The expressive techniques of repeated overlapping poems

Also known as repetition and reuse. Rhetorical devices commonly used in poetry. It repeatedly uses the same word, word, phrase, line or section, thus highlighting a certain meaning, emphasizing a certain feeling, and enhancing the ups and downs of the poem's rhythm and the beauty of the cycle. The common types of overlap (repetition) are ① connection overlap, that is, continuous overlap of the same words and lines. For example, Guo Moruo's "Phoenix Nirvana": "Singing is singing! /Singing is singing! /Can only sing! /Can only sing! /sing! /sing! /Sing! " (2) Interval overlap, that is, interval overlap in the same line or section. For example, Xu Zhimo's Never See Lei Feng again: "Never see Lei Feng again, Lei Feng collapsed into a barren grave with many green onions on the top; /There are many green onions on the top,/Lei Feng is out of sight, and Lei Feng has collapsed into a wasteland. " One or four behavior intervals overlap. ③ Continuous overlap and interval overlap are used alternately. For example, Dai Wangshu's "Trouble": "It is said that it is the clear sorrow of lonely autumn,/it is said that it is acacia in the distant sea. /If someone asks me what's on my mind,/I dare not say your name. /I dare not say your name,/If someone asks me what's on my mind:/Say it's acacia in the distant sea,/Say it's clear sorrow in lonely autumn. " The whole poem consists of two sections and eight lines, and its arrangement is that the first, eighth, second, seventh, third and sixth behaviors are repeated at intervals, and the fourth and fifth behaviors are repeated continuously.