He Qifang predicted that the young god refers to

The first section of Prophecy is like a serenade full of tenderness, which brings readers into a dreamlike quiet, warm and beautiful love world and leads us into the poet's beautiful and quiet dream. The "approaching footsteps" suggested that the poet was about to meet the imaginary "young God", and he was filled with joy. You can imagine the wandering beauty of that god and hear her "singing like a silver bell". "Young God" may be the lover in the poet's dream, or he may just love God. The feeling that the long-awaited day has finally arrived, the imaginary juvenile god suddenly came to the side of the adolescent in the real world. The boy was surprised and happy, unable to restrain his excitement, a burst of joy and a heartbeat. The young god is so beautiful, gentle and elegant. His light footsteps are like a sigh at night, and his silvery singing sounds like deja vu. Here, the god in the fantasy world is integrated with the sweetheart in real life, and it seems to be in a dream world. In the second section, the poet describes the place where the "young God" lives, which is the paradise in the poet's dream. With her manners and elegant charm, the poet affirmed that the goddess of youth comes from the beautiful and warm south: there are beautiful moonlight and sunshine, spring breeze blowing flowers, and enthusiastic swallows are infatuated with Populus davidiana. This dreamy kingdom of heaven does not exist in real life, and it can only leave a wonderful and hazy memory for the poet: "I will sleep with my eyes closed in your dreamy song,/that warmth seems to be remembered and forgotten." The third, fourth and fifth sections describe his grand reception, warm talk, earnest retention, earnest admonition, lingering attachment and regard her as a bosom friend. When she insisted on going, he also expressed his willingness to go with her, giving warmth, comfort, courage and light to the young God with his tireless singing, warm hands and bright eyes. At this point, the poet has personified the predicted God. The poet is willing to accompany her along the way. "I can keep singing the songs I'm tired of listening to,/give it to you again, give you the warmth of your hand!" "In the last section, the poet gently told his disappointment and attachment. Everything is in vain. She finally abandoned him, like a cloud, like a breeze, like running water. God came and went quietly, leaving endless nostalgia and melancholy. The prophecy truly records the poet's mental journey of love from longing, joy to melancholy. The young god is the idol of youth in the poet's heart and the god of love and beauty. According to the poet's account, he was attacked by a love storm in the summer when he was 19 years old, "leaving me a sad and gorgeous Qiu Guang at last" (the road in my dream). This poem is a clear spring flowing from the poet's heart after experiencing the storm of love, pouring out "childish joy and childish depression" This poem is very ingenious in conception. A prelude, an ending and four movements in the middle are combined into a beautiful symphony of dreams. The four movements in the middle are relatively independent, and they are internally related to the first and second chapters. The unexpected surprise at the beginning naturally echoes the endless melancholy at the end, leaving an endless aftertaste. Question query 1. What is the incarnation and symbol of the "young God"? The prophecy uses the symbolic image of female characteristics to describe a "young god" who comes from the "warm south" and has a "silvery voice". Love is described as a "young god" in the prophecy. I eagerly expect her to show her love, but she "came" and "left" speechless, losing her proud footsteps, leaving me with only a sigh and disappointment. Although this kind of love is slightly ethereal, it is also a sincere and warm dream song. Obviously, this poem wants to express not only the nostalgia for love, but also the poet's attempt to convey a melancholy and reflection on the lost youth and time through this story of missing love and regaining love. In this sense, "young God" symbolizes the youth that is bound to come and leave. Finally, the footsteps of youth approached and disappeared, and the footsteps of time "did not stop for my trembling." Leave only a little "empty echo" to others. Second, what special significance does the poet give to "prophecy"? "Prophecy" appears in the first verse "Are you a young god in prophecy?" And the last section, "Ah, young God, did you finally come/go speechless as predicted? "By questioning questions, Prophecy conveys a deeper and more philosophical theme of poetry. That is the choice of "gain and loss", "take and give up" and "bewitch and resist" in life. The reflection on time and life between "sadness left behind" and "beauty of regret" is an abstract philosophical thinking, which has magical beauty in the external form of a fairy tale. He Qifang studied philosophy at Peking University, but his interest in thinking about the ultimate problem of life has not disappeared. But through the literary image and poetic language, he had a unique and more poetic emotional exchange, which in itself was his distinctive characteristics and unique contribution in art. Thirdly, the poet said his creative pursuit: "I like that kind of sharpening, that kind of color coordination, that kind of illusion. "How to understand this kind of" mirror flower and water moon "? Is it reflected in this poem? First of all, this style of "mirror flowers and water moon" shows distinct "unrealistic" characteristics in the choice of theme content and the creation of artistic conception images. In the emotional state of mind and the way of feeling, it shows a strong dream meditation color. In the way of poetry communication and artistic effect, it has formed a very unique illusory and blurred style. That is to say, expand associations with fleeting thoughts, capture impressions in memory, and then combine them organically. After reading a complete poem, you can never think clearly. Perhaps it is an inspiration in the poet's heart, or perhaps it is a precious experience in life, and it is a reflection of the moment of blessing. The poet didn't mean to make "God" clear, but really conveyed the beautiful and fleeting moment when the spirit of man and God met. For example, in this poem, when the "young God" has never met, he imagines that the "young God" has "sighs and approaching footsteps", and when he passes by, he will leave with "empty echoes". Walking away is a "proud step", floating like a "quiet breeze". Through the concrete feeling of foot sound, the flowing image world is set off.