Answer:
The Tang Dynasty was rich, strong and extroverted, and was willing to expand its territory. The Tang Dynasty was the period when China lost the most ethnic minorities and countries, while the Song Dynasty was conservative and enterprising, and the status of literati was low.
In literature, the poems of the Tang Dynasty were more bold and unconstrained, and the people of the Tang Dynasty joined the WTO. For example, Li Bai's poem "One day climb the wind and break the waves, hang Yun Fan and send it to the sea" shows this temperament; Poetry in Song Dynasty has the characteristics of urbanization, Jiangnan and feminization, graceful and gentle, but also has an open-minded style. Look at Dongpo's Dingfengbo written by Huangzhou: "If you don't listen to the beating of leaves in the Woods, why not sing and walk slowly?" Bamboo poles and shoes are lighter than horses. Who's scared? A raincoat and hemp fiber, despite the wind and rain, still live my life. The cold spring breeze woke me up. Slightly cold. The hillside is sloping, but it is pleasant. Looking back on the bleak land. Go home. No rain or shine.
Secondly, the development of Tang poetry has its specific trajectory, which is called early Tang sentiment, prosperous Tang weather, mid-Tang style and charm. Choose a period that impressed you the most and talk about your understanding. You can quote a poem or a poet to evaluate it, or you can talk about your own views on the style of this period.
Answer:
The development of Tang poetry has its own specific track, which is called early Tang sentiment, prosperous Tang weather, middle tang style and late Tang charm. Choose a period that impressed you the most and talk about your understanding. You can quote a poem or a poet to evaluate it, and you can also talk about your views on the style of this period. (5 points) Quote "Ye Jiaying said that Tang poetry flourished in the early days": "If the characteristics of Han and Wei poetry are' character', then the characteristics of Tang poetry's prosperity are' images'. What is Xiang Xing? This is a natural scene that combines inner thoughts. " Meng Haoran, Sleeping in Jiande When my boat was sailing in the misty berth, at dusk, the memories of the old days began. The vastness of the wilderness is deeper than trees, and the moon is very close to the moon. Let's read the poem word for word first. Parked in a foggy sandbar, the sun sets and a homesickness slowly sinks into the hearts of passengers (Meng Haoran himself). There are some poems. I write about scenery and mood. This technique is called "contrast", which means that I write about scenery and mood. The characteristic of poetry in the prosperous Tang Dynasty is "Xing", that is, the scenery triggered some of my ideas, and the scenery came first and the feelings came later. In this poem, Meng Haoran has a scene and feelings, which is called "Xing". This feeling is sincere, it is really felt, not the so-called "vulgar feeling." Look at the last two sentences. Although it is about scenery, it is not about feelings. The wilderness is vast, the sky is low, the river is clear, the moon is in the sky and the moon is in the river. Looking at this wilderness alone, looking at the bright moon, lonely homesickness.
Thirdly, Song Ci has three characteristics: urbanization, Jiangnan and feminization. Choose the point that interests you most and talk about your experience. You can quote a sentence or a poet to make a concrete analysis, and you can also talk about the reasons why you agree or disagree with this.
Answer:
I think the feminization of Song Ci is obvious. Let us take Li Qingzhao as an example.
Li Qingzhao's modern female consciousness is more manifested in her thoughts.
For example, the word "little red lips": playing on the swing is sloppy, with slender hands, fine flowers, fine sweat and light clothes. Suddenly, a guest came. She was desperate. She walked away without shoes, only wearing socks, and even the gold pin on her head fell off. She ran away shyly and leaned against the door, smelling the fragrance of plum flowers. This small print describes the girl's curious and shy feelings, which are simple and sincere. Yi An vividly described this feeling of a girl with four movements: sliding, walking, turning around and smelling. In ancient feudal society, women could only hide in boudoir, and should be generous and decent at all times. They are very conservative and have no subjective ideas. Even if you think something in your heart, you will never sneer at it, and you will never show the feelings of girls directly and clearly like Yi An. Wang Zhuo said: "Li Qingzhao" can make long and short sentences, which are full of twists and turns, light and sharp, and full of gestures. Lu Xiang's language is dissolute and his writing is casual. Since ancient times, the family of the gentry, those who can have children, have never been so careless "("Monchi of monks ",Volume II). This criticism also shows that the original intention of Li Qingzhao's ci is objectively against feudal norms.
True feelings are the life of Li Qingzhao's ci. Whether writing about a girl's yearning for ideal love or a young woman's suffering from parting and lovesickness, as well as her irresistible love desire caused by her beautiful moment, all come from her real feelings about life, and all are the voices made by her desire for life, showing the nature and richness of life. This kind of love life is personal and is what many women yearn for and pursue. It is the artistic expression of Li Qingzhao's personal self-consciousness and the natural expression of women's collective consciousness.