Magnificence is indeed the style and feature of poetry in the prosperous Tang Dynasty. The poetic style of the Southern Dynasties and even the early Tang Dynasty was mostly elegant and delicate, with exquisite words and lacking vitality, which was sublated by poets in the prosperous Tang Dynasty. Some poems in the middle and late Tang Dynasty after the prosperous Tang Dynasty are simple and powerless, such as Dali Ten Talents, Bai Juyi, Jia Dao and Yao He, which lack grandeur. Some tend to be vigorous, such as Han Yu, but due to the deliberate pursuit of adventure and lack of naturalness, bold and unrestrained poetry is indeed a prominent feature that distinguishes poetry in the prosperous Tang Dynasty from poetry in the early Tang Dynasty and the middle and late Tang Dynasty. Yan Yu most admired the poems of the prosperous Tang Dynasty, and Li Bai and Du Fu were the most admired in the poems of the prosperous Tang Dynasty. Canglang Poetry Review praised the legendary rare birds and animals of Du Li and other poets in the prosperous Tang Dynasty. (Big bird) breaks the sea, elephant crosses the river ",which is praising its majesty. Yan Yu also stressed that poetry should be written naturally, without revealing axe marks, that is, the so-called "antelope hanging in the horn, without trace to be found" (Cang Shi Hua Bian), and thought that poetry in the prosperous Tang Dynasty was outstanding in this respect. Yan Yu strongly advocated the poetic style of the prosperous Tang Dynasty, not only because the poems of the prosperous Tang Dynasty were really well written, but also because of its historical background. Jiangxi Poetry School, which had the greatest influence in Song Dynasty, took some poems of Du Fu in his later years and those of Han Yu and Meng Jiao as research objects. Thin, hard, energetic, lacking natural beauty. Yongjia Siling Poetry School, which was popular in the late Southern Song Dynasty, adopted Jia Dao and Yao He, and was narrow-minded and lacked grandeur. Yan Yu strongly advocated that poetry should be based on the method of prospering the Tang Dynasty, aiming at criticizing the contemporary poetic style and making up for its shortcomings.
Judging from the overall characteristics and main tendencies, the poems in the prosperous Tang Dynasty can be described as magnificent. Generally speaking, most poems in the prosperous Tang Dynasty are vigorous, but some poems, especially the pastoral poems of Wang Wei and Meng Haoran, are natural but not magnificent. After all, such poems are only a few in the poetry circle of the prosperous Tang Dynasty. Meteorology in the prosperous Tang Dynasty is a macroscopic generalization.