The artistic features of Xu Zhimo's poems are inseparable from his creative achievements and personal experiences. Pure, true and enthusiastic, he has all the qualities of a talented poet. He lived a rich life since he was a child. Although his family fortune gradually declined in the future, the thin camel was bigger than the horse, that is, he was carefree when he was young. His traditional education and experience in studying abroad made him take off in a poetic country. On the other hand, his life track after returning to China is largely determined by his personality. His character is reflected in his actions, and Xu Zhimo's actions are as shocking as his poems. And Xu Zhimo's persistence in love doomed his pain. This kind of pain made him fully vent in his poems, and also achieved his poetic title, which is also the highest achievement in his poems.
First, from the formal point of view, Xu Zhimo's poems have a highly unified aesthetic feeling inside and outside.
He followed Wen Yiduo's theory of three beauties, namely the so-called beauty of music, architecture and painting. But he has his own unique practice, which is mainly reflected in his attempts at various poetic styles. He believes that every poetic style has its most suitable content. The most typical is his attempt and breakthrough in sonnets and prose poems. The development of many aspects of Xu Zhimo's poetry is very creative. He dares to break through the classical lyric way, blend into various western thoughts, boldly create new styles, and dare to open up new rules for new poetry, with beautiful artistic conception and aestheticism.
Secondly, in the aspect of metrical form, Xu Zhimo's exploration avoids the disadvantages of loose and superficial new poetry, thus making the content more moderate and the thought more profound.
Wen Yiduo talked about three beauties when he talked about poetic meter, which was well reflected and implemented in Xu Zhimo's poems. Mao Dun once criticized Xu Zhimo's poem I don't know which direction the wind blows. We can point out the beauty of this poem in form, its composition is very organized and its tone is very high. But what did the poet tell us? This is rare. ? However, the success or failure of a poem is not based on the amount of content conveyed. What the author expresses in this poem is a state of mind and an emotional exchange. Poetry carries a lot of content, especially lyric poetry. Expressing the richness and authenticity of feelings is an important criterion for the success or failure of a poem.
Let's look at Xu Zhimo's external form first, and mainly talk about the innovation of meter. The format of Xu Zhimo's poems is simple but varied, which gives rise to a lot of aesthetic feeling.
Xu Zhimo's poems are unique in structure. Apart from the list of contents, from the formal point of view, his poetic forms mainly include the following categories. First, he compared the neatly arranged squares, which was consistent with Wen Yiduo's. Most of Wen Yiduo's poetry structures are neat tofu blocks, which may be influenced by classical poetry and emphasize the uniformity of sentence patterns and words. The other is a long rectangular block in the form of staggered backspace (or multi-line backspace), usually retreating by one or two spaces. The third is that each row is flush, but it is uneven from the back, forming a patchwork aesthetic feeling. The fourth is that every sentence is misspelled, forming an inverted ladder.
Third, Xu Shi's artistic conception is undoubtedly beautiful.
Generally speaking, each of Xu's poems is a vivid image, which either conveys an emotion or symbolizes a spirit or strength. But there is no doubt that they are all beautiful artistic conception, which has far-reaching new ideas during the Ming and Qing Dynasties, making most of his works attract readers' attention. * * * Ming belongs to the category of literary theory, is the highest stage of literary acceptance, and is a spiritual agreement among authors, works and readers, thus embodying the power of works and enhancing people's personality, and the artistic conception of Xu's poems has such powerful power. His poems are not only the so-called blend of scene and reality in ancient poetry, but also a strong lyricism, which has a strong lyrical appeal and infinite charm when read.
Fourth,? Sexual spirit? It is a kind of temperament and connotation in Xu Zhimo's poems.
Often the poet's mind flashes, and after the poet's processing, it will become a swan song. Xu Zhimo is as spiritual as Tagore. Xu Zhimo's spirit is also reflected in his article, which is as surprising as prediction. Death is an eternal topic that every poet has thought deeply about, but Xu Zhimo, who can vividly describe his death before his death, is unprecedented.
Xu Zhimo's poems occupy an important position in the development history of vernacular poetry and are pioneering in some aspects. First of all, in terms of poetic meter, many are worthy of reference and learning by modern poets, and some aspects are beyond the reach of younger generations. At that time, advocating metrical poetry played an indelible role in preventing the cultural dispersion of poetry and seeking the development path of China's new poetry. There is also the beautiful artistic conception and aesthetic pursuit of his poems, which left a rich aesthetic legacy for future generations. He is brilliant, and his poems are full of spirituality, but he does not indulge his talents. He just showed them incisively and vividly, restrained, open but not indulgent. In this way, he created a beautiful legacy, and that beautiful poem has inadvertently flowed into a river in your chest like a stream. I believe that in the future, I believe that his poems will continue to spread and become a bright star in the treasure house of modern literature.
The second chapter is Xu Zhimo's poems and their artistic features. Pay attention to artistic skills, create artistic conception and be good at metaphor.
1, with beautiful artistic conception and endless aftertaste.
Xu Zhimo pays great attention to artistic conception when writing poems. Most of his poems in the Collection of Poems of Zhimo have formed their own artistic realm, such as Happiness of Snowflakes. The author combines the subjective feeling of pursuing ideal with the objective natural scenery, thus turning the real scenery into virtual scenery and creating a beautiful artistic realm.
2. Perfect and unified music structure
Xu Zhimo advocates artistic poetry. He deeply admired Yiduo's poetic ideas of beauty in music, painting and architecture, especially in music.
Second, the flaws don't cover up Yu, and the spring is mixed.
As a famous poet in modern times, Xu Zhimo's achievements should not be underestimated, but his poetry creation also has several fatal injuries. First, he pays too much attention to the form of poetry, sometimes even exceeding it, which leads to the content serving the form; Second, the rendered emotion is too weak, which is the groan of a delicate soul. Here, this paper only makes a superficial discussion on the content of Xu Zhimo's poems.
The complexity of Xu Zhimo's thought has long been conclusive. His nature is romantic and unrestrained. Therefore, there is no consistent concept in his thoughts, which leads to the multi-tone content of his poems and the lack of these two concepts. The content of his poems is also the focus of controversy at that time and later generations. Personally, if the essence of modern poetry is that poets get inner innocence through reality and stick to lofty ideals (traditional poetry was established in the classical era when ideals have not been broken). ), then we can treat the content of Xu Zhimo's poems better and more fairly.
At the same time, the source of poet's creation is the society around him. Therefore, it is inevitable to be branded with the times. As a famous poet in modern poetry, Xu Zhimo has both his successes and his shortcomings. Today, we should treat such a poet with a fair eye and objective evaluation. Poets should have passion, and so should writing poems. You can't be a poet without passion. But it is precisely because a poet like Xu Zhimo, with his passion, often "what semi-mature and immature ideas are scattered in his fingers like colorful rain", and the result naturally forms a "broken pattern". It should be said that it was natural for poets of that era. Today, we reread Xu Zhimo's poems, and we can't just judge poems or people. We should objectively evaluate them from the perspective of materialism, which should be one of the purposes of this paper.