Who is the third generation of obscure poets?

The "post-misty poetry" era refers to the post-new poetry tide that rose from 1986 after the prevalence of "misty poetry" around 1986. The division between "misty poetry" and "post-misty poetry" is based on a sensational event in the field of poetry, that is, 1986, 10. In October, Shenzhen Youth Daily and Poetry Newspaper jointly launched the "China Poetry Circle 1986 Modern Poetry Group Exhibition", which means that another great creative force is taking shape, and this is later. We know that Chinese mainland's "post-hazy" era, as a concept of time and space, is a collection of multiple directions and multiple aesthetic explorations. In this collection, there are the extension and reconstruction of obscure poems and the third generation poems in the 1980s, and the opening and expansion of the growing point of new poems which are different from those in the 1980s in life form and aesthetic taste. In 1980s, the cultural context was described as an era of humanity and humanitarianism returning and literary aesthetic mechanism reviving, while in 1990s, it was conceived as an era of pluralistic life, and countless voices crossed and enjoyed the cultural context of 1990s. If we don't make a specific division and stand at the starting line of the new century, we can generally say that the "post-misty poetry" era mainly refers to modern poetry in the 1990s. Here, it is necessary to make a preliminary definition of the modernity of poetry. Modern poetry is not a concept of time, nor is it a poem written by people since the May 4th Movement. "Modern poetry is a poem with modernity. Modernity embodies the pioneering spirit of resisting traditional consciousness and rejecting secular interests. Although people have different understandings of its connotation, it is its main feature not to observe and judge real life with social value as the fulcrum, but to pay attention to the embarrassing situation of human beings and the division and anxiety of individuals in the sense of survival. " [1] As modern poetry in the 1990s, there are "They" poetic schools represented by Yu Jian, Han Dong and Xiao Hai, which are only for those outstanding parts that are the most vivid, poetic and influential. Zhou Lunyou, Yang Li, what a "flying school" poet, and later synthesized an "intellectual writing school" represented by Xichuan, Ouyang He Jiang, Zhang Shuguang, a female poet represented by Wang Xiaoni, and a young poet represented by Hou Ma, Yu Nu, Ma Yongbo and Sheng Xing. There are also outstanding middle-aged and old-aged poets such as Han Niu, Zheng Min, Changyao, Ren Hongyuan and Lin Mang, as well as a large number of independent poets such as Yang Ke, A Jian and Li Hanrong, and a talented poet Haizi who created in the 1980s and became famous in the 1990s. They (excluding overseas Chinese poets) * * * isomorphic became a grand poetic landscape in the 1990s.