No. 1 May 5: The Chu people could not bear the death of Qu Jia. Why not slander, but want to be a dragon? Hate before death, not after death. Yuan Xiang Bi Tan Shui wants to see the striker.
The author of this poem is Mei, a poet in the Song Dynasty. We all know that the Dragon Boat Festival is mainly to commemorate Qu Yuan, so the focus of this poem is also to commemorate Qu Yuan. The first two sentences said that Qu Yuan had died at the bottom of the river, and the Chu people lamented that they would never see his face again.
Poetry highlights the value of Qu Yuan through the sadness of Chu people and reminds people of Qu Yuan's bumpy experience. So the last six sentences of the poem mainly talk about Qu Yuan's regret. Tourmaline shines for thousands of years, but it is a pity on earth. After a thousand years, the water of Xiangjiang River can still be reflected in Qianshan, which shows that Qu Yuan's devotion and loyalty are unforgettable.
Second, "He Xinlang Dragon Boat Festival": Liu Hua spoke in the deep courtyard. Open the curtains, tie the clothes, fan the fan, and it will be clear in the afternoon. The children have finished praising, and the new sample is Ai Hu. Here we are. Tourists are watching the ferry. When the boss was young, he took part in accidental amusement, playing a stranger and fighting for the flag carelessly. The stream is raining heavily and the waves are dancing. The spirit is beautiful, so high. Looking back on my life, I am not only wearing Lampe, but also pregnant with pepper. Who believes that after a thousand years, the bottom of the waves is mouth-watering? Say it again, Jiao Chan Long is angry. It seems that I am awake now, and I expected that there would be no pain when I died drunk. A chat will last forever.
The author of this poem is Liu Kezhuang, a poet of the Song Dynasty. This word is also around the theme of commemorating Qu Yuan. The opening word is to write a scene to highlight the lively scene of the Dragon Boat Festival. However, this excitement is only to set off the poet's melancholy. Liu Kezhuang's Dress Like a Fancy is in sharp contrast with his children's Ai Hu, which reflects Liu Kezhuang's depression and loneliness in his later years with the joy of his children.
The next film mainly tells Liu Kezhuang's regret and nostalgia for Qu Yuan. Ling Jun is Qu Yuan's word. As we all know, there are many descriptions of vanilla beauty in Qu Yuan's Lisao, so there is also the phrase "I am more pregnant with pepper" in this word, which is not only a tribute to Qu Yuan, but also a admiration for Qu Yuan's virtue.
"Who believes that after thousands of years, the bottom of the waves is mouth-watering." Liu Kezhuang thinks that the legend of throwing zongzi into the river to pay homage to Qu Yuan is sheer nonsense. "I seem to be awake now, and I don't expect to have the pain of being drunk." In "Songs of the South", Qu Yuan once talked with fishermen, and Qu Yuan said, "The whole world is drunk, and I wake up alone". So Liu Kezhuang used the opposite idea here, saying that Qu Yuan might as well die drunk at this time of the Song Dynasty, so as not to suffer.
It can be said that this word has both scenery description and lyrical meaning. With the help of the ancient people's wine glasses, I poured a piece myself, which not only expressed my praise for Qu Yuan's high morals and integrity, but also expressed my nostalgia for Qu Yuan. At the same time, it also expressed Liu Kezhuang's extreme disappointment and resentment towards the imperial court at that time. The artistic technique of the whole poem is superb,