Chang 'an San Wan Li Douban Score

8.2。

Guo Man's "Three Wan Li in Chang 'an", which was released in early July, has recently become one of the hottest movies. Douban scored as high as 8.2, and more than 26, people gave comments, among which 5-star reviews accounted for 39.3% and 4-star reviews also reached 38.3, which can be said to be Guo Man's excellent reputation.

On the one hand, "Three Wan Li in Chang 'an" takes advantage of the natural advantages of animation, and it is imaginative and easier to break the boundaries of time and space than a live-action movie, so there is a paragraph of "Coming into Wine" in the film, which is wanton and surging by Wang Yang.

On the other hand, the film adopts the simplest but more effective "stupid method": in appropriate situations, the characters directly recite those classic sentences that have been passed down through the ages. For example, when Gao Shi narrowly escaped death from the battlefield, he saw his boss drinking and watching a performance in a warm tent, and then read "half of our men at the front were killed, but the other half are living, and still at the camp beautiful girls dance for them and sing".

Although this kind of treatment is not brilliant, it belongs to the most direct way, so some critics say that this film is like a situation film of Tang poetry, but from the perspective of easy understanding and mobilizing the audience's emotions, it is really efficient.

Three Wan Li in Chang 'an ignites the Tang poetry fever in China

"Three Wan Li in Chang 'an is very different from previous domestic animated blockbusters. It is no longer a subjective imagination of ancient myths and immortals. The creators spare no effort to absorb the essence of culture and social life from the history of the Tang Dynasty, and then attract audiences of different ages through lively narration." Jiang Zhulang, an associate professor at the School of Animation and Digital Art, Communication University of China, told reporters that Three Wan Li in Chang 'an exceeded the general expectations of scholars for domestic animation, and this work filled the blank of the screen.

Three Wan Li in Chang 'an not only tells the profound friendship of poets Li Bai and Gao Shi in the prosperous Tang Dynasty more than 1,3 years ago, but also creates a lively and lovely image of Du Fu, a young poet, changing China people's rigid memory of "poet sage". This animated blockbuster took more than three years to complete, presenting a group of famous artists, masterpieces and various anecdotes related to Tang poetry.

Jiang Zhulang thinks that although cartoons slightly exaggerate Du Fu's "youth" temperament, it also makes Tang poetry no longer a "lofty" ancient prose, which is more attractive to young audiences.