Brand name is the form of qualifier. The format of words is different from that of metrical poems. There are only four forms of metrical poems, but there are always more than 1000 forms of words (these forms are called word spectrum). People can't call them the first category, the second category and so on, so they are given some names. These names are epigrams, and epigram names are necessary.
In the Song Dynasty, in order to express the meaning of words, some poets often added titles under the tone of words, separated them with ","or wrote a small preface, so the titles did not necessarily exist.
Extended data:
The origin of words
Ci is a lyric poem, a Yuefu poem that can be sung with music, and one of the main literary forms in the Tang and Song Dynasties. Tang and Song Ci is a new stage in the development of China literature and a brilliant achievement of Tang and Song literature.
There is a historical inheritance between Tang and Song Ci poems and Yuefu poems of the previous generation, but there are significant differences in content, form, style and expression techniques.
It is not directly produced and developed from the previous Yuefu poems. It was a new kind of poetry at that time, which maintained its own characteristics in all aspects of the development process and formed its own independent tradition. Musically, it belongs to a different system from the previous Yuefu poems.
There are three systems of music in Sui and Tang Dynasties. Shen Songkuo's Notes on Meng Qian (Volume 5): "Since the imperial edict and Hu Bu began to play together in the 13th year of Tang Tianbao (AD 754), music has completely lost its ancient method. In the past, Wang Zhile was elegant music, the new voice of his previous life was pure music, and those who joined Hu Department were feasting. " Elegant music is ancient music before Han and Wei dynasties;
Le Qing is the abbreviation of Qu, and there are many "street ballads" since the Han, Wei and Six Dynasties. Banquet music (or "Bridge Music" and "Le Yan" played at the banquet at that time) was mainly composed of western music, brother music in western China, Central Asian and Indian music.
As early as the Northern Wei Dynasty and the Northern Zhou Dynasty, western music was introduced into the Central Plains from India and Central Asia via Xinjiang and Gansu. During the Sui and Tang Dynasties, due to the smooth development of international transportation and trade, extensive and frequent cultural exchanges and the prosperity of commercial cities, this kind of Hu music was widely spread and popular.
Le Yan is a new music with this kind of Hu music as the main body, which naturally contains some elements of folk music. This is a new kind of music that combines Chinese and foreign music. The introduction and prosperity of Yan music is a great progress in the history of China music, which indicates that China music has entered a new era.
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