Memory is an abstract human emotion, and it is also an emotional form for poets to remember the past. In the poet Dai Wangshu's pen, through the figurative description and personification, the abstract emotion has become an "old friend" with life and rich spiritual world. The poet injected human feelings into "memory" and hid his feelings in the description of "memory", which made this symbolic poem cover a wider range and aroused the emotional voices of countless readers. The poet's infinite nostalgia for the lost life flows through every reader's heart like running water, and Yuan Ye in his memory will be covered with greenery. This seems to be a variation of Kubinashi's theme, but it evokes echoes of various life themes in readers' minds. The universality of the lyrical connotation of My Memory hides its own affairs, which is the most important source of its artistic charm.
After losing everything beautiful, including ideal and love, the most loyal friend who comes with loneliness is chewing the memory of past lives. Memory is faithful, memory is kind, and memory has almost become a bosom friend to comfort life. What a bittersweet mood! In order to write this mood, my memory first personifies the memory. The first section is a summary, but it already implies that memory is regarded as a living and infinitely loyal friend. In this way, the whole poem runs through the characteristics of "friends" and gives abstract emotions a vivid form. In the second paragraph of the poem, I wrote that my memory is almost everywhere. With a series of subtle things, the poet narrowed the different time and space between the past and the present and annihilated the distance between them. The format of this poem is a bit monotonous, but because of the concrete images chosen, it is full of life breath and gives people a sense of image intimacy. Memories are everywhere, on burning cigarettes, pens painted with lilies, worn-out powder boxes and dropped raspberries, half-drunk wine bottles, old poems and dried flowers, gloomy lamps and dim lamps. These concrete images, seemingly handy, are actually rich in suggestibility, a beautiful love life, the joy and decay of love, and the restlessness in pain ... let you imagine! The poet's hazy realm gives you the right to imagine. After reading it, no matter how you imagine, the soul of the poet who chews the beautiful and sour life of the past all the time will always appear in front of you. Your experience and the poet's image complement each other and show this rich emotional world to the fullest.
This poem enters the second verse, and when the memory appears, it begins to write modality. It is "timid", it is afraid of "people's noise", it is a lonely friend of people, so when it is lonely, it "visits me intimately", and it talks endlessly with poets with extremely low voices and fragmented words. The five-line poem at the end of this paragraph reveals the connotation of this "memory" more specifically: "Its words are old, always telling the same story,/its tone is harmonious, always singing the same tune,/sometimes it imitates the voice of a girl who loves focus,/its voice is weak,/it is also full of tears and sighs." Old stories and equally harmonious old songs, these images can easily arouse people's association with love. Read this association with The Voice of a girl who loves to be anxious, Tears and Sigh. These "tears" and "sighs" are of course visiting "girls" in memory, but aren't they the reflection of the poet's mood living in memory?
The fourth verse of this poem is about the arrival time of memory. Although this visit is sudden, "people will say it is impolite", I like it because "we are old friends" and it will bring me sweet comfort in loneliness. The last section further shows that I can't get rid of this memory, and those beautiful and bitter past events make me unforgettable, except when I cried or fell asleep. The poem is written in a cyclical lyric structure, and the last two lines return to the first two lines. But it is more emotional than the opening: "But I will never hate it,/because it is loyal to me." It is happy to have good memories, but how desolate and lonely a person who only relies on the loyalty of memories as a friend is! Although the poet did not talk about his inner loneliness and pain, this feeling was deep and thought-provoking in a seemingly relaxed and pleasant tone. People will enter the emotional world of this poem with the same mood.
This poem is obviously influenced by the poems such as Dining Room written by the late French symbolist poet Flam Liss James. He "abandons all grandiosity, exquisiteness and beauty, and writes poems with his simple heart", and can pay attention to "properly and artistically grasping" the aesthetic feeling of "living in our daily life", such as the first section of Dining Room. /It will hear my father's voice. /For these memories, the wardrobe is faithful. Others think it will only be silent, which is wrong. /Because I'm talking to it. However, Meyer emotionalized concrete things, while Dai Wangshu personified abstract emotions. In terms of the difficulty of artistic creation, the latter is even more difficult than the former. In his poems, Dai Wangshu abandons all grandiose beauty and captures the beauty in the images of daily life. Some trivial things that seem to be out of touch with poetry have become images with rich symbolic connotations, such as burning cigarettes, worn-out compact boxes, crumbling raspberries, dried flowers, gloomy lamps and calm water. These inanimate things not only have life, but also are endowed with broad meanings. Therefore, these common things in daily life also shine with the brilliance and charm of poetry.
In Rain Lane, Dai Wangshu got rid of the external pursuit of musical beauty and pursued a symptom of expressing internal rhythm "in the ups and downs of poetic emotion, that is, in the degree of poetic sentiment". My memory is the first time he taught himself to practice. The poem Rain Lane has no sonorous rhyme and flowery words, and it is completely modern spoken language, which makes the narrative of the poem closer to the reader's emotions and increases the lyrical intimacy. Even poetry lines with strong momentum and parallelism, such as the five elements before the second festival, use a soothing tone. After the sixth line, On My Memory started the generation of China's modernist poetic style in 1930s.