The last two lines on the street mean that the children are too serious to hear the noise on the road.
Fei Ming just represents the writing characteristics of poets in the 1930s, which is embodied in the poem Street. If we read this poem carefully, we will find that it has two outstanding characteristics: one is the shocking ideological power, and the other is the highly concise artistic language. The poet repeatedly uses the word "loneliness" in his poems, and its connotation is uncertain, ranging from loneliness in the mailbox, loneliness in Arabic numerals, loneliness in the car, loneliness in the street to loneliness in human beings. The street used to be noisy, but it used anti-common sense language, which had a defamiliarization effect. This is the cohesion, tolerance and heart of all the worlds. The thought of being connected with Wan Ren for thousands of miles depends on instant epiphany, transcending logic and removing intermediary, which coincides with or is connected with some artistic expressions of western modernist poetry to some extent.