The shadow of the mountain rises suddenly, and the moon in the pond rises slowly from the east. Hang your hair in the shade at night, open the window and lie down in a quiet and spacious place.
The evening breeze sent waves of lotus fragrance, and the dew on the bamboo leaves made a crisp sound. I thought I would want to make a song, make a song, I just hate my friends in front of me.
Feeling for a night, I miss my old friends all night, and it is hard to miss them in my dreams.
This poem is a typical Montessori style: quiet and ethereal, delicate and sincere. From watching the sunset and the pool moon, to the touch of the breeze, to the smell and hearing of the lotus wind and bamboo dew dripping. Then by playing the piano, I remembered my bosom friend, and then I remembered my good friend Xinda. The whole poem takes the passage of time as the main line, showing all the natural objects and subtle feelings that the author felt on that quiet and beautiful summer night. It's better than being angry, but it's in good order, realistic throughout, but carefree. Compared with contemporary poets, unlike Li Bai's grandeur, Wang Wei's profundity and Du Fu's melancholy, it is really Meng Xiangyang's elegance. -although it is an uncle, it is clear that there is a small and fresh way?
Wanshantan building
Fishing and sitting on a rock, the water is clear and the heart is idle.
Fish swam around in the shade of trees, and apes hung on the branches to fight.
The story of the goddess Yu Pei is said to have happened on this mountain.
Because I don't have such a chance to take risks, I will come back and sing oars in the moonlight.
The above five laws are also one of Montessori's most idyllic poems. The whole poem dilutes the ethereal, and everything works with God. The most rare thing about Meng Haoran's poems is a poetic style, which is chic and elegant. Look at some of Wang Wei's poems: "In my heart, I have always been as pure as this clear water. Oh, stay on a wide flat rock and cast the fishing line forever! The artistic conception of these two poems is very similar, even the words are similar. However, compared with Wang Wei, who is classified as an idyllic poet, Meng Haoran shows a kind of indifference and enjoyment of Tao Yuanming, while Wang Wei shows more Zen and calmness.
The above lists several pastoral poems of Montessori. However, some of Meng's other masterpieces were written during his travels, full of homesickness and life regrets. Therefore, the word "pastoral" alone cannot sum up his poetic style. In fact, after Meng Haoran came out of the mountain, celebrities rushed to make friends and made many friends. Nearly half of his poems could not be classified as "pastoral". It can be seen that genre labels in the history of literature mislead many people, especially those who refuse to learn.
Looking at Dongting Lake in the distance, I gave it to Prime Minister Zhang.
The autumn water rises and almost blends with the shore, mixing water and sky with the sky.
Ozawa's water vapor transpiration on the cloud soil is white, and the waves seem to shake the whole Yueyang.
I'm going to cross the water to find a boat and paddle. It's a shame to return home in the sacred age.
When I sit here and watch a fisherman throw a hook, I envy his catch in vain.
This poem was even selected in "300 Tang Poems", which shows its wide spread. Poetry is relatively simple and clear, just want to ask Zhang Jiuling, then prime minister, to open the East Pavilion for introduction. This is very common among scholars in the Tang Dynasty, and Li Bai and Du Fu all did it. Of course, Meng Haoran wrote more tactfully and implicitly, and didn't get up the strength to brag for himself like Du Li. This poem shows the other side of Meng Haoran's poetry, that is, Meng Haoran can write vigorous and broad poems in addition to his elegant and quiet poetic style.