Swan zaza and nocturne
If you are sad at night, you will be lonely.
I am afraid that I am sentimental about the moon, so I will take good care of my bed.
(2)
Zhang's Zaqu Songs and Music
Moonlight floating Luan hall, anvil separated by phoenix building.
The water sill sings, and the red candle welcomes autumn first.
(3)
Meng Haoran and Zhang Jiang are watching the lights at the thistle gate.
Different customs are not local customs, and the New Year changes.
Jimen looked at the wahoo and suspected that it was burned by Candle dragon.
Explanation:
Meta-ci refers to the words related to the customs of the Lantern Festival created by poets during the Lantern Festival. The anonymous "Shang Yuan Ci" included in the Supplement to the Whole Tang Poetry: "Wu Jin can't help the Lantern Festival, but he is even more anxious to miss the sound." Although there are only two sentences, it is the earliest meta-word. According to Mr. Shen's statistics, there are 493 Yuan Ci in Song Dynasty (Social and Cultural Studies of Ci in Tang and Song Dynasties, p. 24 1). He thinks: "In terms of nature, Yuan Xiao's Ci in Song Dynasty is between lyric poetry and cooperative ci, and most of them are meaningless works. Its value lies not in the pure aesthetic art, but in the custom of making Yuanxiao. (ibid., p. 250)
However, is the significance of Lantern Festival to Song Ci as simple as broadening its creative field? Most of the poems about Yuanxiao that we see in Tang poetry are descriptions of Yuanxiao scenery, and there are also some arrangements. Only Li Shangyin's poem "I can't wait to see the lights in Beijing on the fifteenth night of the first month" said: "The moonlight lights are full of imperial city and the cars are beautiful. I am prosperous, and I am ashamed to chase the folks and fight with the children. " ("The Whole Tang Poetry" Volume 541) and Meng Haoran's "Watching Lights with Generals": "Different customs are not local customs, so change in the New Year. Jimen looks at the fire tree and suspects that it is Candle dragon. " (Full Tang Poetry Volume 160) A little touched. It can be seen that the social customs of Lantern Festival have entered literary works and are not unique to Song Ci. If we only talk about the scenery description in Yuan Ci, of course, it is difficult to see the aesthetic characteristics of Yuan Ci. Ge Lifang said: "Poetry should be created in a different way from other poems. It is a syntax, and probably not based on Canon's richness. Xia Yinggong and Shang Yuan watched the lanterns like a poem:' Fish and dragons are all over the streets, and the golden lock opens the jade well all night. Ran Ran swims in the dust, and the spring arrow slowly enters the song. The dragon lantern in Fang Yueming is light, and the Ziting is slightly flat. After the banquet, the southern end of the day is about to dawn. Looking back, I saw that the river is still bright. "Wang Qigong's poem said:' Snow disappears and the moon is full of Sendai, and a thousand candle fans are precious. Double phoenix clouds help chariots, and six proud riders ride mountains on the sea. Good scenery and spring wine touch Zhou Yan, and the autumn wind is ugly. A piece of music cheered people up, and the king took part in the Summer Purple Cup again. "Although two people are different, and both poems are written by one person, so is Goeggel."