Because of its bohemian form and simple content, Hanshan's poems are difficult to follow the orthodox and elegant mainstream ideology and subject poetics. Coupled with the conservative literary position of patrons and the long-term humble literary status of popular literature and religious literature, Hanshan and his poems' intralingual journey in the pluralistic system of China literature was very bumpy from the beginning.
However, Hanshan's poems broke free from the shackles of political, social and literary traditions and began a journey of interlingual literature, which gained a prominent literary reputation abroad, especially in Japan, the United States and other countries. The upsurge of Hanshan poetry gradually spread abroad and finally returned to China, which aroused the long-lost interest and enthusiasm of domestic academic circles. Hanshan poetry even took this opportunity to regain its position and influence in the pluralistic system of China literature.
Hanshan's poetry is still a marginal classic in the current history of China literature and translation literature. Compared with its actual ideological and artistic achievements and its important influence in the fields of comparative literature, translation studies and translation studies, Hanshan's poetry still has a lot of room for exploration.
In the process of text travel, the translation, adaptation and interpretation of China's literary works by literary translators will inevitably misinterpret or misinterpret the meaning and connotation of the original text, but this kind of travel itself can really promote the spread of literary works and help expand the audience and influence of literary works, so there should be more room for this kind of literary translation.
In a word, the process of text travel and classic construction of Hanshan and Hanshan's poems is a unique cultural memory in the history of literary exchange between China and the West, which will bring us more yuan and profound thinking.