Xie Tiao's works
Xie Tiao had a gift for literature when he was young. In the Book of Southern Qi, Xie Tiao is called "a famous teenager with beautiful articles" and is one of the eight friends of Wang Xiaoliang Zi in Jingling. Xie Tiao Lou is also a representative writer of Yongming style poems in Southern Qi Dynasty. He once studied the harmony of sound, rhyme and tone of poems with Shen Yue and Wang Rong according to Chinese tones, which created Yongming style and promoted the development of modern poetry.
His main achievement in poetry is landscape poetry, which is as famous as Xie Lingyun and is called "two thanks" in history. Xie Tiao's landscape poems 100% describe the natural landscape, without the Hyunri elements in Xie Lingyun's landscape poems. Xie Tiao's poems are exquisite in language, harmonious in rhythm and full of the characteristics of eternal poetry. For example, its famous phrase "Heaven knows the boat, the tree in the cloud distinguishes the river" is fresh and elegant, which makes people feel very comfortable to read.
Although Xie Tiao's achievements in prose of Ci and Fu are not as high as his achievements in poetry, he also has some commendable works, such as Poems after the Garden and Poems after the Garden. There are many representative works of his poems, which are included in his anthology Xie Xuancheng's Collection, such as "Going to Wangjing Town at Three Mountains Late" and "Half Bridge Out of Xinlinpu Lane in Xuancheng County".
Li Bai's famous sentence "The bones of great writers are all your brushes. In the school in heaven, I grew up by your side" refers to Xie Tiao, which shows his high talent and high historical evaluation.
Xie Tiao's Landscape Poems
Xie Tiao was the most representative scholar in Yongming period. Xie Tiao's landscape poems are exquisite in technique, and the description of light and color in his works is exquisite. The spatial perspective associated with traditional landscape painting is reflected everywhere in his poems. The style and literary influence of his works directly promoted the development of landscape poems in the Southern Dynasties.
Xie Tiao's Landscape Poems
Most of Xie Tiao's landscape poems depict landscapes with meticulous brushwork, which is inseparable from his subtle observation of landscapes. For example, in his landscape poem "Watching the Rain", "The sky is like a mist, as light as an Egyptian", and the description of drizzle is quite detailed, which shows its extraordinary observation. Xie Tiao's landscape poems are mostly five-character poems, and there are also some Yuefu poems. Because Xie Tiao pays great attention to the rhythm and antithesis of poetry, which is similar to modern poetry, Yan Yu called his poetry "a man with a whole poem like Tang poetry" in Cang Hua.
Xie Tiao's landscape is also famous for its "beauty", because his poet's sentiment is very high, and the picturesque scenery in the south of the Yangtze River cannot be ignored. As an important place for cultural development, lively folk songs and 70-80 years' history of landscape poems have created a good literary atmosphere for Xie Tiao. This is directly reflected in his Songs on the River and The King.
Of course, Xie Tiao's poems were not criticized. Later generations commented that Xie Tiao's landscape poems were "full of sentences and no articles", which was closely related to the development stage of landscape poems at that time. Because the development of landscape poems was in the primary stage at that time, landscape poems directly described landscapes, so it was understandable to directly describe landscapes, and they felt them directly when they had feelings, but they did not reach the realm of blending scenes and integrating people with landscapes like later landscape poems.
Yujie resents Xie Tiao.
Jade Family is a rare poem of Xie Tiao, a poet in the Southern Dynasties. By describing Ban Jieyu's sadness, the poem expresses the sadness that women were abandoned by kings in feudal times. This poem was later included in Yuefu Poetry.
Xie Tiao woodcarving
Xie Tiao's Jade Family is based on Lu Ji's Ban Jieyu in the Jin Dynasty. The story background in the poem is the period of Emperor Gaozu. After Emperor Xian of Han had a new favorite, Zhao Yanfei, Ban Jieyu gradually lost the favor of the emperor and was very worried about his position. His Poems of Wan Fan and Mourning for the Mourning of the Dead all have a bleak style.
Xie Tiao's poem "Jade Family" is very expressive and implicit. The first sentence of the poem is roll call time, and the sunset is very lonely. The "Temple" in Her Royal Highness's Pearl Curtain directly takes care of the topic of "Jade Family", giving readers a quick understanding of the environment of the whole poem, and the first sentence renders the cold atmosphere and lays the emotional tone of the whole poem. Then, the author wrote the flashing firefly. The appearance of fireflies suggested that the environment at that time was very quiet and gentle, and even fireflies stopped flying, which showed that women had been waiting for a long time and had clever ideas.
Even if the last two sentences directly express the feelings of disgruntled women, and write about the maid-in-waiting sewing clothes for the monarch, hoping to win the monarch's favor, this little fantasy also makes people feel pity for the experience and feelings of the maid-in-waiting, and the last sentence "What's the point of missing you?" It is a direct expression of one's feelings. The sadness of the maid-in-waiting pours thousands of miles, which will continue the charm of the feelings expressed in the whole poem and make people memorable.
This poem is still Xie Tiao's consistent writing feature, with meticulous observation, fresh and elegant style, novel artistic conception and extremely full emotion, and it is a first-class masterpiece in the palace resentment poem.
Xie Tiao Tower
Xie Tiao Tower, located in the center of Xuancheng, Anhui Province, is known as one of the four major cultural buildings in the south of the Yangtze River and a symbol of traditional poetry and literature in China. Xie Tiao Building was originally a small house built by Southern Qi writers during their residence in Xuancheng, located on Lingyang Peak in the north of the county. It was named Gaozhai as the residence of its directors. In the early Tang Dynasty, it was converted into a building called Wangbei Building or Xie Tiao Building and Xiegong Building.
Xie Tiao Tower
During the period of Xian Tong in the Tang Dynasty, around 874 AD, an imperial envoy, Chengdu Gulin, wanted to rebuild the North Building. Because of the dangerous terrain and overlapping peaks, it is named "stacked building". During the Jiajing period of the Ming Dynasty, the magistrate rebuilt the North Building with the title of "Gao Zhai Lou" and wrote an inscription for this building. In the forty years of Kangxi in Qing Dynasty, about 170 1 year, the magistrate made a renovation on it and named it "Gubei Building". During the Guangxu period of the Qing Dynasty, Lu Yiyuan, the magistrate, built a new North Building. The upper floor is called "Butterfly Clothes Building", and the lower floor is called "Xie Tiao Building". At this time, the name of Xie Tiao Building has been formed, and there are many inscriptions beside the building.
The Xie Tiao Tower was bombed by the Japanese in 1937, and the Martyrs Cemetery was built only after the liberation of China. 1997, Xie Tiao Tower was repaired again, which is the Xie Tiao Tower we see now. 1May, 1998, Xie Tiao Tower was listed as a provincial-level cultural relics protection unit, and the scope of protection was determined to be that Xie Tiao Tower extended 50 meters outward, and then Xie Tiao Tower was established.
Since ancient times, there have been many literati in Xie Tiao Tower, and Xie Tiao's famous poems and Xie Tiao Tower have become the precious wealth of Xuancheng.