"You", "people upstairs", countless "you". Countless "people upstairs" * * * together make up this world. "You" live your own life and "watch the scenery on the bridge"; "People upstairs" also live their own lives, "watching you upstairs". By chance, or by necessity, after you met. Or leave, or get to know each other, do their own things, and create this beautiful world together with their dreams. Or complement each other, depend on each other and decorate each other's "windows" and "dreams".
Many people and things in the world seem to be independent and unrelated, just like "out of chapter", but in fact they form an interconnected, unified and inseparable system, and "out of chapter" itself is relative. Any system is "out of chapter" and an integral part of a larger system. As far as aesthetics is concerned, perhaps only the scenery with a broken chapter can be appreciated, just like Venus with a broken arm.
As the author said, this poem is "writing a moment's artistic conception". "I like to think that people and things in the world are closely related, interdependent and interactive. People ('you') can look at the scenery and decorate it intentionally or unintentionally. People ('you') can see the bright moon decorating their windows, or they may become decorations in other people's dreams consciously or unconsciously. "It can be seen that the poet intends to express the complementary relationship between people and things.
Nature, society and life are rolling landscapes, and life landscapes emerge one after another.
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