The wind in the east wind, the rain in the wind, the rain in the wind, the sound of light thunder came from the other side outside the lotus pond.
There is also a locked golden toad incense burner. Cigarettes are elegantly wrapped, like pulleys in a jade pot, and the traction rope is pumped into the well water.
Wang Wei dreamed that she was a beautiful young girl. Wang Wei had a pillow dream and wrote a poem.
Never mind the flowers, even this bright flame of love, is it only ashes? .
Once, a lady hid behind a screen to protect a poor young man: Han Shou, a native of A Jin, was a subordinate of Sikong Jia Chong. Every time at home, Jia's daughter peeks through the pane and sees that she is beautiful, loves her and has an affair. After she found out, she celebrated her birthday.
2. The allusion in Li Shangyin's poem "Saint Zhuangzi daydreaming, butterfly bewitched, Wang Chunxin cuckoo crowing".
Zhuang Zhou Meng Die comes from Zhuangzi's theory of everything. Later, "dream butterfly in Zhuang Zhou" is often used to describe dreaming more, recalling the past, or being interested in dreams. Li Bai's "Antique" said: "Zhuang Zhou dreams of butterflies, and butterflies are Zhuang Zhou. It is easier to merge and everything is fine."
Zhuangzi, a transcendental philosopher who pursues the realm of freedom. One day, I dreamed that I became a butterfly, flying up and down. It was so pleasant and carefree that I didn't know it was in a dream. I suddenly realized that Zhuang Zhou was still Zhuang Zhou. However, Zhuangzi, who is still in memory, is still wondering: Did Zhuang Zhou become a butterfly in his dream, or did the butterfly dream that he became Zhuang Zhou? Zhuangzi and butterfly are "all things are one with me". Although things have different names, they have the same "Tao". This is very similar to the idea of "Buddha and I are one" in Buddhism.
The poem "Meng Xiao" refers to the dream when the sky is about to break dawn. "Being infatuated with butterflies" means being confused about their relationship with butterflies. In the face of fierce competition and drastic changes in the Warring States period, Zhuang Zhou produced the idea of illusory and impermanent life, while Li Shangyin used this allusion because of the decline of national strength, political turmoil and fate like duckweed in the late Tang Dynasty.
Using this allusion also contains his sadness about the disappearance of love and life. He seems to have a premonition that he is going to die, and he wants to pour out his deep pain and resentment.