The autumn wind is bleak, the weather is cool, the vegetation shakes and the frost is exposed, and the geese go south.
I miss you and your guests, and my heart breaks. I miss my hometown, so why should I leave it for a long time to send it to each other?
I am alone in my room, afraid of forgetting my worries, and I don't feel tears on my clothes.
Short songs cannot be long.
The moon shines on my bed. The stars are cold and flowing west, and the night is still young.
Penny and Weaver looked at each other from a distance. Why should I restrict the river beam?
The autumn wind is bleak, the weather is cold, the vegetation is withered, and the dew is frosty.
Swallows leave and swans fly south. I miss my lover who has traveled far away, and I am deeply saddened.
I miss my hometown when I think about it. Why did you stay so long?
I keep the boudoir alone, and miss the gentleman when I am sad. I can't forget it. Unconsciously, tears fell and wet my clothes.
I took the guqin and fiddled with the strings, but my heart was very sad. The short song sang softly, as if it were still broken.
The bright moonlight shines on my empty bed, the milky way flows west, and the sleepless night is long.
Cowherd and Weaver Girl, facing each other from a distance. What crime did you commit? It was blocked by Tianhe.
The ideas expressed in Xing's appreciation works are not complicated, and the themes are not particularly novel. However, as an upper-class figure of the ruling class, Cao Pi can care about such a matter involving thousands of families and place such deep sympathy in his poems, which is very valuable. In art, he vividly described the feelings and psychology of the lyric heroine. She is elegant and dignified, fiery and reserved, eager and dignified. The work skillfully combines the lyrical description of the scenery, the narration of the characters and the monologue of the heroine, forming a tragic style. Its rhetoric is gorgeous, and it also uses a lot of things from predecessors, but all this seems to be completely unintentional, without any traces of carving. This is the characteristic of Xing, and it is also a typical characteristic that Cao Pi's poems are different from other poets in Jian 'an. Cao Pi is a politician, but from his works, he often can't see his father Cao's bold spirit of taking the world as his duty, nor can he find his younger brother Cao Zhi's positive and eager thought of serving the country. There, there is always an inexhaustible feeling of bitterness and sadness, and his lyric writing often loves to use a female tone. Therefore, Zhong Xing in the Ming Dynasty said that his poems were "elegant and elegant, but childlike" ("Ancient Poems Return"). In the Qing Dynasty, Chen Ruoming called his poems "like calligraphy, holding the heart, bowing his head and saying nothing, and looking back with no pity" (Selected Ancient Poems of Caijitang). Ge Yanxing can be said to be the most representative work of Cao Pi's thought and artistic style. The predecessors spoke highly of these two poems. Wuqi in Qing Dynasty said: "The style is extremely desolate, twelve characters, end to end, but twists and turns in the middle, which is really outstanding." Wang Fuzhi said: "There is no difference between ancient times and modern times in terms of feelings, colors and sounds." (Jiang Zhai Shi Hua)