The main contents and thoughts and feelings of Shu Ting's Early Spring

Shu Ting's poems are full of romanticism and idealism, as well as the charm of ancient poetry and modernism. Its complex, delicate and contradictory emotional world is infected with a strong color of the times and has a profound sense of history and ideological penetration. Its unique artistic form and various images are juxtaposed and superimposed, forming a three-dimensional image, a whole symbol and a network structure. As an outstanding representative of misty poetry, Shu Ting suffered great mental pain in the disaster of the times and the gap that was not understood. She examined her inner rhythm with eternal enthusiasm and kneaded her true feelings and emotions into pure poetry. Before her, contemporary poets rarely exposed their emotional world as challengers.

In Shu Ting's poems, the compound image formed by synaesthesia can be seen in the poem Early Spring: "Although there is no flood of flowers/washing away the shackles of winter/rushing fragrance/flooding in the plains and Shan Ye". If we analyze it according to the habit of appreciation or from the perspective of real life, it is difficult or impossible to get a correct understanding. However, we can freely define the essence of things and make real feelings according to the external factors such as shape, color and sound of things and the aesthetic feelings on which the subject is based, so as to get the understanding that flowers are everywhere because of rapids; Ruthless shackles and harsh winters; The cheerful waterfalls and the mountain streams with birds singing one after another are consistent in shape, color and sound.