I want to know why my Jinse has fifty strings, and each string has a youthful interval.
Zhuangzi daydreaming, a saint, was bewitched by butterflies, and cuckoo crowed in the imperial spring.
Mermaids shed pearl-like tears on the moon-green sea, and the blue fields breathed their jade to the sun.
A moment that should last forever has come and gone before I know it.
Appreciation: Li Shangyin plays his "Jinse" on a moonlit night. A sad swan song has fascinated countless audiences in later generations and always caused many different explanations and speculations. Jin Renyuan Haowen once said in "On Thirty Poems" that this poem is "a wonderful device to solve people's difficulties".
There are always different opinions about the theme of the poem Jinse. Some people think that the content of this poem is about "Jinse" musical instruments, saying that "Saint Zhuangzi daydreaming was bewitched by butterflies, and Wang's longing for love was cooing. Mermaids shed pearl-like tears on the moon-green sea, and the blue fields breathe their jade to the sun. " In the four sentences, four kinds of musical sounds are written respectively, namely, appropriateness, resentment, purity and harmony. Some people regard the conjecture of "Jinse" as a woman's illusion, and suspect that it is "the blue dress of Hu Ling thieves" ... In addition, many people tend to mourn the dead, thinking that the poet misses his dead wife in loneliness and desolation and bows himself!
Although it is difficult to give an exact explanation in reason, this poem is easy to arouse readers' goodwill and love in sensibility. Poetry is very emotional because of its image; Poetry is difficult to understand because it only depicts images and is confusing. To understand this poem, I think the main thing is to analyze the image of the poem and see what it gives us, without attaching facts.
"I wonder why there are fifty strings on my Jinse, and each string has a flower-like quality and a youthful interval." The poem begins with "Jinse", which not only describes the beauty of the instrument, but also describes the fineness and complexity of the strings. The word "Jinse" gives readers a beautiful and resentful intuition. It is recorded in Hanshu Jiaosi Zhi that "Taidi ordered the banjo to be played, but the mourning for the emperor could not stop, and it was broken into twenty-five strings". Who would have thought that the "golden vessels" of the "fifty strings" were attached with such sad feelings? For no reason, if you don't do it, you will die. The word "for no reason" made Jinse suddenly have life. This depressed sigh is like saying that it is not that she wants to have these 50 strings, but that she was born with so many, and she is helpless. "Every flower is the interval of youth", and every string and column on this piano is pulling the pain buried in the poet's heart. "Chord" and "column" inherit a sentence from Fifty Chords, and the word "one" further strengthens all kinds of feelings in Fifty Chords, which implies both meticulous and complicated feelings and heavy sadness. The touch of each string and column will arouse the poet's recollection of the past. The word "Hua nian" corresponds to the word "Jinse" in front, which not only shows the beauty of "Hua nian", but also shows the melancholy when recalling today. The poet uses Thule's beauty to compare his outstanding talent, and uses Thule's Fifty Strings for no reason to imply that the Spring Festival in China has quietly passed, and the feelings of pain and indignation are vaguely contained in the sigh of "for no reason". These two sentences can be said to be the sum of this poem.
"Saint Zhuangzi daydreaming, bewitched by butterflies, crowed by cuckoos. Mermaids drop pearl-like tears into the moon-green sea, and blue fields breathe their emeralds at the sun. "The first word" thinking "on chin and neck recalls the past, and the poet laments that he gave up his talent and hurt his life. For Li Shangyin, the past is unbearable. He was young and promising, but he was caught in the political whirlpool of the late Tang Dynasty. He was very depressed and was down and out all his life. His beloved wife died young in China, and now only the poet himself is left to reminisce about the past in loneliness and desolation. Zhuan Xu takes things as feelings, and expresses the feelings of "Meng Xiao" and "longing for love" with the things of "butterfly" and "Du Fu". Necklace couplets take "the sea moon" and "Lantian is getting warmer" as the scene, and write down the sadness of "tears in beads" and the confusion of "jade producing smoke". According to myth, when the moon is round, pearls are round. However, the pearl of the sea under the moonlight still has tears. In the vast sea, every pearl is a tear. Meiyu is produced in Lantian Mountain, where there is jade, and the clouds are lingering, but people only see the smoke in the mountains and don't know where the jade is. Meiyu is as unappreciated as pearls left by the sea.
Li Shangyin's allusions have their own characteristics. Sometimes with its original meaning, such as Ding Anlou, he expressed his grief and indignation that he couldn't stretch his arms with the words "Jia Sheng was sad when he was young, and RoyceWong went on a spring outing". Sometimes he takes allusions as a special image and creatively extends them. "Meng Xiao" and "Spring Heart" are the latter ways to use allusions. Zhuang Zhoumeng's allusion to butterflies was originally intended to illustrate a Taoist philosophy of "using everything for my own use", but Li Shangyin used the image of "butterfly dream" for his own use, expressing his dream of pursuing official career and endless regret after this dream failed. The word "Xiao" means the fleeting dream, and the word "fan" means the dreamer's obsession. This infatuation, intoxication and loss should be the poet's original intention. "Wang Chunxin" uses the story of returning home, turning the cuckoo into the soul, and mourning and hating, which is extended by Li Shangyin. What is "love"? Spring is the heart of pursuit, yearning and persistence. What an obsessed dream, what a deep emotion! The beauty of this poem is that the poet doesn't know his feelings at all, but gives readers a direct feeling and hint with all kinds of beautiful and complicated images and tortuous plots, which makes readers have countless touches and associations.
"Meng Xiao" and "Chun Xin" are sentimental and easily influenced; Butterfly and Rhododendron evoke the association of flying and crying; "When is the bright moon" and "When is the sun warm" draw people into a desolate, spacious, warm and charming situation. Poets turn reality into nothingness, and use four allusions and four beautiful, quiet, blurred and sad scenes to convey their experiences and feelings, which makes it difficult for people to express reality but feel the same. This is a kind of poetry with touching and stimulating effects.
"A moment that should last forever? I've been there and I don't know, "Wei Lian asked himself and answered, pointing out that this poem recalls the past and takes it as a lesson." The so-called "this feeling" refers to the obsession with "dreams", the deep love for spring, the sadness of "tears on beads" and the confusion of "jade smoke" written in Qin and Jing's couplets. Do you feel sad when you look back on the past? When the Chinese New Year is over, you will already feel the bitterness and sadness. In the hazy world of jade and smoke, the poet looks back on the past events of the New Year, reminisces about the past love, and leaves behind the disappointment of that year, which makes him sigh again: looking back, the residual photos are more empty.
This poem was written by the author in his later years, when he recalled the past and expressed his feelings about the ups and downs of his life. Although the description is euphemistic and vague, it obviously has its sustenance In his poems, Li Shangyin concealed the specific events in his life, implicitly and euphemistically expressed his bumpy fate and sad feelings from many different angles, and lamented the passing of the New Year and the emptiness of his ambition.
When a song "Jinse" is played, a haggard figure disappears in the sad rhyme, leaving readers with endless disappointment.
I think this song is also good.
Flowers on the river under the moonlight in spring
Year: Tang Author: Zhang genre: Yuefu category:
Lian Haiping is in the spring tide, and the bright moon on the sea is born in the tide.
I drift thousands of miles, where there is no moonlight by the river?
The river flows around Fangdian, and the moonlight shines on the flower forest like graupel.
Frost flows in the air, you can't fly, but you can't see the white sand on the pavilion.
There is no dust in the sky on the river, and there is a lonely moon in the sky.
Who saw the moon by the river for the first time? When did Jiang Yue take the photo at the beginning of the year?
Life is endless from generation to generation, and Jiang Yue is only similar year after year.
I don't know who Jiang Yue is waiting for, but I see the Yangtze River delivering water.
The white clouds have gone, and Qingfeng is at a loss.
Who will go boating tonight? Where do you miss Mingyue Building?
Poor people wander upstairs for the moon, so they should leave someone to fill the mirror.
The curtain of the jade pot could not be rolled up, but it was brushed back on the anvil.
At this time, I don't know each other. I hope China will shine on you every month.
Hongyan flies in the sky, and fish Long Qian jumps in the water.
Last night, I dreamed that the idle pool had fallen, and the poor spring had not returned.
In spring, the river flows away, and the pond falls in the moon and the west.
The slanting moon hides the sea fog, and Jieshi Xiaoxiang Road is infinite.
I wonder how many people will return every month. Falling flowers shake trees all over the river.
To annotate ...
Moon Night on the Spring River, praised by Mr. Wen Yiduo as "the poem in the poem, the peak on the peak" (the redemption of palace poems), has fascinated countless readers for more than 1000 years. Zhang Yisheng left only two poems, which were also "a lonely poem, but it was written for everyone".
The title of this poem is very attractive. Spring, river, flowers, moon and night, these five things embody the most touching beauty of life and constitute a fascinating and wonderful artistic realm.
The poet began to compete with the topic, and the topic came to life at the beginning. On the riverside, he drew a magnificent picture of a moonlit night: the river was in the sea and the moon was in the tide. The sea here is empty. The river tide is boundless, as if connected with the sea, with great momentum. At this time, a bright moon was born with the tide, and the scene was very spectacular. A word "destiny" gives the bright moon and the tide a fresh life. The moonlight shines thousands of miles away, where is it not on the bright moon river! In spring, the river winds around Yuan Ye, where flowers and plants are everywhere, and the moonlight falls on the flower trees like a layer of snow. The poet is really a unique skill of Dan Qing. With a slight stroke, he touched the strange "flowers" in the moonlight by the river. At the same time, he skillfully paid the title of "Moonlight on a Spring River". The poet's observation of moonlight is extremely subtle: moonlight washes away colorful things in the world and turns the world into a dreamy Yin Hui color. So "first frost doesn't fly" and "white sand can't be seen", only the bright moonlight. Delicate brushwork creates a mythical and wonderful realm, which makes the moonlit night by the river look extraordinarily beautiful and quiet. These eight sentences, from big to small, from far to near, gradually condensed on a lonely moon.
The clear universe of heaven and earth seems to make people enter a pure world, which naturally causes the poet's reverie and meditation: "Who sees the moon by the river?" When did Jiang Yue take the photo at the beginning of the year? "The poet leaps forward in thought, but closely connects with life and explores the philosophy of life and the mystery of the universe. This kind of exploration has existed in ancient times, such as Cao Zhi's Looking at Ying Shi: "Heaven and earth have no end, life is like frost", and Ruan Ji's "Life is dusty, and Heaven has grace", etc., but the theme of the poem is mostly to feel that the universe is eternal and life is short. Zhang is unique here. His thought did not fall into the trap of predecessors, but turned out a new idea: "Life is endless from generation to generation, and Jiang Yue is only similar every year." "Personal life is fleeting, and human existence is long-lasting, so" endless "life and" year after year is only similar "moon can be * * *. This is a comfort that the poet feels from the beautiful scenery of nature. Although the poet is temporarily sad about life, it is not decadence and despair, but because of his pursuit and love for life. The keynote of the whole poem is "mourning without hurting", which enables us to hear the echo of the voice of the early Tang Dynasty.
"I don't know who Jiang Yue treats, but the Yangtze River sends water" is closely related to the "only similarity" in the previous sentence. Life goes on from generation to generation, so does Jiangyue every year. A lonely moon lingers in the sky as if waiting for someone, but it will never come true. In the moonlight, only the river rapids are rushing away. With the flow of the river, poetry is full of waves, pushing poetry to a more far-reaching realm. There is enmity between Jiang and Yue, and running water is ruthless. The poet naturally turned his brushwork from the natural scenery in the first half to the image of life, which led to the separation of men and women in the second half.
The four sentences of Baiyun are always written in the moonlight on the riverside, thinking about the feelings of his wife and wanderer. "Baiyun" and "Qingfeng Spectrum" are lyrical. The floating white clouds symbolize that the whereabouts of the "boat" are unknown. "Qingfeng Pu" is a place name, but "Feng" and "Pu" are often used as other scenery and places in poetry. The words "whose home" and "where" have different meanings. It is precisely because of more than one place that the poet put forward such a question, a kind of acacia, which led to the separation of the two places, one after another, poetic ripples, twists and turns.
The following eight "poor" sentences bear the sentence of "where" and write about thinking about leaving people's memories. But the poet doesn't directly think about a woman's sadness and tears, but uses the "moon" to set off her nostalgia, and the sadness and tears come out. The poem personifies the "moon" and the word "wandering" is extremely vivid: first, the clouds are swimming, so the light and shadow are uncertain; Second, the moonlight lingers upstairs, pitying the thinking woman. It wanted to accompany Sifu and relieve her troubles, so it sprinkled soft light on the dresser, on the jade curtain and on the anvil. Unexpectedly, I miss my wife more than anything. She tried to get rid of the annoying moonlight, but the moonlight "rolled away" and "brushed back" and sincerely attached to her. Here, the two spoony actions of "rolling" and "brushing" vividly show the anxiety and confusion of thinking about women. The feelings caused by moonlight deeply troubled her. At this moment, isn't the moonlight shining on the lover in the distance? * * * Looking at the moonlight, we can't know each other, so we have to rely on the moon to send love to you from afar. Looking up to the sky: Hongyan flies far away, but without the light and shadow of the moon, flying is futile; Looking at the river, fish jump in the deep water, just causing ripples, and jumping is useless. "The feet are in the fish intestines, and the heart is full of goose feet." I can't send a message to the fish goose who is in charge of delivering letters now-it's time to add some worries!
In the last eight sentences, the poet used fallen flowers, flowing water and waning moon to set off homesickness. "Flat Boat" even dreamed of going home-flowers fall into a secluded pool, spring will be old, people are still far away, what a pity! Rivers flow in spring, not only the natural springs, but also the youth, happiness and longing of wanderers. The moon fell on the pond, setting off his miserable and lonely mood. Thick sea fog hides the falling moon; Jieshi and Xiaoxiang are far apart, and the road is so far. The word "heavy" aggravated his loneliness; The Infinite Road also deepened his homesickness infinitely. He thought: I wonder how many people can take the moon back to their hometown on this beautiful night by the river! His secret love, accompanied by the light of the waning moon, was sprinkled in the Woods by the river. ...
"The falling moon shakes the trees all over the river", the "shaking feelings" in this sentence-endless thoughts, intertwined with the feelings of moonlight, wanderers and poets, fell on the trees by the river, and also fell on the hearts of readers, which is fascinating.
"Moonlit Night on the Spring River" transcends the previous landscape poems that simply shape mountains and rivers, the philosophical poems that "yearn for the infinity of the universe and mourn the moment of my life", and the love poems that express the feelings of children leaving. Poets have injected new meanings into these common traditional themes, blending poetry, painting and philosophy. With the help of the description of the moonlit night on the riverside, they praised the wonderful scenery of nature, eulogized the pure love among people, expanded their sympathy for stray women, and combined it with the pursuit of life philosophy and the exploration of the mysteries of the universe, thus merging it into a kind of love, scenery and management. The poet deliberately hides the profound and beautiful artistic world in a vague artistic atmosphere, and the whole poem seems to be shrouded in an ethereal and confused moonlight, attracting readers to explore the true meaning of beauty.
The whole poem takes spring, river, flowers, moon and night as the background and the moon as the main body. "Moon" is a mixture of scenery and scenery in poetry. It beats the pulse of the poet, and it is like a bond of life in the whole poem. It runs through ups and downs, touching the scene, and poetry fluctuates with the birth and death of the moon. The moon went through the process of rising, hanging high, setting in the west and setting in the sun overnight. Under the moonlight, rivers, beaches, the sky, Yuan Ye, maple trees, flower forests, flying frost, white flowers, boats, tall buildings, dressing tables, anvil stones, flying geese, diving ichthyosaurs, sleepless homesickness and wandering wanderers form a complete poetic image, showing a picture full of philosophy and life interest. The color of this picture scroll is light and rich. Although sketched in ink and wash, it is "ink in the colorful", showing colorful artistic effects from the complementary of black and white and the coexistence of reality and reality. It is like an elegant China ink painting, which reflects the beautiful artistic conception of the moonlit night by the river.
The rhythm of poetry is also very distinctive. The poet's emotional melody in his poems is extremely tragic, but it is neither a sad bamboo nor a complicated string, but a serenade or dream like a violin, which is meaningful and meaningful. The inner feelings of poetry are so warm and deep, but they are natural and peaceful, as regular and rhythmic as the pulse, and the rhythm of poetry fluctuates accordingly. The whole poem has 36 sentences, four rhymes and nine rhymes. It started with the level of Geng rhyme, followed by the level of Yue rhyme, Zhen rhyme, Paper rhyme, You rhyme, Grey rhyme, Wen rhyme and Ma rhyme, and ended with Yu rhyme. The poet mixed Yang rhyme with Yin rhyme, alternating high and low tones, and the order was loud (Geng, Shuo and Zhen)-subtle (paper)-soft (especially, gray)-loud (literary, hemp)-subtle (encounter). The whole poem changes with the change of rhyme, and the use of flat tones is staggered, singing three sighs and calling around, which is repetitive and continuous, with a strong and beautiful sense of music rhythm. This change in pronunciation and charm is in the same strain as the ups and downs of poetry, which can be described as a harmonious combination of sound and text.
Moonlit Night on the Spring River is a poem by Shang Qing, a Yuefu poet? Wu sheng's song. Who is the creator? Opinions vary. Or "not detailed"; Or what Chen Houzhu did; Or what the Emperor Yang Di did. According to Guo Maoqian's Yuefu Poems, besides Zhang, there are two poems, one by Zhuge Ying, two poems and one by Wen. They are either narrow in structure or too rich in content, far less than Zhang's articles. This ancient topic, in Zhang's hands, made generate shine brilliantly and gained immortal artistic life. Today, people don't even ask who is the original creator of this old topic, but the real creative right of the poem "Moonlit Night on a Spring River" belongs to Zhang.