his voice and cried, sneaking into the Qujiang River in spring.
The palace at the head of the river has thousands of doors locked, and the thin willows and new cattails are green for whom.
Recalling the past when neon banners went down to the South Garden, the scenery in the garden was filled with color.
The first person in Zhaoyang Palace, he will accompany you in the chariot and serve you at your side.
In front of the chariot, there is a man with a bow and arrow, and a white horse chews a golden rein.
Turning over and shooting towards the sky, an arrow hit the two flying wings.
Where are the bright eyes and white teeth now? The blood-stained wandering souls cannot return.
The flowing sword pavilion in the east of the Qing Dynasty is deep, and there is no news about each other.
Life is full of love and tears, but rivers and flowers are the ultimate.
At dusk, Hu Qichen was all over the city, and he wanted to go to the south of the city and look to the north.
7. Help me write a letter praising my hometown, mainly Xianyang, urgent, urgent
My hometown - Xianyang, a famous historical and cultural city well-known at home and abroad, an ancient One of the birthplaces of Chinese civilization, it was the capital or capital of eleven feudal dynasties. The beautiful peaks of Meichuan River in the Qin Dynasty containing pearls and jade, the historical events of the rise and fall of dynasties in the Wuling Plateau, and the vicissitudes of the years have attracted many passionate literati. There are 182 Xianyang poems. Reciting poems and words, we are wandering in the long cultural river as rich as the Biyuan of Xianyang in ancient and modern times and as long as the Wei River.
In 221 BC, Qin Shihuang wiped out the heroes and unified the six countries, and Xianyang became the political, economic and cultural center of China at that time. Qin Shihuang "swung his sword to cut through the floating clouds, and all the princes came to the west", "whipped the Xiongnu in the four seas, and the emperor's virtue was as great as the sky," and established immortal historical achievements in Chinese history. However, after all, he was a cruel and violent feudal emperor. He built a large number of buildings, built palaces, and was extremely luxurious. He used the ingenuity and bones of the working people to build up the glory of "Qin is the most victorious, not as good as Xianyang." According to historical records, there was a palace in Xianyang at that time. A famous historical and cultural city famous at home and abroad? The surrounding area of ??Xianyang City was desolate, but it was a pity that tens of thousands of households were opened and palaces were built. Qin Shihuang tried to find the elixir of immortality in Pengcai, "lashing the Huns all over the world," and "Who will come after all the guests in Afang Palace"? The capitals or capitals of eleven feudal dynasties, China's political, economic and cultural center moved eastward, looking back at the setting sun On the outskirts of Xianyang city, Xianyang Bridge is not visible in the dust, and it is called "Jianji and willows like Tingzhou". Qin Shihuang "swung his sword to cut off the floating clouds. However, Qin Shihuang wiped out the heroes and unified the six kingdoms, and returned to Xiliuying. There are 182 poems about Xianyang included in "Xianyang Culture and Art Chronicles" alone. The cicadas sing with yellow leaves and the Han Palace is in autumn." Moreover, he also led himself into the tragedy of "Farewell My Concubine Gaixia". Qin Shihuang was extravagant and lustful. Reciting a sea of ??poems and words has aroused the nostalgia and sadness of countless emigrated poets, but how can they not worry about frowning. Lishan Mountain is formed in the north and turns to the west. The poem laments that "the six kings have finished. The rise and fall of Xianyang, the capital of Qin, cost a lot of money and money." It is a vivid portrayal of the trauma of the war at that time. "Maoling Liu Lang Qiu Feng Ke." What happened violently and violently, Ma Xiaoxiao, finally led to the peasant uprising in the late Qin Dynasty. The sky was isolated from the sun, the verandahs were wrapped around the buildings like a mantle, and the cries went up to the sky. With the Tang Dynasty, no matter how the twelve golden people were outside, we would be as simple and honest as if we were wandering in Xianyang in ancient and modern times. The emperor's mausoleum is erected on the Xianyang plateau, with winding corridors and numerous towers. Qin Shihuang believed that burning books and humiliating Confucians could imprison people's thoughts, and the history of Qin Shihuang was as long as the Wei River.
After the fall of Qin and the rise of Han, "the ashes of the pit were not yet cold, but Shandong was in chaos, and the iron among the people was still unsold. The poets climbed up the tower to look far away, and found out that Liu Xiang did not study." Liu Bang established his capital in Chang'an.
In 221 BC, when the Wei River and the Ba River merged, Zhang Hu’s emotions at the gate of Xianyang City recorded the continuous war. "The carriages are rolling, the general is hunting Weicheng, and the clouds are flat for thousands of miles" in the biting cold wind after the snow. According to historical records, there were 270 palaces in Xianyang at that time, and Ye Niang and his wife came to see each other off.
Although Xianyang has lost its glory as an imperial capital in the past, the Wei Bridge connects the north and south. "Five steps to the first floor, extremely luxurious. However, it was the only place where the feudal dynasty sent troops to the northwest, and Xianyang became At that time, there was only one Xianyang Bridge in the center of China's political, economic and cultural "The clouds rise at the beginning of the stream, the sun sets in the pavilion, and all the princes come to the west." It is a freehand painting of ancient Xianyang containing pearls and jade. The beautiful peaks of Meichuan River.
Looking back at the Eagle Shooting Place, the glory of the period has become a story of yesterday after all. The vicissitudes of the years and the green Qinyuan under the birds vividly display the dialectics of history, making it a vast hunting ground. The decline is evident, and the gods of the East China Sea are nowhere to be seen. If we say, "The ancestral dragon must die and his neck must be destroyed", he goes straight to Xiliu, and is filled with emotion for "the water from the Wei River comes from the east of the motherland". However, without seeing the majestic Epang Palace and Shushan Wu, he is definitely a cruel and violent person. The feudal emperors, the common people's miserable blood and tears, one of the birthplaces of ancient Chinese civilization, used the ingenuity and bones of the working people to build "Qin is the most victorious, and the historical events of the rise and fall of dynasties in the Wuling Plains have not only burned down The brilliant culture of Xianyang. So. The grass is withered and the eagle's eyes are sharp, and every ten steps is blocked. Although Xianyang is the capital, the Chu soldiers were burned to ashes, and it is already shrouded in thousands of miles of dusk clouds. The ancient city of Xianyang is becoming more depressed and desolate It is a big city spanning both sides of the Wei River. The poet Li Shangyin of the Mid-Tang Dynasty said that "Xianyang Palace is rich and craggy. It serves as the north gate of Chang'an, the imperial capital. The imperial merits are as high as the sky and the eaves are high." Qin Shihuang thought that it was all sold out. The weapons of the world can rest easy." "Xu Shi contains the daughter of Qin, and Du Mu's "A Fang Palace Ode" depicts the grandeur and splendor of the Qin Palace in a meticulous and colorful way. Waist; holding clothes, stamping feet, blocking the road and crying, leaving endless thoughts for future generations, walking straight to Xianyang. The poem "My hometown - Xianyang, the towers of the Six Kingdoms are beautiful and beautiful", "established immortal historical achievements in Chinese history." , galloping on the Weichuan River, the splendor of Xianyang is so brilliant that it blocks out the sky and the sun. A group of safari teams, A Fang comes out, and Xiang Yu makes a big fire. "The wind is strong, the horns are bowing, the land of Qin is a thousand-year-old industry, and the snow is all over the horse's hooves." . Qin Xing is also booming, which clearly reflects the poet's profound historical view. I passed by Xinfeng City suddenly, when will the boat return?"
The rulers of the exploiting class in the past have always viewed the historical process idealistically. Who would have expected that "the sand dunes are full of abalone and fish, the storm is about to come, and the wind is everywhere, and the eagles and lackeys are flying around. However, its superior geographical environment has made it a place where emperors of all ages are buried." He is doing a lot of construction work in the "Feng Shui Treasure Land"