Su Wu, who has suffered a lot, has endured for more than ten years, suffering from the wind and snow, worrying and resentful, hating the rebels' guts and gnashing their teeth.
The grass in the forest garden flows in the spring rain, and the brick wall in Luoyang Palace is broken in the cold month.
My Zhuang Xin didn't die at the same age. Even if I die, I can become a ghost wise man.
In the spring of 13th year (1 186), Lu traveled to his hometown. Lu you was sixty when traveling, obviously not my age. When people are exiled, they can only stay in their hometown, thinking that the mountains and rivers are broken and the Central Plains have not been collected, so they "want to serve the country and die without a battlefield." Because the world is difficult, the villain has misunderstood the country, and "a scholar is helpless, and a loyal man is also", so the poet was depressed and resentful about generate. Those who are "angry with books" express oppression and anger in their chests.
Two Books of Rage were written by Lu You in the 13th year of Xichun in Song Xiaozong (1 186). At this time, he is an old man of 6 1 year. Since the seventh year of Xichun, he has been dismissed from office and laid idle in his hometown of Yin Shan (now Shaoxing, Zhejiang) for five years. Until this spring, he was appointed as a doctor in the DPRK and had the right to know Yanzhou military affairs. These two seven laws were written at this time.
These two songs were written by the author in Yin Shan at the age of seventy-three. He said, "In order to cover up people's feelings, grief and indignation accumulate in the middle and say nothing. It originated from a poem. Otherwise, there is no poem. " It is under the control of this thought that Lu You often shows the anger accumulated in his works. These two songs express the grief and indignation of "a blessing in disguise, how to know that it is not a blessing" and "sadness without seeing Kyushu"
The previous song expressed a person's ambition and an incomprehensible loyalty. "Zezhong" refers to the Jinghu Lake where the poet lives. At that time, the poet was old and weak, far from the court. It suddenly occurred to him that time waits for no one and there is nowhere to tell, so he had to look at his loneliness from heaven and earth. Then, the poet recalled the past and remembered the ancients. Su Wue was loyal to the Huns. During the Anshi Rebellion, Zhang Xun stuck to Suiyang for several months. After being captured, he still cursed the enemy, and finally bit his tongue and died indomitable. I am loyal to them, and I can learn from them. This pair of couplets complements the meaning of the couplet. Shanglinyuan is an ancient garden in Han Dynasty. It and "Luoyang Palace" are both used here to refer to the place where the palace is located. The first two couplets are filled with emotion. This couplet is exquisite in description and accurate in antithesis, which plays a foreshadowing role. Finally, he spoke his mind, came straight to the point, and his tone was passionate and tragic, showing the heroic nature of "an immortal" (Liang Qichao's poem "Reading Lu Fangweng Collection").
In the second poem, the poet's indignation is different from the previous one. Although this poem seems to be following the last two sentences of the previous one, the poet has to sigh helplessly. The first couplet in this article has the same meaning as the last sentence "My strong heart doesn't grow old with the years", which means that I look at myself in the mirror and my temples are gray, but although the years have passed, my strong heart is still hot. The second connection: I was weak in my later years and was overwhelmed by clothes. However, I am sad and angry, with the sword in my hand and a flash of cold light, I still want to fight. So I remembered what happened in those days. At that time, he was high-spirited and full of * * *. In order to recover lost ground, he traveled to Bo (now southeast Sichuan). Here generally refers to Sichuan and Shaanxi) and Battle Gaolan (county name, north of Lanzhou, Gansu). However, with the passage of time, the endless matter of closing the river since ancient times (referring to fighting in the battlefield and clarifying the mountains and rivers) has finally failed to come true for me. At that time, it was the top gun, but today it has become a bystander. His sadness and desolation are beyond words. This is the artistic conception of the post-couplets.
Lu You's two poems, Book Wrath, are vigorous and powerful, which fully show a great emotion of his poetic style and are the essence of Lu You's whole creation.