Editor? [Botos]
Baota poem is a kind of miscellaneous poems, which has a unique style and description. As the name implies, it looks like a pagoda. Starting from the top of one or two sentences, extending downward, gradually increasing the number of words until the end of the bottom of seven sentences, and so on, forming an isosceles triangle, such as a tower shape and a mountain shape. The first word is both a poetic title and a poetic rhyme. Baota poem, formerly known as "one-word to seven-character poem", is also called "one-seven-style poem". From one word to seven words, sentence by sentence into rhyme, or two sentences into rhyme, very regular. Later, some of them were increased to cross or even fifteen characters.
Chinese name
pagoda poem
Foreign name
pagoda poem
Age of origin
Sui Dynasty, Tang Dynasty and Modern Times
Representative poems
Huaigujin, Zhu, Mei, He
Representative poet
Bai Juyi, Du Guangting, Zhang Ji, Gui Guzi
Special point
Start with a sentence and increase the number of words in turn.
catalogue
1 Introduction
2 source
Three characteristics
4 classification
5 examples of works
Single tower poem
Twin Towers Poetry
Transformed pagoda poem
1 Introduction Editor
Baota poems begin with one sentence and increase the number of words in turn, from one sentence to seven sentences to form a rhyme, and the two sentences overlap into a rhyme. One to seven words, the antithesis is neat, easy to read, harmonious in melody and lively in rhythm, like the feeling of "Kun Peng flying high" The number of words increases sentence by sentence like this. If the whole poem is written horizontally, it looks like an ancient pagoda, with a wide bottom and a top, and the middle shrinks step by step like an isosceles triangle. [ 1]
2 origin editing
The earliest prototype of Baota poetry began in the Sui Dynasty, and Sui Huiying had a poem of 13579 as proof. Among them, one word to seven words are also called "seventeen-style" poems, and if they are pagoda words, they are called "seventeen orders" (epigraph). This kind of "seventeen-style" poems (some from one to nine or one to horizontal) not only set the title and rhyme, but also take the reference as the title, and the title and rhyme are combined to the end. Poets or things are shaped, or things are used to express their feelings. Every sentence is in pairs. The first word (also the first sentence) is not only a title, but also a rhyme, and it also stipulates the object and scope of the whole poem description. The second word is often a repetition of the first word. The other six pairs rhyme every other sentence. Seventeen-style poetry is characterized by compact interpretation and neat antithesis, which forms the unique structural beauty of poetry. After reading, it is thought-provoking and interesting. [2]
3 feature editing
The formal beauty of Baota poetry has a great influence on the development of new poetry in later generations. As recorded in the history of modern literature, famous poets such as Hu Shi, Guo Moruo, Xu Zhimo and Bing Xin. They have all used the form of arranging cables such as pagodas and stairs when creating new poems, which are novel and unique. Mr. Wen Yiduo once put forward the theory of "three beauties" of poetry, namely, the beauty of music, painting and architecture. Among them, the beauty of music emphasizes the rhythm of poetry, the beauty of painting emphasizes the artistic conception of poetry, and the beauty of architecture emphasizes the form of poetry. This is worth popularizing and emulating. Take the poem of Baota as an example, it has really exerted unparalleled artistic charm in different periods, times and occasions, and has become a popular poem style among the people.
4 classified editing
Baota poems can be divided into single-tower poems, double-tower poems and special-shaped tower poems according to their forms. In terms of reading methods, people call Baota poems read from top to bottom as Baota poems, while those that are interwoven, inverted, palindrome or circuitous take different names, such as fiery red poems, flying geese (flying geese in clear sky) and overlapping Cui poems.
5 cases of editing works
Single tower poem
The original name of Baota Poetry is "Seventeen-style Poetry". Because it is a poem with one sentence to seven sentences and one sentence to seven sentences, I still choose two sentences as the rhyme. The first sentence is a word, but it is actually a topic, which rhymes to the end. Because of its irregular sentence patterns, Baota poems pay attention to meter, and later generations regard it as a word, with the name of "17th order" as a epigraph. Later, this style increased to cross-sentence or fifteen sentences, and the number of words in each sentence or every two sentences was increased by one word in turn. For example:
One to seven words (minaret poem)
lotus
Poetry/guiguzi
Lotus.
Lotus, watery.
Want fresh green, show sharp corners.
Ye Changchang lives at the Lakers' home.
Toulian will be picked in May, so there is no waiting period.
People watch the lotus and enjoy the scenery, and the wind and waves reflect red.
Invite the boundless green to sing the bright moon and let the lotus float.
Chinese plum
Poetry/guiguzi
May.
Cold and proud.
In the twelfth lunar month, there are plums.
Slightly hidden and self-opening, incense comes.
Winter is full of branches, and spring is coming.
Sprite Garden with heavy frost and wind is elegant and fragrant.
Green and white apricots, black and Five Blessingg plums, pure and clean, are in full bloom.
A kind of bamboo
Poetry/guiguzi
Bamboo.
Green and steep, green branches.
Moganshan, the breeze is cool.
The tip moves to the northwest, and the blade is pale and thin.
Sparse green path, continuous and elegant bamboo soul.
The height is informal, and the head is shaking all over the mountain.
It is this sense of returning to the mountains that has nothing to do with spring.
dull
A scholar, an outstanding talent
(of Buddhist believers) abstain from meat and fish all year round.
A beard full of cheeks
Scriptures can't be opened.
Paper and pencils are arranged by themselves.
Come uninvited next year.
—Wu>
Carp.
Poetry/Floating Knight
Play the moon
There is something to eat.
Blue brocade
Group scale caressing moonlight
The vague sound of smoke and water.
The murmur is still accompanied by the joy of the lotus.
Twin Towers Poetry
See more is the poem of two towers, two towers confrontation, evolved from one tower and one body. The end of the left tower does not need to rhyme, but is filled by the right tower. At first, it was seven words at most, and then it developed to nine words. It is said that "Looking Back on the Past and the Present" written by Du Guangting, a Taoist priest of the Five Dynasties, is from one sentence to fifteen sentences, each sentence is a antithesis, with a total of 240 words, which is considered as the longest poem in the pagoda. This kind of poem first appeared in the Tang Dynasty. The first sentence was a single word, and then one word was added every two sentences. Since then, every two sentences have become a group, just like a couplet, with profound meaning. The first sentence is still a word, but it is actually a topic, which rhymes to the end. For example, Ling Huchu's Mountain in the Tang Dynasty is like this, such as:
hill
Steep/circular
Between the sea/clouds
Businessmen seek deep/thank the public for climbing far.
Rock Spring Didi/Yougu Bird Pass
There is a dragon plug/ape sound in the west and south of the island.
The world is only free for old/young elk.
According to the Chronicle of Tang Poetry, this poem was written by the author Daiwa in the third year (829) when he gave a banquet to bid farewell to Bai Juyi in Chiting, Xinghua, Chang 'an. The host and guest are Li Shen, Yuan Zhen, Zhang Ji and other nine people, each with a theme of one to seven words, and the theme and rhyme are integrated to write poems. Bai Juyi himself took the word "poem" as the topic. In addition to a row of "spires", the second row of his poems suddenly increased to four words, and then two words were added to each row until the seventh row was fourteen words. Some people repeat the word "the top of the tower" into two sentences, with an invisible axis of symmetry in the middle of each line and intermittent pauses around it. Later, the first sentence also wrote two identical words, and the twin towers were even more obvious. For example, Zhang's "Flowers" in the Tang Dynasty read:
Flower flower
Deep and shallow water marshes
Condensed into snow, wrong into Xia.
The warbler and the butterfly went to the garden to occupy the palace.
I have fallen in love with Jingu Road, and frequently stay in jade cars.
Cao Fang thinks of Jia Banluo Xi Jia in Shudong, Fang Ling.
I hope to climb to the horizon with the spring breeze.
poetic sentiment
Qi Mei is expensive.
When the flowers fall on the moonlit night
Can help laugh and hurt parting.
Clear the stone, complain about bitterness, lament ghosts and gods.
Only I should love this world, and only you know it.
Since Captain Zhang said goodbye to Sue, it is common to send a white note.
-Bai Juyi's poems
The poem of the Twin Towers is not only 17 or 56 words, but also one to nine words or more. Like Wen Tong & gt poetry in Song Dynasty, it consists of one to nine words.
Bamboo, bamboo
Lv Jie Sensai
Xiangjiang River, Weishui District
Curtain green brocade, spear jade.
Having a guilty conscience is different from grass, and its strength is greater than that of every tree.
Turn a dragon stick into a fairy valley and call a phoenix to sing a sacred valley.
The moth of the moon is covered with a quiet and graceful towel, and the voice of the Phoenix girl is crisp and rustling.
Drinking in the forest breaks the shadow and shakes the bottle, while playing chess on the stone makes the shadow light.
Dr. Qu left to see Jiaolan, but Mr. Tao came back to find Songju.
Transformed pagoda poem
Because of the comparison of images, the image poems in Taiwan Province Province are greatly influenced by this, such as the reflection of the tower shadow, which is mainly a single tower. Just like a tower near the water, it is more vivid.
mouth
Brush
Chunmansheng
Mulan boat with rippling blue waves
There are two teenagers.
Teenagers can't afford to drink.
-Zhang Ji>
yin and yang
Tiandida
with a clear distinction between black and white
Become a family early.
You say, I say.
The poor don't study, and the rich don't teach.
Reading is nature, not reading.
Don't tear the flocculant apart until it is too old to be wasted.
When you let Hanako escape, it was no joke.
If you want to know the future road, you must ask someone else.
I don't know what to say for three thousand years.
You might as well be blind if you don't study hard.
White copper coins with black eyes and black feet are hard to see.
Men are old, and women are old.
Good and evil are rewarded.
The front boat is the rear boat.
It's nothing difficult.
Die with virtue.
Huiweitian
By him
This is in the form of a catalogue of proverbs and slang picked up by Wang Youguang in wuyue in the Qing Dynasty, and the two towers are opposite.
Discipline and morality
Guangting Du
Tao, virtue.
Xuan Mo qingxu.
Sir, the emperor, your majesty.
If you don't hear it, you can't wait
The ultimate virtue is inaction, and many people are confused.
When you are washing your heart and troubles, you also know white and keep black.
People don't know what they are doing every day, but the staff sergeant will do it diligently.
Drum casting in Gankun products, letter full of things, north and south.
Huang San's high arch is natural, and the five emperors hang down their clothes and repair them.
It is the characteristic of all people to take the body and mind as the masters of the four seas and bend others with their own bodies.
Those people with white teeth and green moths are axes of life, and wise men are thieves of the country.
I have never been calm behind the porch, and I have never been kind and respectful to Hao Tao.
Therefore, the more round and clear the square, the more turbid it is, and the more it is.
There is no moral way to define heaven and earth, and there is no moral way to define heaven and earth.
The speech is unreasonable. Zhong Ni couldn't have died at night, so he didn't dare to leave for a moment.
Huaigujin
Don Du Guangting
Ancient times, now.
Feel sad.
Shock to death, sigh and sink.
Wind drives cold and heat, and Sichuan injects time.
At first, I charmed Zhu Yanli. I was sad and white-haired.
If you don't come back, you will be miserable.
Kuafu was satisfied with the sunset, while Tian Wen was dissatisfied with Qin Ming.
The goose foot is desolate and hateful, and Fengtai is lonely.
Master the ink and you will be imprisoned forever, and Xiaoxiang will be separated from the hookah.
Who can absolutely eat the wisdom bait of the sage, who can hide the sky and cross the sea and burn the gold with all the money?
You don't see Dr. Qu wearing a blue admonition, and you don't see Dr. Jia avoiding jealousy.
You didn't see four big noble avoid Qin E E and fall in love with Shang Ling. You didn't see two sparse words floating back to Lao Lin.
Hu Weiwei's reckless pursuit of fame and gain, the tendency to take risks, and Hu Weiwei's favor of Gu Hua's ornaments.
So I want to learn from nothingness. So I want to put an end to extravagance and waste and protect morality as the criterion.
You can't bother Su Zi Zhang Shengxi's longitudinal arguments from time to time, nor can you bother Yang Zhai's tears.
Monk's wisdom poems
Swimming, worrying.
Chixian is far away, Dan Si painted it.
Cold wind blows from luling, and Longjiang stirs water.
I like to hear it day after day, but I don't feel that the season is declining, and autumn is even more autumn.
It's hard to have sincerity after Yamamoto's death. Finally, I hope to go to Yangzhou with my sincerity.
This poem consists of one, three, five, seven and nine words, which is an extension of the poem of Baota. [3]