Hejin? Fuluohua
Xin Qiji
Yesterday spring, thirteen daughters learned embroidery, and none of them taught flowers to be thin. Heartless, rainy and windy, the garden was covered with lichen crepe. And this spring seems to be frivolous and difficult for a long time. Remember to send spring returns before and after, and brew all the spring waves into the Jiangchuntan to show your grief for Liu 'an.
"Falling Flowers" is a well-known topic in classical poetry. There are many authors, but they often draw a lot of colorful words and force some moans, not too many. Xin Qiji's "Pink Butterfly", regardless of artistic conception or language style, can break the stereotype, which can be regarded as a wonderful flower in the fallen petal ci. It is better to read long sentences without following the music score, which can convey the feelings of words better.
The artistic conception of "Pink Butterfly" is quite ingenious, and the description is compared between the front and back films. In the first half of the film, there are turning points in the first two sentences and the last two sentences. The theme is falling flowers, but write the beauty before falling flowers. Taking my 13-year-old daughter's embroidery as a metaphor, she praised the beauty of spring work and embroidered wheat straw patterns as gorgeous as Shu brocade. "One branch doesn't teach flowers to be thin", and the heart word is really exquisite; Suddenly came a sharp turn and handed it to the fallen petal. The cultivator of good flowers is spring, and the prejudice that destroys it is ruthless spring breeze and spring rain. (The word "Miao" originally meant insult. Here, the conjunctions are taken apart to describe evil wind and rainy weather. ) so, he questioned the spring god in a resentful tone. In the words of cross-examination, a color painting "residual red as lichen" was baked and dyed, and it was economical to use a pen. The second half of the sentence "now" is compared to the first half of "yesterday", and the approaching spring scenery is compared to frivolity, followed by the meaning of the first sentence "heartless", which also conveys the author's mood of "complaining about the silence of spring". The sentence "remember the past tense" suddenly took another turn, turning to the old resentment of the past. Here, not only the green wave of spring water has turned into the intoxicating spring mash, but even the sadness without trace has been visualized, waiting at the newly decorated Liuan in early summer. It is precisely because the flowers fall every year and are sent every spring that sorrow will come every year. Stop here, there is no need to mourn everywhere, and the aftertaste is endless.
This is a vernacular word. It seems easy to write words in vernacular, but it is also very difficult. If the language is too straightforward and ordinary, it will lack the power of charming people; However, the precise tone of natural language with words is also painstaking. The poem Pink Butterfly is full of the beauty of nature. Scattered sentences (the first two sentences of the upper and lower films) and neat sentences (the last two sentences of the upper and lower films) form syllables like Xiao Sheng (commented by the modern poet Xia Jingguan), so they are not ordinary vernacular poems, but vernacular words. It is very fresh to write about natural scenery at the beginning and use anthropomorphic expression. Words and expressions can be more vulgar. Compared with Yuan Mei, a poet in the Qing Dynasty, who wrote that "the spring breeze is like a distinguished guest, and it will flourish as soon as it arrives", it can be said that it stands out from the crowd. Unless the artistic accomplishment is sublimated, it is impossible to see the vitality of the pen in flexibility.
Appreciation of Li Qingzhao's Ci
Li Qingzhao: (1084- about 1 15 1) Southern Song poetess. No. Yi 'an Jushi was born in Zhangqiu, qi zhou (present-day Shandong).
Father Li was a famous scholar at that time, and husband Zhao Mingcheng was a textual research scholar. In his early years, he lived comfortably, and once cooperated with Ming City to collect and sort out calligraphy and painting stones. The nomads from the army entered the Central Plains and lived in the south. Ming Cheng died of illness and was in a lonely situation. In his lyrics, he wrote about his leisure life in the early stage, lamented his life experience in the later stage, and was deeply touched. Some of them also showed nostalgia for the Central Plains. In form, it makes good use of line drawing, forms its own school and has beautiful language. On the theory of ci, he emphasized harmony, advocated elegance and affection, put forward the theory that ci is different from one family, and opposed the method of writing poetry. He can write poems, but he doesn't keep much. Some of his poems are old and lyrical, which is different from his style of ci. There are Collected Works of Yi 'an Jushi and Yi 'an Ci, which have been lost. Later generations have a collection of Yu Shu's ci. There is a collection of Li Qingzhao's school notes today.
well
Author: Li Qingzhao Dynasty: Southern Song Style: Ci
I always remember the sunset in Xiting, and I don't know the way home when I am drunk.
Always had a good time, but lost to the swimming pool deep in Zhu Feng.
How to row a boat out, accidentally, but scared a group of Oulu.
Appreciate that this is a poem recalling the past. A few words seem to pop up at random, but in fact they are as precious as gold, and every sentence contains profound meaning. The first two sentences, write intoxicated and excited mood. Then write "Xing Jin" and go home, "straying into the depths of the lotus pond", which is even more fascinating. The last sentence, innocence, endless.
The phrase "Chang Ji" is plain, natural and harmonious, which naturally leads readers to the realm of words she created. "Long Ji" clearly stated that the location was "Xiting" and the time was "Sunset". After the party, the author was too drunk to recognize the way back. The word "intoxicated" expresses the author's inner joy, and "I don't know the way home" also conveys the author's lingering feelings with twists and turns. It seems that this is a very pleasant trip and left a deep impression on the author. Sure enough, the following two sentences "Xing Jin" took this interest to a higher level, and Xing Jin returned to the ship. So, what about Xing Jin? It just means that you are interested and don't want to go back to the boat. The sentence of "going astray" is fluent and natural, and there is no trace of axe chisel. It echoes the previous sentence of "I don't know the way back" and shows the hero's forgetfulness.
There is a boat swaying among the blooming lotus flowers, and there are young talented women on board. Such beautiful scenery suddenly rises and falls, and it is ready to come out. Two "struggles" in a row express the anxiety of the protagonist who is eager to find a way out from the lost road. It is precisely because of the "struggle for crossing" that "a beach of gulls and herons was awakened" and all the waterfowl parked on the island were scared away. At this point, the words came to an abrupt end, and the words were not exhausted, which was intriguing.
The words in this poem are concise, only a few fragments are selected, and the touching scenery and the author's happy mood are combined to write the author's good mood when he was young, which makes people want to go boating with her and indulge in it. As the saying goes, "the feelings of teenagers are born", this poem is not carved, but full of natural beauty.
This was written by Li Qingzhao when she recalled going abroad.
Zui Hua Yin
Author: Li Qingzhao Dynasty: Song genre: Ci
The mist is thick and the clouds are thick, and the days are sad. Kapoor is among the birds in the incense burner. The festival is also a double ninth festival, and the jade pillow gauze kitchen is half cold at night.
Dongli drinks until dusk, and faint chrysanthemum fragrance overflows his sleeves. Don't die? West wind blinds, people are thinner than yellow flowers.
Appreciating this poem, the writer stayed alone in the empty boudoir on the Double Ninth Festival, missing her husband's loneliness and sadness. The last movie was written from day to night, full of sadness and loneliness. The next movie flashbacks the sadness of drinking alone at dusk. The last three sentences are absurd and wonderful, and the last sentence "people are thinner than yellow flowers" has become a swan song throughout the ages. The first two sentences render the lonely and boring environment, the weather is gloomy and the incense has burned out. The poet didn't renew his fragrance, which set off his bad mood. The "Double Ninth Festival" points out the season and hints at the reasons for the bad mood. Please think twice about your relatives during the festival. Every festive season, the husband and wife should be reunited, drinking and enjoying chrysanthemums together, but now they are alone, so they are "a jade pillow gauze kitchen, which is cold at night." This coolness is not only physical coolness, but also inner desolation. The first two sentences of the next part flashback the bleakness of enjoying chrysanthemums alone at dusk, and put "Chongyang" on it. The last three sentences use the thinness of chrysanthemums to compare people's thinness, which is very novel. It is even more unexpected to use the exaggerated brushwork that people are thinner than yellow flowers. It is said that after Li Qingzhao gave this word to her husband Zhao Shicheng, who was an official abroad, Zhao Shicheng appreciated it. He was ashamed to write these words, but he wanted to surpass her. So Dumen thanked the guests, thought hard for three days and three nights, wrote fifty words, mixed this word with Li Qingzhao, and invited friends. Lu Defu pondered for a moment and said, "Only three sentences are excellent." Zhao Mingcheng asked which three sentences, and Lu Defu said, "Mo Tao is not scattered, and the curtain rolls west wind, and people are thinner than yellow flowers." It's the last three sentences of this word.
Slow voice
Author: Li Qingzhao Dynasty: Song genre: Ci
Looking around, lonely and sad. It's the hardest to stop breathing when it's warm and cold. Three glasses and two glasses of wine, how can you beat him? It's late in the wind. Guo Yan is very sad, but this is an old acquaintance.
Yellow flowers are piled on the ground, haggard and damaged. Who can pick them now? Looking out the window, how can a person be dark? Indus is raining in Mao Mao, dripping at dusk. This time, what a sad sentence?
This word was written by Li Qingzhao in his later years, expressing his lonely living situation and extreme mental pain, which was praised by ci critics in past dynasties. In terms of writing techniques, seven overlapping words are used at the beginning, which are emotionally progressive, which has the effect of controlling the whole article and has no sense of axe. The whole poem is set against the scenery in late autumn, and expresses the lonely and painful mood through some details of life, which is very touching. There are seven pairs of overlapping words at the beginning, which are divided into three groups. They are looking for an empty and lost mentality, as if looking for something, but what they see is the "cold and clear" around them, which intensifies the degree of pain and a kind of "sad and sad" pain enters their hearts. The words 14 show the process of emotional flow. The following drinking, listening to geese, watching flowers and watching rain are all details of life, and the description of its scenery is "cold and clear", and the feelings that run through the whole word are "sad". "Returning to Cold at First Warm" is about the changeable climate. Three sentences in "Three Cups" write about drinking to keep out the cold, but the wine list is full of worries. It's cold, but it's cold. "Wild geese pluck their hair" has rich meanings. Wild geese can go north and south, but the author can't go back to his hometown. Beauty seems to be able to send books, but her husband is dead. How to send letters? Images contain thoughts of the motherland and sorrow for her husband. The next article carries forward the past, writing that flowers are falling on the ground and pitching is a sad scene. The following "sitting alone by the window" is completely colloquial. But it shows extremely rich feelings, and the last sentence is even more straightforward, as if it were the cry of the soul, which shocked people. Chen Tingzhuo said: "The back is full of magic, the more you sing, the better" (comments on Bai Yuzhai's ci). The whole word is mixed with scenes, and subtle rhymes such as "black" and "de" are skillfully used, which is ingenious and natural, and the pen is vigorous. The use of nine groups of overlapping words also enhances the phonological effect, making the whole word look depressed and sad, like crying.