1, the form is free
2. The connotation is open.
3. Image management is finally rhetoric.
Modern poetry emphasizes the spirit of freedom and openness, and communicates between the "sensible and intangible" with straightforward situational statements.
The greatest feature of modern poetry is actually freedom, which is absolute freedom, which is incomparable to other themes.
Modern poetry is the modern emotion that modern poets feel in modern life, and it is a set of sentences arranged by modern rhetoric. Therefore, modern poetry is a feeling of our times, written in modern language rather than classical Chinese, which is the most basic feature of modern poetry.
Modern poetry also has the following important features:
1, content: beautiful imagination, extraordinary in the ordinary.
2, ideological: write touching friendship, that is, add personal feelings and experiences;
3. Format: To analyze, you can branch by sentence or by content.
Yes, format is also a problem that must be paid attention to. In addition to writing according to content or sentences, especially in the organization of language, it is mainly manifested in two aspects: first, the use of rhetoric; First, breaking the conventional combination (not matching according to the grammatical requirements) can get unexpected results, but not too much.
Rhetoric is an important skill in poetry, including personification, metaphor, parallelism, rhetorical questions, repetition, thimble, duality, exaggeration, symbol and so on. It can be said that each expression technique has its own unique advantages.
Modern poetry is free poetry, which refers to poetry since the May 4th Movement. There are lyric poems, narrative poems and mystery poems. The main feature of poetry is a highly concentrated artistic summary of life, a clear and strong feeling and a commanding imagination. The rhythm of language imagination is harmonious and distinct. Some people summarize the characteristics of poetry as vividness, generality, sobriety and musicality.
The characteristics of new poetry are: (1) as a pioneer and column of modern literature in China, under the cultural enlightenment of science and democracy, based on modern democracy and socialist ideological trend, it shows concern for the fate of the people, the nation and the country, and has been strengthened in the personality of the creative subject, the self-awareness of the description object and the breadth and depth of socialization. (2) Taking changing the language of poetry as a breakthrough and vernacular as a weapon, it experienced a real "revolution in the field of poetry", broke away from the old tradition and consciously got rid of the strict rules of classical poetry, and finally realized "the great liberation of poetic style" and "changed from a poem very close to the old poem to a free new poem", thus forming a brand-new poetic form completely independent of traditional poetry and establishing a new tradition of modern poetry. (3) Since the new poetry takes the old poetry as the revolutionary object, it is bound to take the introduction of foreign forms as the poetry model. During the May 4th Movement, our new poetry basically borrowed from foreign poetry (mainly English poetry) "(Zhu Guangqian's" What does new poetry learn from old poetics ",so it is a new extension of the world's progressive literary tradition accumulated for hundreds of years". In the history of the evolution of China's poetry, it is precisely in this way that China's new poetry is constantly influenced by foreign countries and integrated into its own national style, so that it is more and more similar to foreign poetry in language casting and poetic art operation, and gradually increases its cosmopolitan color. (4) The new poetry really broke the old tradition and established a new tradition; But breaking and not breaking does not mean cutting, but sublating and absorbing, criticizing and inheriting, that is, bringing forth the old and bringing forth the new. If you don't bring forth the old and bring forth the new, you can't bring forth the new, and if you have nothing to push the old, you can't bring forth the new. The new poetry of each era is always created on the basis of folk songs and previous generation poems, absorbing new factors from other nationalities, but its root must be deeply rooted in the soil of social real life.