Appreciation of ancient poems chanting the moon

Chanting about Rong Niang is often not about appreciating the Tang poetry of the moon.

Raise your hand and straighten the bud,

Roll over and dance.

Turn the horse's head,

People are watching the game.

Chorus chorus,

Love teaches people to whisper.

I don't know how big my heart is,

Allow a lot of pity?

Appreciation of Chang Fei Moon Poems

"Step on Mother" is a musical performance that originated in the Southern and Northern Dynasties. Popular in the Tang Dynasty, she was called "Tan Rongniang". Cui's Jiao Fangji records it in detail: "In the Northern Qi Dynasty, someone was surnamed Su, and his nose was covered with a nose. He is not an official, but he claims to be a doctor. Alcoholic, he beats his wife every time he gets drunk, and his wife complains to her neighbors sadly. When people made it (performed the story), the husband wore women's clothes and went into the stadium to sing. Each stack has responses from other stacks:

Step on it, step on it. Singing because of its steps, it is called' stepping and shaking', and because of its unevenness, it is called' bitterness'. When her husband arrived, he had a fight and thought he was laughing. Today, if a woman does it, she won't be called a' card shark'. Uncle Yun adds a pawn shop (pawn shop), which completely loses her purpose. Or call it' talking about Rong Niang', but it is not. "life is unknown, often in the middle of the month, only know that he has been a commander of Xihe, and a poem is full of Tang poetry. However, it is his only work, but with unique materials and detailed description, it has become a striking Tang poem.

There are two roles in this musical "Step on the Girl". The protagonist is a woman who can sing and dance well, but meets the wrong person. Her husband is an ugly, hot-tempered alcoholic, and his career is blocked. He always takes it out on his wife. It can be seen that the female characters in the play are like "a flower inserted in cow dung", which is easy to win the sympathy of the audience. "Raise your hand and straighten the bud, turn over and dance."

This poem depicts the beautiful and pitiful images of the characters in the play from the beginning. The banquet is a stage display, and the two movements of raising hands and turning over suggest that this female role is both skillful and lovely.

"The horse goes around the circle, pressing people to see the circle." These two sentences show the hustle and bustle of watching a movie. This is an open-air performance. "Walking" and "watching" are the venues torn apart by the "troupe". On the outermost side, there is a circle of horses tied, which must be animals of the "troupe" or horses entrusted by the audience. The inner circle surrounds the audience, and the "cluster" is the "cluster", which describes the large number of people. It is really lively. Through such a lineup and scene, it is conceivable that the performance must be very wonderful.

"Songs are harmonious, and love is taught in whispers." After these two sentences, I will continue to write one or two more. If the first sentence and the second sentence are written by actors, the focus of these two sentences is rap. Musicals pay equal attention to singing and doing, and their voices must be colorful. The singing feature of "Step on Mother" is that every time the protagonist sings a paragraph, the backstage will sing in chorus. Every time you step on your mother (the word' come' is meaningless) and step on your mother's bitterness, the audience's emotions will be mobilized and the room will cheer. This is a "chorus of songs", but the subtle expressions have to be conveyed by the heroine. At this time, the audience was silent and listened. This is the "educational whisper of love". The love conveyed by this whisper is nothing more than the bitter feelings of an unlucky and devastated young woman. In the cultural history of China, bitter drama can win the sympathy tears of ordinary people in China more than tragedy or comedy. Therefore, the poet finally sighed by a sentence from Chen Liang: "I don't know the size of my heart, how much pity can I hold?" "Size" is an interrogative word, which means "how big" (similar words are "sooner or later"-"how long", "how much" and "near". ). Two sentences summarize the unique aesthetic effect of the bitter drama "Step on Mother" (that is, talk about Rong Niang).

This poem has a success in artistic expression, that is, it not only pays attention to describing the performance itself, but also properly relates to describing the atmosphere of the theater environment. This not only provides valuable information for the history of drama, but also plays a prominent role in poetry. In addition, the poems written for performance are divided into the first couplet and the neck couplet, each with its own emphasis. In this way, the time and space processing is extremely flexible, which increases the capacity of poetry and enhances the expressive force of poetry.