Ci Qi, 1992, born in Anhui, graduated from Wenzhou Middle School in 2009 and from Sun Yat-sen University on 20 13. 20 15 Join the Chinese Writers Association.
Chinese name: porcelain
Nationality: China.
Ethnic group: Han nationality
Date of birth: 1992
Occupation: children's literature writer
Graduate school: Sun Yat-sen University
Representative works: sleepwalking children, old houses that will never fall down.
win an honour
Star of the Second Zhejiang Youth Literature in 2008
In 2008, the first Zhejiang Youth Literature New Force Gold Award.
20 10 Bingxin Children's Literature Award
20 1 1 24th Chen Bochuang Children's Literature Award
2009-20 1 1 Zhejiang Excellent Literary Works Award
20 14 The 4th "Zhouzhuang Cup" National Children's Literature Short Story Award
20 14 The Second Children's Literature Gold Award
20 15 moody prize for children's literature in the 14th mandarin daily.
Main work
In 2009, the collection of fairy tales "Sleepwalking Children" (Zhejiang Children's Publishing House).
20 14 collection of fairy tales "Harvest a Wolf" (China Children's Publishing House): the new force of fairy tales in China, Children's Literature Library (Volume II).
20 15 long fantasy novel's Epic of Three Realms Twilight (Zhejiang Children's Publishing House)
20 15 novella "Fighting with the bog monster" (Zhejiang Children's Publishing House)
20 16 "three thousand moons" (Zhejiang children's publishing house) was selected in the children's book list of "new ivy" on 20 17.
20 17 Prose Collection "Our Farewell" (Zhejiang Children's Publishing House): a series of excellent works by a new generation of children's literature writers in China.
Personality assessment
1, the first group of Tzu Chi 18 sleepwalking children was published in Jiangsu Youth Literature and ArtNo. 10; The second group of 32 "Puma" Shanghai Youth Literature and Art published 24 songs in issue 12; I have finished reading the third group of 2 1 song "dragging the nest" If Sleepwalking Children and Puma are more expressions of childlike innocence and fun, and this group of children's poems about begging in the wolf's den are more descriptions of the hardships, embarrassment and helplessness of begging life, then more feelings, care, call and expectation are needed. This may be why it is difficult to write Sleepwalking, Puma, and Drag the Nest. It was only after several additions and deletions that it was finalized.
These three groups of poems have a common feature, which is also a basic way for poets to write poems. That is, countless lines radiate from a point, and each line extends a painting or a side, which makes the whole poem open and close, quite imposing.
Secondly, these three groups of poems are all about characters, including their living environment, life course, their joys and sorrows, their relationships, and their novel imagination and association.
Thirdly, the language used by the author is pure children's language, not dull but lively; Not in an adult tone, but full of childlike interest, showing the spirit of the game. This spirit shows the children's world full of childlike innocence.
Fourthly, in these three groups of poems, the author extended his eyes to the vulnerable groups and his brush strokes to the mothers who worked day and night and were in distress, thus arousing children's love for their mothers and extending the world of life. This is the case with sleepwalking children, cougars and beggars dragging a nest.
What I have said above may be an evaluation of the generally successful children's poets and children's poems, and also an overall view of the three groups of children's poems of Cixi.
-Guan (poet)
2. "Easy to read and poetic." This is my evaluation of the group poem Sleepwalking Children. It sounds simple, but it is not easy to do. Many people (especially many people who write poetry) think that writing poetry is to write some words that are not easy to understand, so that we can see the level. Alas, it is no wonder that so few people read poems, much fewer than those who read novels and fairy tales. Come and read the poems of Cixi, which are easy to understand, but not in vernacular. Every capital is so delicate, so affectionate, so imaginative, so rhyming.
-Zhou Rui (fairy tale writer)
3. I was worried that Ci Qi couldn't grasp the genre of long poems since I was a child, but I found Ci Qi very clever. Like a tailor, she carefully cut out her own cloth and organized her poems in small pieces, which made the length of nearly ten thousand words look relaxed and compact. After reading it, she felt like "boating in Chung Shan Man" and didn't feel tired at all. I'm also worried that she can't master the temperature of each story well, just like blowing a balloon, Qi Xin must work together and can't blow it to the last bit. However, Tzu Chi has done a very beautiful job. She patiently captures inspiration and images. Almost every poem can be separated from a group of poems and become a delicate single piece.
-44 Sunset (Sun Yuhu) (Editor)
4, the style of literature, not the appearance of literature! It is to understand the words and the "power struggle" after life.
-Ye Xue (poet)