Grasping the eye of poetry is the most expressive key word in poetry, which can open up the artistic conception of poetry and make poetry shine. The tempering and setting of poetic eyes play an important role in poetry creation, and all poetry critics in ancient and modern times appreciate poetry from this point.
Image analysis. Image is the product of the collision between the poet's subjective concept and the external objective image, and it is a kind of language artistic image with specific significance that the poet produces to express his inner world by selecting, refining and reorganizing the objective image. In poetry, poets should not only think and feel with images, but also express them with images.
Ming's "emptiness" and "reality" are infinitely vast, and it is impossible for a poet to write them all in his poems. Therefore, poets often use "reality" to mean "emptiness" or "emptiness" to mean "reality". It is the artistic law of poetry creation that the virtual and the real coexist and set each other off into interest. The "emptiness" in poetry is thoughts and feelings, and the "reality" in poetry is the image of scenery. If poetry only writes "empty", it will appear abstract and empty, without poetry; If you just write "truth", it will look lifeless and lifeless.