Tibetan poems, also known as Tibetan poems, are a kind of miscellaneous poems. There are three forms of Tibetan poems: one is the scenery contained in the first couplet and the second couplet, and the theme is not revealed until the couplet is completed; The second is to hide the first sentence of the poem in the last word; The third is to hide what is said at the beginning of the poem. The third kind is common. The first word of each sentence can be read continuously, which can convey the author's unique ideas.
In the garden of China's poems, there are a lot of other kinds of poems-miscellaneous poems, besides the common rhythmic poems. There are more than 40 representative poems, including: Huanhuan (literature) poems, peeling poems, clutch poems, Baota poems, crossword puzzles, pulley poems, eight-tone songs, Tibetan poems, limerick poems, humorous poems, couplets, centennial poems, embedded poems, one-string poems, verve poems and so on. These miscellaneous poems have their own characteristics, although they are all full of game colors, but some of them have certain ideological and artistic qualities, so they are deeply loved by people and have been passed down to this day.
In addition, there is another form of clutch poems in Chinese-clutch Tibetan poems. Intermittent Tibetan poems, or borrowing words to connect with the environment, are also one of the ancient prose poems in China. According to legend, Bai Juyi was a famous poet in the prosperous Tang Dynasty in China. This style of Chinese poetry, in addition to the original rhyming words, is mainly characterized by taking part of the font at the end of the sentence as the prefix of the next poem, and the font of the last word of the whole poem as the prefix of the poem. Kong's Tibetan poems quoted above are also clutch Tibetan poems!