The author of Go to Beijing is Sadulla, a writer in Yuan Dynasty. The full text of his ancient poems is as follows:
Sheep and sheep are walking in the sunset, and the air is filled with the fragrance of weeds and the sweetness of cheese.
Suddenly there was a big storm, and the dust was like snow. Everyone put down their tents' blankets.
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Going to Beijing is a matter of five words. Author: (Yuan) Sadulla. This poem is five poems about what the poet saw and heard in Beijing.
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Attend Beijing: Shangdu (now the north bank of East Lightning in Zhenglan Banner, Inner Mongolia Autonomous Region). Going to Beijing is one thing ― describe what you saw and heard in Beijing.
Cheese: a kind of food extracted from cow, horse and goat's milk, which tastes very sweet. Commonly known as milk tofu.
North wind: North wind. New moon, a "rotation".
Bank account: felt account, also known as account. In ancient China, the felt tents inhabited by nomadic people in northern China were like Mongolian yurts today. Because it is easy to disassemble and carry, it is a nomadic migration, so it is called a bank account. Felt account: a felt account in a bank account.
Lara: Also called "thorn".
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Cattle and sheep are walking in the sunset, and the air is filled with the fragrance of weeds and the sweetness of cheese. Suddenly, the wind blew hard and dust came like snow. Everyone put down the tent felt.
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There are five songs in Go to Beijing. This is the third song, which was written by the author at the age of 62 (1333). Poetry describes the pastoral scenery and herdsmen's life outside the Great Wall, and the unique natural scenery and frontier customs are perfectly integrated, which has unique artistic charm. The first two sentences are about the grassland reflected by the sunset, with flocks of cattle and sheep, fragrant weeds and sweet cheese in the air. This is the quiet and happy side of the frontier fortress scenery; Three or four sentences write that the north wind is blowing hard, the dust is like snow, and the felt curtain is under the account. This is the wild and violent side of the frontier landscape. Therefore, when outlining the grassland scenery, climate change and folk customs in the north, poetry is different from the customs of the Central Plains and conveys a fresh and exciting aesthetic feeling.
This poem has a broad background and typical northland characteristics, which can be compared with the folk song "Chile Song" in the Southern and Northern Dynasties.
The sun in the west is getting closer and closer to the horizon. Cattle and sheep on the grassland and Hui Jin in the sunset, dragging their bellies and stumbling, come to the tent from all directions. After a busy day, the shepherd settled his cattle and sheep, sat in a tent with a felt curtain, drank thick brick tea and ate sweet cheese, and enjoyed the scenery outside through the iron fence. The breeze blew slowly, with the fragrance of weeds, which was refreshing. What a quiet grassland twilight! However, all of a sudden, the wind swept across the earth, disturbing the peace of the grassland. Every household is in a hurry, tearing off the felt curtain and hiding in the tent, leaving only the whistling wind and the heavy snow all over the sky-that's not snow, it's white sand rolling into the sky. Many people have seen snowflakes as big as goose feathers and read the poem "Yanshan snowflakes are as big as seats" (Li Bai). The heavy snow in the northern grassland is sometimes not a white floc, but a mass of particles, which is simply a dense hail. Only a poet who is familiar with the northern scenery like Sadulla can describe the unique wonders of this grassland.