2. "I" refers to the riverbed, and the poet speaks for the riverbed in the first person, bridging the gap between readers of the riverbed; "They" refer to drivers in Tanggu, and also refer to people who are familiar with the riverbed and have had "close contact" with it; "He" refers to the vulture, "She" refers to the female wolf, and all the animals here are personified to make them more vivid; "You" has two different meanings. One refers to the Yellow River Elephant ("I will miss you forever-the disappearing Yellow River Elephant"), expressing the poet's cordial nostalgia for the disappearing species; One refers to people, putting the riverbed and people at the same time has a sense of harmony that does not distinguish between "you and me", so that readers can better enter the artistic conception of poetry and feel the same.
This poem is a continuous contrast of the whole paragraph, forming an overwhelming momentum, which is not only the momentum of the river bed, but also the momentum of the poet's emotions. The sentence patterns of this poem are staggered, and each line is long and short. There is a short sentence, such as "It is a dizzy hurricane", and there are as many as five long sentences, such as "I am a sail in an array". It's the square. It is the copper capital of Dayi. This is an unfolding landscape. This is an unfathomable abyss. The exaggeration of this language, coupled with image group's uniqueness and singularity, is the means by which poets attach importance to "passion-never-failing passion" to convey and then infect readers. (That's right)