"Qin Feng·Jianjia" is a poem in the "Book of Songs", the first collection of poetry in ancient China. This poem was once thought to be a way to ridicule Qin Xianggong for not being able to use Zhou rites to consolidate his country, or to regret that he could not attract wise men who lived in seclusion. The following is the original text and appreciation of "Jianjia" that I have compiled for you. It is for reference only. I hope it can help you.
Original text of "Jianjia"
Jianjia is green, and the white dew is frost. The so-called beauty is on the water side.
If you follow it back, the road will be long and blocked. Traveling back from it, Wan is in the middle of the water.
The leaves are luxuriant, and the white dew is still there. The so-called beauty is on the water.
Follow it back, but the road is blocked and you can advance. If you go back and swim from it, you will feel like you are swimming in the water.
The jianjia is picked, and the white dew is not over. The so-called beauty is in the river of water.
Follow it back, but the road is blocked and to the right. If you go back and swim from it, you will be swimming in the water.
Appreciation of "Jian Jia"
"Jian Jia" is selected from "The Book of Songs Qin Feng". This is a song praised by ancient and modern people as "a swan song with true feelings and true scenery, and the swaying wind and god". "A masterpiece that lingers in my mind and never tires of reading."
"Jian Jia" is a love poem. It is written about an autumn morning, when the dew on the reeds has not yet dried. A lover is wandering back and forth on the bank of the dew-white meandering water of Jian Jia, fascinated. , anxiously seeking the person he (she) misses - the beautiful person. The place where Yiren is is surrounded by running water, as if she is on an island, out of reach. How to better appreciate this poem, I think the key is to grasp the theme of the poem through the language and artistic conception of the poem, thereby increasing the Connotative quantity.
We know that poetry is a highly condensed language art. The extremely rich and effective content contained in poetry is often expressed in refined and harmonious language forms. "Jianjia" can be said to be this Class model. The whole poem is divided into three chapters, using a three-fold composition. The first two sentences of each chapter describe the scenery, and the last six sentences describe the people.
The first sentence of each stanza of this poem starts with the autumn scenery, giving people a sense of desolation. Writing "beautiful woman" "by the water" is out of reach. "Go back and follow it, the road is blocked and long", "The road is blocked and go up", "The road is blocked and right", "Go back and follow it", "Wan in the middle of the water", "Wan in the water", "Wan in the water" are written It is difficult to find a "beautiful person", and the "beautiful person" is there without a trace. In the protagonist's long and repeated pursuit, we can have a deeper understanding of the protagonist's persistent pursuit of love and his inability to reunite with the beloved. Confessing feelings of sadness. When the author describes the autumn scenery, his language is concise and exquisite. From "cang" to "luxuriant" to "caicai", he writes the process of the color of "Jianjia" from dark to bright, from blur to clear. In this process, the description of the scenery not only highlights the season and environment, but also exaggerates the desolate atmosphere of the frosty morning and highlights the characters' melancholy emotions. Therefore, it reaches the artistic realm of blending emotions with scenery and blending scenes, which makes people think and reverie. , sigh with admiration.
The artistic conception of this poem is beautiful. If you read the poem carefully, in the golden autumn season, at dawn, the reed flowers turn white, the clear dew turns into frost, the autumn wind rustles, the reeds undulate, and the vast autumn water is clear and clear. , the water is full of mist, the air is misty, the winding river, and the islet in the water are just in sight. The infatuated lover wanders by the water, passionately and eagerly pursuing the sweetheart, and the sweetheart seems to be on the other side of the water, but there is a water barrier. , the beautiful woman is within sight but out of reach, the lover is in ecstasy, and the inner pain is indescribable, and the beautiful woman's figure flashes and shakes in front of his eyes from time to time, disappearing and appearing, this situation makes the lover want to find nowhere, I can't stop reading the whole poem, and I just feel that the scenery is desolate, the smoke is like waves, the realm is deep, the artistic conception is hazy, and the implication is endless. The creation of its artistic conception is very unique, which is mainly reflected in the following aspects:
First of all, the poet Pursuing the lover is like a dream, and the trance-like subjective emotions are integrated with the misty and misty scenery of the autumn morning. It seems that this misty scenery is the fantasy of the poet's obsession at this time, and the scenes blend together.
Secondly, the lover's lingering affection is integrated with the looming state of "the beauty is there but can be found without a trace". It is precisely because the figure of the "beau" flashes and shakes in front of the eyes from time to time that it attracts the lover. Pursue persistently and refuse to give up.
Thirdly, the lover’s eagerness to “retrace the journey” is integrated with the realm of “what can be seen but cannot be reached”. Love is born from the scenery, and the scenery is full of charm, which is endlessly memorable. .
Fourth, the frustration and depressive mood of lovers pursuing fruitlessly are integrated with the bleak scene of late autumn. Since ancient times, "autumn has always been a sad and lonely time", and lovers pursue the frustration, troubles and worries of unrequited lovers. Pain blends with the desolation of autumn reeds, autumn frost, and autumn water. The desolate scene at this time is the expression of the lover's sad mood.
Fifth, the noble, respectable, lovely, and fascinating beauty of the beautiful woman is highlighted by the white dew of the leaves and the clear autumn water.
It is this open structure with multiple overlapping artistic conceptions that makes this love poem extremely tense and contains a vast and profound content, giving readers a richer space for imagination, development and creation.